Bluesnik

yeah, nice guitar session. also, part of my beloved 5000 series.

Shit, the Chaloff. Just like always: months after getting the Toshiba SBJC it gets reissued here. And nowadays Pacific Jazz reissues are so scarce... It should have been the elusive Fables of Mabel. Oh, well...

I have the Euro pressing and was also surprised by the sound. I suspect these "Impulse originals" are just repressings of mid-90s reissues with no new mastering. When I first spotted this one together with the Gabor I thought I had chanced upon an older US reissue which had somehow found it's way into Euro retail, not being aware of any new Impulse or Verve/Universal reissue series. But maybe it is a new (barebone) reissue series a la the latest Bethlehem Toshibas. That would fit the present restrictive reissue policies of the majors.

Haven't heard any of these, although I ordered some. Glad someone's reissuing Bethlehems in their original format. AFAIK this reissue label was founded by some former members of the Rhino team. So that should be a guarantee. Plus they're supposed to be remastered, in 24 bit I expect, and use original artwork. So they should be better than those Charly Bethlehems. Maybe I'll post again when I've listened to the Mingus and Porgy & Bess.

I was wondering about the same thing. Great to have you around! I really like your stuff. But back to the thread. I always felt there should be a corner for specific remastering issues. I don't know if you intended this thread to run in that direction. But anyway... With all the talk about K2s vs. SBM, 20bit-excellence vs. 24-bit sound accuracy and more general bitrate discussions I always wonder if anybody noticed we already have 32-bitters around, and have had for quite a while. Ahmad Jamal's But not for me in its Chess 1997 reissue is one example. I discovered it while giving that excellent piano trio date a relisten some months ago. And I must say I was positively surprised about the sound before looking at the sleeve. But I'm no expert in that matter and maybe the wordlenght is just one parameter that can easily be pushed at the expense of another one. I don't know. But the sound I must say is great. I don't know if that was a rarity or ahead of its time. But if the technology exists I wonder why today's standard is the 24-bit remaster.

Oh my, ... holy cow, the Best from the West! I was going to start a thread for it, but since it's already been touched here... I have been trying to get hold of these in any form and for a decent price for some years now. That's very good news to me. Compliments again to the people at Lonehill: a new hit in a row of already excellent reissues. And AFAIK, this one like all the others is completely legit.

I'll endorse all those reccmendations. This is a great set with outstanding music. If you want bop in it's purest form you needn't look further. I love it. And the sound is good too. And if you develop a taste for Fats Navarro there's another set that might quell your thirst. It's The Fats Navarro Story on Proper. Not the older release which was divided into volumnes, but the full 4CD set. I think it's from 2000. Haven't heard it but I have been told the selecction is very good (mostly culled from his SAvoy releases) and so is the sound. Considering its price tag I might go for it myself one of these days.

The other day I gave The Complete Atomic Basie, also on Roulette, a relisten and was surprised at the great sound. It's from 1994 and sounds much better than the average reissues of the day. Obviously Addey had his hands at it. I still have got to find an Addey remaster that sounds bad. And I have some. Even Blue Notes (see relevant thread), although admittedly they're not from the 1500 or 4000 series.

Must say I've been a McKusick fan for some time now. I really like that chamber jazz concept. One I've been enjoying for a long time is his "Quartet", also known as East Coast Jazz Nr. 8 on Bethlehem. It's a really stripped down session with a bare bones approach but with very lyrical playing and great guitar and alto. I'm not sure it's the quartet side with Barry Galbraith mentioned earlier in the thread. It must be, unless there's another session with that formation. And it's being (or been) reissued in Japan these days. Very recommendable. I pick up everything I can in that eastern chamber jazz vein.

And don't forget the Chairmen fo the Board reissue, also a Roulette and also touched by the Addey magic. Just a reminder.

