jazzbo

I'm not sure why Fat Cat Records are not on cd, but I wish they were. Those twelve volumes of Bechet in Boston, a number of other great lps. . . would be wonderful to have them on cd!

Hmmm. . . I wouldn't really put the Blue Note in my "favorites" list. . . but I really don't have a favorites list with Cannon. I think that more of the Mercury lps could stand to be on this list, and I really love "Them Dirty Blues" and the Riverside material with Teefsky. . . . So I'm firmly in the Harold Z camp!

Yes, wouldn't the Farrell CTIs make a great Mosaic Select? Who's going to write to them and suggest it? I agree that those Xanadus mentioned are very good. Xanadu. . . the little label that really could! The Turrentine is great and Gilberto/Turrentine is okay. . . nice. . . nothing special. I haven't heard any of the others. I'm looking forward to the Desmond and the Deodata/Airto.

I have always dug it! Going to have to spin it this weekend!

Ham Sweet Potatoes, baked, buttered Green beans Brocoli Pumpkin Pie It's just Helen and I this year, we're not enough of turkey fans to buy a bird, and we're going to relax as much as we can. I'm going to try to go see "Alexander". . . with or without her! NO MALLS! NO FOOTBALL!

I have a couple of his cds and a few appearances with Archie Shepp and others. A very interesting vocalist that I enjoy hearing. Should seek out more!

Yes, Adams goes off mic a little too often, and it sure is creepy to see his eyes roll back in his head so often. . . . Great dvd however!

I don't know why he would have had any reason to include it in the box set, none of it ever belonged to RCA! It's a nice cd, and the dvd has the best picture for these film items I've ever seen . . . I hardly think it will be found that cheap though!

Yeah, me too. . . except for the McMastering part! NOT a fan!

Maybe he's just doing the mastering on the Gales? Anyway, we have some of his work for Fantasy!

Here's one bit of information from the web: about Gary Hobish Mastering Engineer Gary brings over 25 years experience as a professional recording engineer/ producer to A. Hammer Mastering. He has been a Mastering Specialist since 1982, with hundreds of albums to his credit covering all genres of recordings- from classic jazz to classic rock, alt-rock, rap and hard rock to folk, classical, spoken word and even sound effects. (Click here or here for a short list of Gary's credits.) In addition to his service in audio, Gary is a longtime respected musician, and brings this aesthetic to bear when you bring your project to A. Hammer for mastering. He knows how hard you have worked to bring your music to a place where you want to share it with the world, and has the combination of mastering experience and musical savvy to help your project find it’s most expressive voice at a price you can afford. Some credits: 1942 Bunk Johnson and His Superior Jazz Band Bunk Johnson Remastering, Digital Remastering 1949 Firehouse Five Plus Two Story Firehouse Five Plus Two Remastering, Digital Remastering 1952 Dave Brubeck/Paul Desmond [1952] Dave Brubeck with Paul Desmond Tape Restoration 1952 Piano East - Piano West Freddie Redd Remastering 1954 Billy Taylor Trio with Candido Billy Taylor Trio Remastering, Digital Remastering 1954 Jimmy Raney: A Jimmy Raney Remastering 1955 All Night Session! Hampton Hawes Quartet, Vol. 2 Hampton Hawes Quartet Remastering 1955 Hope Meets Foster Elmo Hope Quartet/Quintet Remastering 1956 All Night Session!, Vol. 1 Hampton Hawes Remastering 1956 All Night Session!, Vol. 3 Hampton Hawes Quartet Remastering 1956 Jackie's Pal Jackie McLean Digital Remastering 1956 Jazz for the Carriage Trade George Wallington Quintet Digital Remastering 1956 Kenny Drew Trio Kenny Drew Trio Digital Remastering 1956 Lester Young in Washington, D.C., 1956, Vol. 1 Lester Young Digital Remastering 1956 Moondog [Prestige] Moondog Digital Remastering 1956 Music for Lighthousekeeping Howard Rumsey & the Lighthouse All-Stars Remastering 1956 Nice Day with Buddy Collette Buddy Collette Digital Remastering 1956 Zoot! Zoot Sims Quintet Digital Remastering 1957 Earthy Various Artists Digital Mastering, Digital Remastering 1957 Flute Souffle Herbie Mann Digital Remastering 1957 Tonight at Noon Charles Mingus Remastering 1958 10 to 4 at the Five-Spot Pepper Adams Digital Remastering 1958 Big Sound Gene Ammons Remastering 1958 Luckey Roberts and Willie The Lion Smith: Harlem Pian Luckey Roberts w/ Willie Smith Digital Remastering 1958 Other Side of Benny Golson Benny Golson Remastering 1960 Centaur and the Phoenix Yusef Lateef Remastering, Digital Remastering 1960 South Side Soul John Wright Remastering 1960 Teddy's Ready Teddy Edwards Quartet Remastering 1962 Solar Red Garland Quartet Digital Remastering 1963 Soulmates Ben Webster & Joe Zawinul Digital Remastering 1967 Strings! Pat Martino Remastering, Digital Remastering 1968 Eddie Gale's Ghetto Music Eddie Gale Mastering 1968 Tomorrow Never Knows Steve Marcus Remastering 1969 Black Rhythm Happening Eddie Gale Mastering 1969 Sweet Southern Soul Lou Johnson Remastering 1971 Afro-Eurasian Eclipse Duke Ellington Remastering 1971 Circles William S. Fischer Remastering 1971 Invitation to Openness Les McCann Reissue Remastering 1971 L.A. Getaway Joel Scott Hill/Chris Ethridge/John Barb Remastering 1972 Familiar Songs Tom Rapp Remastering 1973 Accidentally Born in New Orleans Alexis Korner & Snape Remastering 1973 Tambu Cal Tjader with Charlie Byrd Mastering 1974 Re: Person I Knew Bill Evans Digital Remastering 1974 What The... You Mean I Can't Sing? Melvin Van Peebles Remastering 1975 Ella Fitzgerald at the Montreux Jazz Festival 1975 Ella Fitzgerald Digital Remastering 1977 Red Alert Red Garland Digital Remastering 1977 Third Plane Ron Carter with Herbie Hancock and Tony Digital Remastering 1978 Complete Galaxy Recordings Art Pepper Assistant 1978 Our Delights Tommy Flanagan with Hank Jones Digital Remastering 1978 Timekeepers Count Basie with Oscar Peterson Digital Remastering 1981 Send in the Clowns [Pablo] Sarah Vaughan with the Count Basie Orche Mastering 1983 Greatest Hits: Non-Stop Dance Party Sylvester Re-Assembly 1983 Two for the Blues Frank Foster with Frank Wess Digital Remastering 1986 Hand of Fate True West Producer, Engineer 1987 Twisted Roots Twisted Roots Guitar (Acoustic), Engineer 1988 Two Steps From the Middle Ages Game Theory Engineer 1991 Piano: East/West Various Artists Digital Remastering 1992 What's Really Going On? Mac Dre Mixing 1993 Who Can Be Trusted? Ray Luv Mixing 1993 Young Black Brotha Mac Dre Mixing 1996 Out & About With Gone Jackals Gone Jackals Producer, Engineer, Mastering 1998 Bay Area's Greatest Hits, Vol. 1 Various Artists Mixing 1998 Blue Pyramid Gone Jackals Artwork, Mastering 2001 Heavy Rescue Om Attack Mastering 2003 Jewels Were the Stars Pearls Before Swine Digital Remastering 2003 Valley Hi/Some Days You Eat the Bear and Some Days th Ian Matthews Reissue Mastering 2004 Barbara Keith [Water] Barbara Keith Remastering 2004 Bird Song: Live 1971 The Holy Modal Rounders Mastering 2004 Live: San Francisco Prophetz of Time and Space Engineer, Live Sound Engineer 2004 Silver White Light: Live at the Isle of Wight 1970 Terry Reid Mastering 2004 Wizard of Is Pearls Before Swine Mastering 2004 You Thrill Me: A Musical Odyssey 1962-1979 Patty Waters Mastering

