Rabshakeh Posted December 2, 2023 Report Posted December 2, 2023 (edited) Milford Graves - BABI People can talk Reid Miles all they like, but the felt-tip with visible smudge and obviously-traced devanagari script era was the real high point of graphic design in jazz. This record is not Nommo. BABI is obviously a major statement, but it is one that is quite funny in its own extremity, whereas Nommo to my ears is the purest distilled magic that the free-er end of our genre offers. Both great records though. Edited December 2, 2023 by Rabshakeh Quote
Rabshakeh Posted December 2, 2023 Report Posted December 2, 2023 Now onto this favourite from the same era, and still my most loved Sun Ra: It's been interesting watching the plummetting interest in this era of Sun Ra go in the last twenty years coincide with the rediscovery of late 70s Sun Ra and the retrospective arrival of Languidity as his major statement. Quote
jazzcorner Posted December 3, 2023 Report Posted December 3, 2023 (edited) Interesting Info by west coast researche Mr. Jim Harrod in another forum: It is good to know that the Pacific Jazz archive is still being mined for reissues although I’m not among the market for these high end analog vinyl gems in Blue Note’s “Tone Poet” series. LP’s to be reissued in 2024 include: Gil Evans - Great jazz Standards, Chet Baker Sings & Plays (PJ-1202), Lee Konitz Plays with Gerry Mulligan, Gerald Wilson - Moment of Truth, The Remarkable Carmell Jones, Joe Pass for Django, Chet Baker / Art Pepper - Picture of Heath, and Curtis Amy / Dupree Bolton - Katanga. Here is the announcement from Jazziz: Blue Note Announces 2024 Tone Poet Reissues: Blue Note Records has announced the 2024 lineup for the Tone Poet Audiophile Vinyl Reissue Series. The series is produced by “Tone Poet” Joe Harley and features definitive all-analog vinyl reissues of acknowledged treasures of the Blue Note catalog, as well as underrated classics, modern-era standouts and albums from other labels under the Blue Note umbrella, including Pacific Jazz, Transition and United Artists. Newly announced titles begin January 5, at the start of Blue Note’s 85th anniversary year, with the release of Elvin Jones’ Poly-Currents (1969) and Lou Donaldson’s Midnight Creeper (1968). Edited December 3, 2023 by jazzcorner fat text Quote
soulpope Posted December 3, 2023 Report Posted December 3, 2023 8 hours ago, Rabshakeh said: Great platter and cover photography .... Quote
Clunky Posted December 3, 2023 Report Posted December 3, 2023 (edited) On 11/28/2023 at 4:31 PM, clifford_thornton said: And yeah, Independence: Tread on Sure Ground is a great record. I have the 1980s Union pressing which used to be fairly cheap... not sure whether Cinedelic is legit but at least if it sounds good that's something. I know Jeff has an original 1970 pressing of that record, which is very tough to come by. I couldn't immediately lay my hands on my copy of I:ToSG but looking at Cinedelic's reissue of Togashi's "Speed and Space" it states that it's licensed from Teichiku Co. Ltd. Label reproduces original (?) Union label and has Japanese OBI ! This reissue also has great sound and on the face of it appears legit. Edited December 3, 2023 by Clunky Quote
jazzcorner Posted December 3, 2023 Report Posted December 3, 2023 2 hours ago, Chuck Nessa said: 👍 😁 Quote
kh1958 Posted December 3, 2023 Report Posted December 3, 2023 Howard Rumsey's Lighthouse All Stars, volume 6 (Contemporary) Quote
BillF Posted December 3, 2023 Report Posted December 3, 2023 2 hours ago, kh1958 said: Howard Rumsey's Lighthouse All Stars, volume 6 (Contemporary) 👍 Quote
jazzcorner Posted December 3, 2023 Report Posted December 3, 2023 2 hours ago, kh1958 said: Howard Rumsey's Lighthouse All Stars, volume 6 (Contemporary) All his groups are excellent West Coast music. All here in vinyl Rumsey,Howard Vol 1 Sunday Jazz a la Lighthouse Vol I 1953 Contemporary 3501 Rumsey,Howard Vol 2 Lighthouse Allstars at Laguna 1955 Contemporary 3509 Rumsey,Howard Vol 3 Lighthouse Allstars 1952-55 Contemporary 3508 Rumsey,Howard Vol 4 Lighthouse Allstars (flute/Oboe) 1954-56 Contemporary 3520 Rumsey,Howard Vol 5 The Lighthouse Allstars In the solo spotligh 1954-57 Contemporary 3517 Rumsey,Howard Vol 6 Lighthouse Allstars 1954-55 Contemporary 3504 Rumsey,Howard Vol 7 Music for Lighthousekeeping 1956 Contemporary 7528 Quote
Clunky Posted December 5, 2023 Report Posted December 5, 2023 (edited) Ernst Raijseger & Alan "Gunga" Purves---------Cellotape & Scotchtape-------(Data) 1981 Beautiful duet. I was lucky enough to catch Gunga guest recently with Playtime quartet. He was born here in Edinburgh but seems to have spent most of his career in Amsterdam. His style is very reminiscent of Han Bennink. Edited December 5, 2023 by Clunky Quote
