Steve Reynolds

But there are numerous configurations including Brandon Seabrook, Mat Maneri & Ben Gerstein. So at least it isn’t 6 hours of the same group. Plus from what I remember the hour set was all kinds of different throughout and very unpredictable. I had no idea what they were doing as far as the compositional elements. Omg - very surprised the Americans have traveled during the ongoing nightmare of the Covid 19 pandemic. Dream line-ups in normal times - I’m just waiting for a good 1 or 2 set night with some of the great NYC improvising masters!!!

I also think Clockwise is too rigid. I’m a sucker for avant-garde large ensembles. Let’s hope it’s not too composed/worked out.

I’m very interested in the new 2 CD set from Anna Webber (plus her trio & large ensemble that is featured on this recording is playing on September 23rd at Roulette in Brooklyn) plus a 6 CD set from Snark Horse (co-led by Matt Mitchell & Kate Gentile). I saw a version of that group pre-pandemic at The Stone and it was pretty amazing and very unique. Both on Pi recordings which is usually a very good sign. I liked Webber’s Clockwise but I’ve been up & down on Mitchell’s recent releases although they are very unique and he puts a whole lot of thought and work into his music. His music is almost sui generis. Off topic a bit - but here’s hoping that the covid numbers peak soon and then decline by the concert date in September. I e seen one live concert (Kris Davis’ Capricorn Climber 6 weeks ago or so) but I’m less comfortable with what’s happening now. The Stone has now tentatively set mid-October as a start date with Kris Davis playing in various groups the week of October 19th and Mary Halvorson playing the week of October 26th.

All in - very excited to hear these 7 shows - the legendary 10/18/72 show is one I’ve avoided listening to as I’ve expected an official release for a while. The 10/29 & 10/30/73 shows are from the sweetest of sweet spots in Dead history - maybe only late November & December 73 are more melty. Keith’s peak is summer through winter 73. Plus look at those set lists on the 72 & 73 shows?!? 3 Bird Songs on the 3 Fox Theatre 72 shows plus the amazing jam sequences on all 5 of the 72 & 73 shows. I’m less enamored with late 71 as Keith was finding his way but word is that 12/10/71 is a very hot show.

Yes they get them into a studio but the live recordings released by these and other labels over the past 15-20 years often sound incredible. Think of the Brotzmann 3 nights in Oslo box set and of course the 4 Barry Guy box sets on Not Two. They make a mockery of what Clean Feed puts out.

Btw the Selva trio from 2019 Canicula Rose is quite good

I’m not sure. I read the last 2 day’s comments. I’ll stream a couple of them but it seems they hear greatness that I just don’t hear. I still think the sound quality (lack of openness and dynamics) isn’t up to snuff. Inferior to Astral Sprits, Not Two, Intakt, Firehouse 12, No Business and various other specialty labels. I’m listening to the Fog Horn releases from 10 to 20 years ago from Tony Bevan and they ALL sound better than any Clean Feed recording I’ve ever heard. sometimes I think they could even ruin the sound of John Edwards & Sunny Murray

Vaccination rates are high here in the northeast near and around NYC and COVID cases are very low - for a double vaccinated person like myself it isn’t risky at all. I’m wondering why more local venues are not opening. I’m pretty sure by September the vast majority will be hopefully including the Village Vanguard and The Stone @ The New School. Major sporting events and concerts have been held at Madison Square Garden and other arenas at full capacity for almost 2 months and no increase in COVID cases have occurred. In fact COVID cases since 5/25 have decreased by a factor of 4 - no doubt due to the vaccine. I’m thrilled to be back fully integrated into society. It’s even more sweet knowing my wife and I were extremely cautious following all protocols. Living in Wayne, NJ (on the border of Bergen County, NY), we lived in the highest COVID infected region in the world last Spring.

Hopefully the rest of the venues will start re-opening soon. Right now it seems most are targeting September. I don’t see any additional wave of COVID here as the numbers are low and the vaccination rates are high and still adding to the % of population albeit slowly.

They specifically said they are not streaming the Friday & Saturday night shows. It was recorded and a video was made but not by the jazz gallery.