I think they sound great too! Gary Hobish did the remastering on the two Gales, and possibly on the Pearson and Wilson (I hear similarity).

Those Water reissues of the two Gales are among my favorite reissues of the last few years, in the top twenty. GET THEM GARY! Job very well done! Excellent music!

It's pretty amazing. If you love that California blues of the forties and fifties it's a joy from start to finish. It may be too much of a good thing. . . there's not a TREMENDOUS amount of variety. But man there's knockout music. Good remastering. Great booklet.

I've been watching it and sort of enjoying it. At the same time I think it's STUPID in a way that Alias is stupid (it's all just my opinion and how the stuff hits me with its "tone") and I'll probably stop watching it soon. Dave your theory sounds an awful lot like Phil Dick's "UBIK" or "Maze of Death". . . and I don't think network tv is ready to go there. . . .!

I have the compilation. . . if you like the material on that from this group, you'll like this, and the sound is "better" (crisper and clearer).

This one is great, and the latest reissue has great sound. Heck, I even like the bass player on this, and I don't always like that guy!

Personally I feel it's high time for more late forties early fifties stuff . . . Art Hodes would be fantastic!

Many more happy ones!

It's got some really good Eddie on it. . .imo.

Personally I don't like to mess with the material much as far as noise reduction etc. and I like the stand alone burners a lot. Marty, one alternative if there are audible indexes and it is a bother and it's very important for them not to be there: an unindexed burn.

Hmmm. . . "better way" . . . . The Ayler material is available elsewhere on discs that were (I believe) properly licensed. (I've always seen these as two separate volumes til the Lonehill). The Dexter Gordon and Carl Perkins sessions were previously available only on Japanese cds (again, two separate ones).

That really should be the case, silence with an index between tracks, when there is simple indexing involved; there will be an audible pause insert if you have to actually pause the recording for any reason (turning over the tape, etc.) BUT I have noticed that some machines read these indexes with a slight pause. I have three cd players at home; two of them play these with no interruption, one plays them with a slight pause. (It's the oldest, but I'm not sure that is the factor). That's all I know.

Personally I'm very happy with this set. They may have been able to shift jams around and reduce the total number of discs to four, I honestly don't think they could have kept sequence and made them fit on three, I may be wrong. . . but it's nice to have complete "Jams" on a cd, and the sound is FANTASTIC. I've had lp burns of this material, but they're very nicely remastered here, with a booklet that is well put together.

I bought an HHB this year after doing some research and I LOVE it. You can use PC blanks (you can use the audio ones as well, but you don't HAVE to). You have excellent input gain adjustement, balance for both digital and analog in, can do fades in or out, and really nice sounding converters (both ADC and DAC), and you can defeat or add copy protection to your copy, etc. It has been wonderful to use and has performed flawlessly. You can run in an analog, cd or DAT signal (it won't recognize a dvd signal). Claude, there are two ways to add track indexes on a standalone burner: manually or automatically. In almost all instances however. . . manually. You click a button (depends on the make and model, some you press the "advance track" button, some the record button, etc.) and an index is inserted. If you use automatically. . . it tends to add indexes a plenty, not necessarily where you would like them to be. . . .