Great idea for a thread So what about all that label sale affair? Any indicators confirming the rumours? Any news? My antennae are picking up movement on that front. A massive Fantasy catalogue restock has just (well, actually one or two weeks ago) hit my favorite jazz shop with loads and loads of titles I hadn't seen in years and many more I'd never seen before, like all that soulful late 60s sides (Houston Person et al) or many early 7000s Prestiges (Two Trumpets ...). Trouble is they're all ZYX. But anyway, many of them are hard enough to find in this incarnation. So I think I'll go down tomorrow to get me some, even though I wanted to wait a week or two before revisiting the store and even though I have lots of other items higher up in my wants list. But I guess I won't get another chance to grab many of them. I only have a couple of questions: is Fantasy really on the brink of extinction? And how are US OJCs compared to ZYXs. From what I have seen I'd say they're mostly earlier remasters. But how is sound? And is there some evidence of aonther label buying up that catalogue? The idea of someone starting a proper reissue program with it is really appealing. But it might as well go the other way round: bought up and locked away in the archives. Oh my, more spending

I suppose you're aware of this, but I'll remind you just in case: House of Blue LIghts is to be reissued in Japan sometime in NOvember or December, I guess. I'll probably pick it up. I'm a big Costa fan and have been hunting down that one for quite a while.

I'm sorry I have to say it's not in print (he, he, he) but I have this one from the 7000 series. A nice slice of trad jazz from the days before Blue Note fully embraced bop. Small format dixieland with Sidney Bechet and much hot playing. I particularly like the 2/2 stomp that underlies many of the tracks. Recommendable.

I have it, but can't comment since I still haven't heard it. Picked it up very cheap not long ago. It seems to have been repressed or come afloat again. What's funny about it is that it's a Blue Note, with regular logo and everything. So it must be a kind of rarity. One for the completists or label fetishists. On a different note, I got around to listening to the second CD of Fresh Sound's Early Years and it's still better than the first one. Apart from a short trio live date at the end it's made up of studio trios and quartets. With mainly Joe Mondragon, Shelly Manne, Lawrence Marable and Larry Bunker on ... vibes. The real treat for me is that quartet with Larry Bunker on vibes. The interplay between Hawes and Bunker is fantastic. It reminds me a bit of Farlow and Eddie Costa's. I know, it's a different beast, but the feel is the same. Those fluid interleaved lines and that stop and go motion. Great. Sound's much better on those studio dates too. I have heard it many times since. And that cover shot! I can't take my eyes off it. It's such a powerful picture. One of the best jazz portraits I have seen. From the moment I set my eyes on it I thought, William Claxton! But it's not credited on the inlay. You know how the filks at Fresh Sound are.

Oh, yes! This is a great set. Very cohesive material that makes for a good compilation. I love Horace Parlan. And I do like him precisely because of his rythmic attack, among other things. And the interplay with the Turrentines and Booker Ervin is great. Happy Frame of Mind has to be my favorite album, together with Us Three and In the Spur... and and. But I also have most of his BN output in album form. I like the album format too much. And that's precisely the one argument that could be held against it: it's not an essential set, everything's readily available. Of course there's the booklet and the sound, which might be the reason I got it in the first place.

Listened to that one the other day and it's great. Definitely more East than West, even though it was recorded in Hollywood with the usual suspects. Still, there's bits of cool in the playing and more swing than usual. So, it lies somewhere in between to my ears, though probably not in the middle.

Oh, I must have overlooked this thread ... I fully agree with Late: these are my two favorite Pell albums. Another one I'll be getting sometime is Campus Hop on RCA, which might be good, but Im not sure. With the load of easy listening albums he produced in the sixties (Dave Pell Singers and all) there's much weak material around. But in his early days with the usual LA gang (Gordon, Sheldon ,) he was great. I put a strong vote in for these two.

It's a fantastic set, well documented and one of Fresh Sound greatest projects. I just wish they would get around to compiling and issuing a Vol.2. But I also heard that this what not planned right now.