Concert was incredible - fully attended both sets. No mask requirement. Band was highly inspired being their first show in 15 months in front of a live audience. Kris was VERY emotional after the end of each set while introducing the band. Tom Rainey blew the roof off the place. First 10 minutes second set all-timer. Rainey even smiled. He remains as great a jazz drummer as exists in this world. Certainly the most dynamic and most cliche free dude I know of. first set fully improvised as they ignored the charts. Second half of second set they tried out some/a couple of Kris Davis’ new material for the group. As expected Mat Maneri was magical serving the band and Ingrid has never sounded better and for me I’m happy she only brought her tenor sax.

Tonight live and in person from the front table Capricorn Climber which is: Kris Davis: grand piano Trevor Dunn: double bass Ingrid Laubrock: tenor & soprano saxophones Mat Maneri: viola Tom Rainey: drums 7:30 & 9:30 sets jazz gallery in NYC it's time for the other clubs/venues to open - I’m hoping they ask for proof of vaccination but I’m thrilled to see the great ensemble live no matter what - I’ve seen them twice 6-7 years ago and if all the modes and vibrations line up, they can be spectacular. Mat is, of course, the linch pin to the whole thing. Get Ready to Receive Yourself

So what is the line-up?

Not on the weekend concerts including these shows

Jazz Gallery - looks like these upcoming weekend shows are going to be full capacity The weekend before is Mary Halvorson, Taylor Ho Bynum & Tomas Fujiwara

2 sets each night in NYC - 7:30 & 9:30 first night (Friday) will be my first live concert since 3/2/2020 Capricorn Climber is: Kris Davis: piano, leader Ingrid Laubrock: tenor & soprano saxophones Mat Maneri: viola Trevor Dunn: bass Tom Rainey: drums 1 or 2 of the 4 sets I heard from this group maybe 7-8 years ago were among the best sets of music I’ve ever experienced excited is a vast understatement

Plus you have NO idea what my viewpoint is on many other “social justice” issues. You might be surprised.

Obvious to me - seems some others here can’t grasp that. glad I never liked his music in the least

Agreed - especially since most of the jazz/improv musicians I know of in NYC are supportive of woman musicians - and there are more great woman playing than ever before. I believe that the *only* thing that matters to any of the great leaders in the scene I love dearly is if you can play. And the standard to play with these musicians is exceptionally high. This type of bullshit behavior has no place in this world.

Vision Fest 25 in both downtown NYC & Brooklyn (7/22 through 7/31) I’m moving that week but somehow I will see live music for the first time since March 2nd, 2020. All locals but some great ensembles including a David Murray Octet, Tony Malaby Quartet with Ben Monder, Michael Formanek & Tom Rainey, Whit Dickey trio with Rob Brown & Mat Maneri & an amazing Joe McPhee Octet !!!!

Saw him numerous times at Cornelia Street Cafe. He had great bands but of course his participation in the great Thomas Chaplin Trio is what I will always think of. Started playing bass in his mid-20’s IIRC. a couple of his recordings from the 90’s really resonated with me when I was discovering the “downtown” scene. “Dancer’s Tales” is a great one.

He’s also an excellent trombonist. I think he’s a very very good pianist - I’ve seen him play in bands with pianists were not as good as he was when he sat on the piano bench for a portion of the shows.

Starting in on the IST 5 CD box. Sounds awesome and there is little I love more than dynamic improvisation with strings. Methinks I might truly treasure this collection. I love how they create percussion with their instruments. Important for me to let go of who is playing what.

I’ll sleep and think on this:) maybe 15 to 20 years ago. Maybe. The many sets I’ve seen and heard him play from 2010 up through early 2020 when everything shut down revealed as unique approach to the saxophone within jazz based structures (whether the music had charts or not) as anyone playing today. He’s certainly not universally appreciated. In fact I know many naysayers who just cannot deal with his approach.

Would love to have seen that. My take on Ochs is that he almost oblique to an extreme and it seems like he almost consciously avoids settling into any routine in his improvising - especially long held altissimo screams. I love him with What we Live and even more with Jones Jones (a trio with Mark Dresser & Vladimir Tarasov). His Fictive Five group which includes 2 bassists, Nate Wooley & Harris Eisenstaedt is spectacular. Not a Traneism to be found anywhere.