Rabshakeh Posted December 5, 2023 Report Posted December 5, 2023 Just now, Clunky said: Ernst Raijseger & Alan "Gunga" Purves---------Cellotape & Scotchtape-------(Data) 1981 Beautiful duet. I was lucky enough to catch Gunga guest with Playtime quartet. He was born in Edinburgh but seems to have spent most of his career in Amsterdam. His style is very reminiscent of Han Bennink. This looks good. I'll track it down. Quote
sidewinder Posted December 5, 2023 Report Posted December 5, 2023 On 12/4/2023 at 10:09 AM, jazzcorner said: I remember seeing him once - must have been right at the end of his career. Quote
Kevin Bresnahan Posted December 5, 2023 Report Posted December 5, 2023 49 minutes ago, porcy62 said: Japan Great session. I have the vinyl as well but I find myself playing the CD a lot more frequently. It sounds wonderful on CD and the bonus tracks are fun. Quote
porcy62 Posted December 5, 2023 Report Posted December 5, 2023 (edited) Japan Edited December 5, 2023 by porcy62 Quote
Kevin Bresnahan Posted December 5, 2023 Report Posted December 5, 2023 (edited) Richard "Groove" Holmes - Get Up & Get It! (Prestige). I wanted to like this date more than I did. This is my second time playing it & my opinion hasn't changed much. It has a killer band with Groove, Pat Martino, Teddy Edwards, Paul Chambers & Billy Higgins but they don't always sound like they're on the same page. There are some good things on here. The blues on side 2, Groove's Blues Groove (B2) is nice. The title track has it's moments as does Broadway, but I am really not a fan of their cover of Pennies From Heaven (B3) and from Teddy's solo effort here, it sounds like he wasn't either. It also has some weird multiplexed organ stuff during Groove's solo that sounds awful. It's like Van Gelder split the feed and delayed one channel versus the other but reduced the delay as Groove kept going. And Groove hits this sustain note during the out chorus that makes me think he's just fucking with my dog. The other tune that just didn't sound great was Teddy's original (A2) Lee-Ann. I didn't find it to be a good attempt at a bossa tune & Groove's organ effects (Van Gelder's?) really don't fit the tune. So I guess it's just 2 out of 6 tunes that I wasn't digging. Edited December 5, 2023 by bresna Quote
jazzcorner Posted December 5, 2023 Report Posted December 5, 2023 51 minutes ago, sidewinder said: I remember seeing him once - must have been right at the end of his career. Re Al Viola like his playing very much. A quite underrated and not too well known guitarist from the west coast. Many years ago we had Ralph Towner for a solo concert in your club in Germany. 19 minutes ago, bresna said: Richard "Groove" Holmes - Get Up & Get It! (Prestige). I wanted to like this date more than I did. This is my second time playing it & my opinion hasn't changed much. It has a killer band with Groove, Pat Martino, Teddy Edwards, Paul Chambers & Billy Higgins but they don't always sound like they're on the same page. There are some good things on here. The blues on side 2, Groove's Blues Groove (B2) is nice. The title track has it's moments as does Broadway, but I am really not a fan of their cover of Pennies From Heaven (B3) and from Teddy's solo effort here, it sounds like he wasn't either. It also has some weird multiplexed organ stuff during Groove's solo that sounds awful. It's like Van Gelder split the feed and delayed one channel versus the other but reduced the delay as Groove kept going. And Groove hits this sustain note during the out chorus that makes me think he's just fucking with my dog. The other tune that just didn't sound great was Teddy's original (A2) Lee-Ann. I didn't find it to be a good attempt at a bossa tune & Groove's organ effects (Van Gelder's?) really don't fit the tune. So I guess it's just 2 out of 6 tunes that I wasn't digging. After your critic I have to play it again. Cant remember those 'weak' spots you did mention. Thankjs for the comments. 1 hour ago, porcy62 said: Japan 😁 👍 Quote
sidewinder Posted December 5, 2023 Report Posted December 5, 2023 3 hours ago, jazzcorner said: Re Al Viola like his playing very much. A quite underrated and not too well known guitarist 😁 It was on his own turf in the LA area that I saw him. It was part of a larger group, a recreation of one of those vintage West Coast sessions. Quote
jazzcorner Posted December 5, 2023 Report Posted December 5, 2023 1 hour ago, sidewinder said: It was on his own turf in the LA area that I saw him. It was part of a larger group, a recreation of one of those vintage West Coast sessions. RE Al Viola congrats to see him life. Here are more Items in my stock Just now, jazzcorner said: RE Al Viola congrats to see him life. Here are more Items in my stock Quote
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