I think my next VICJs will be some new titles I still don't have. I'm not much of an upgrader and am normally happy with what I have. Even some early 90s CDs. I only pick up reissues of records I already have in very special cases, or when I can get them cheap. But I never really warmed to the ZYX OJCs, soundwise and packagewise. How can somebody produce such an unappealing object with such great source material? So I will slowly replace them over time. With VICJs or US K2, wherever these are cheaper. From what I have I'd say the Bill Evans are the prime candidates. The other day I was listening to New Jazz Conceptions in its 20bit edition and thereafter to Kenny Drew Trio, a great, great piano trio session IMO, as an earlier '92 Fantasy remaster. And it sounded much better. The rest will or will not follow, but only at lower priority, compared to getting new material. Oh, and I forgot, there is a bunch of VICJs reissued in 09/04 which are supposed to be a budget edition at 1500¥. But I don't know the full list. Maybe it's on the Losin site. I know the most popular titles are in there.

These are a must for me and I think I'll go for the Lonehills. Much as I'd love to get the Japanese sound and packaging I'm not willing to spend more than four times what the Lonehills would cost me. And there are enough other Japanese things I want to pick up. So as long as I have a decent alternative I think I will decide against them. I have been listening to the Jazz Lab reissue for a couple of weeks now and I'm more than satisfied with the sound. It still breaks my heart though to let them pass me by and I still catch myself with "and if...?" thoughts from time to time. It's different when there's no alternative to that compilation format, except maybe vinyl. And I also dislike the way they throw those albums together. I'm a sucker for 50s album artwork and facsimile editions and love having everything in original packaging and sequence. But I guess if they can't use the original artwork and reproduce the album release as it was in the day they want to go the added value route and sell it from a "complete whatever" or compiled sessions angle. How did they do those Jubilee, Dootoo, Dawn et al. reissues before though, I ask myself? Or the recent Crown Conte Candoli or the Johnny Mehegan Quartet I'm planning to pick up*? I think I know the answer ... * I knew nothing about that one before checking AMG. In the book or the Penguin I couldn't find him. But Kenny Dorham as sideman (and the cover, I must admit)called my attention. I'll see. Maybe I post something in the Artist forum to find out...

Maybe I'll do it too. It's a great image. I have a BN screensaver on at work and I like having Dexter Gordon on A Swinging Affair or the dancing typo on Cool Struttin welcoming me back after my lunch break. Thanks Jim and Couw for your help.

Thank you, Jim R. I have that image, plus a couple more from the net. But as you say they're not the cleanest images or pretty low res. I wasn't sure they would print well. Also some of them wre a bit dark. This one is fone, but like all from gokudo, looks as if it was scanned with the plastic sleeve on. But with couw's retouching I think it'll do. I will print out a test and see. Thanks, Couw.

I like Hawes a lot. As sideman (one session that comes to mind is the Bud Shank with Bill Perkins one which is actually half of Bud Shank & Shorty Rogers on Pacific Jazz) or leader. Just last night I was listening to Early Years, a new compilation of trios and quartets recorded in live and studio settings between 51 and 55, predating his first recordings for Contemporary. I have only heard the trio live sessions so far, but I liked them a lot. They were recorded in 51 and 52 at The Haig and a Surf Club with Joe Mondragon and Shelly Manne, Lawrence Marable and Larry Bunker. Sound's so so, but not bad considering they're club recordings. What I don't know is the source of that material, if it's been issued before and where. I must admit I still haven't read the liners. But for Hampton Hawes fans I'd recommend it. It's an interesting glance at his, errr ... Early Years.

I'm looking for a cover scan of Lee Morgan's The Cooker, preferably the TOCJ edition. I already have the back cover and think I could make up the spines, but if you could provide that as well (back and spines in one piece) it'd be much better. I would need a (home) print quality scan. If anybody could help me out with that he/she would make me very happy. Thanx.

I'm considering replacing some of my ZYX and regular OJCs with K2 remasters in the near future and am trying to decide which route to go: Japanese or US domestic. Are the domestic Fantasy K2s sonically equivalent to the VICJs? And in which cases do you consider the improvement over the ZYX 20 bit remasters or even the older OJCs to be barely noticeable? I'm particularly considering the Miles, Bill Evans, Monk, Sonny Rollins, Coltrane and McLean material. I'd appreciate your opinion and help with this.