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Lee Morgan: Taru


Durium

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Could this session be considered Benson's best contribution to a Blue Note date?

Considering that he's (arguably) the most consistently strongest voice on Reach Out, maybe not?

Regrettably, in that particular case, that's not really saying very much. I think his contribution to Lou Donaldon's "Alligator bogaloo" was crucial to the musical importance and commercial success of that album, which remains an indelible classic of Soul Jazz. (Much more so than to "Midnight creeper" on both counts.)

(Mind you, I haven't heard "Taru".)

MG

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Spinning this one again now. The Conn CD is sounding not at all bad, sonically. :tup

Ah, those Supercaps :rolleyes:;)

Yep, porcy - I'm sure it's helped. I'll pop on the LT-series vinyl and see how that one sounds too a bit later. I remember when that one came out on LP around 1980 it was difficult to source over here as (unlike the first of the 'Rainbow' series which were also UK pressings) - it was only available as a US pressing. So I didn't get to hear this one, 'Mother Ship' and 'Medina' for some years afterwards. Only the specialist shops here had a very limited stock of these titles.

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Spinning this one again now. The Conn CD is sounding not at all bad, sonically. :tup

Ah, those Supercaps :rolleyes:;)

Yep, porcy - I'm sure it's helped. I'll pop on the LT-series vinyl and see how that one sounds too a bit later. I remember when that one came out on LP around 1980 it was difficult to source over here as (unlike the first of the 'Rainbow' series which were also UK pressings) - it was only available as a US pressing. So I didn't get to hear this one, 'Mother Ship' and 'Medina' for some years afterwards. Only the specialist shops here had a very limited stock of these titles.

I am spinning some LT's right now and, overall, they are better then I remember, also in this case, the TT helps.

After a lot of years, and having owned several different stuff, from very cheap to outrageously expensive, I am not really convinced about the fact that hi-end rigs reveal bad recording/pressing/mastering. A really bad sounding record is a bad sounding record, period, no matters if you play on a cheap TT rather then on Michael Fremer's rigs. Often it works just the opposite: a record that you thought bad on a cheap TT, sounds good on a better set up.

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