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Bill Dixon


A Lark Ascending

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Thanks for posting that Bev. I'd be curious to know how your students might react to Dixon's recollections, if you use them in class.

I got a kick out of these quotes near the end:

"I studied music because I was interested in music. I never intended to become a musician to become a musician, but before you know it, you're in it," said Dixon. "Music is still a mystery to me. I don't totally understand it."

"There were doors closed and you were not admitted. ... I've done all those things that I was not supposed to do and I am known today for a thing that has affected music very profoundly. There is a way that I do things that other people now follow," said Dixon.

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I'm only using the first half up to 1945 - it's a nice first hand exemplar of what they're reading about elsewhere.

Though they have been treated to Big Bill Broonzy ('Black Brown and White') this week and will get a dose of Josh White ('Uncle Sam Says') in the lesson that Mr. Dixon makes an appearance.

Lots of scope for Mingus, Aretha Franklin, Sam Cooke, Coltrane etc later on.

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That would possibly explain why he was such an irascible fart in the mid Sixties when I had more than my fill of him. :)

Whether you got along with him or not, Chris, shouldn't distract from his importance to this music.

Thanks for posting, Bev.

You are right, but I never thought much of his music,at least not as it was in the mid-Sixties.

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Guest Bill Barton

The new release on AUM Fidelity by Dixon is fascinating. Unless I'm mistaken it's his first large ensemble recording (at least under his own name) in a long, long time.

It's 17 Musicians in Search of a Sound: Darfur. I haven't had a chance to digest it in depth yet, but first impressions are very positive indeed. Anyone (like myself) who is inordinately fond of lower register instruments will love this group: bassoon, bass clarinet, Bb contrabass clarinet, bari sax, bass sax, double bass, cello...

Gorgeous compositions and arrangements...

Highly recommended.

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That would possibly explain why he was such an irascible fart in the mid Sixties when I had more than my fill of him. :)

Whether you got along with him or not, Chris, shouldn't distract from his importance to this music.

Thanks for posting, Bev.

You are right, but I never thought much of his music,at least not as it was in the mid-Sixties.

Well, he's still making music that you might do well to at least give a spin.

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FWIW, I loved Dixon's music from the beginning. The quartet record with Shepp was acquired while I was still in school. I think the RCA lp was a minor masterpiece. But, like Chris, I had lousy dealings with him (mine in the early '70s) and from what I hear from friends involved in his Chicago appearances, he is still that guy. Blame the system or blame Bill Dixon - he's still a first class jerk in my book.

I still buy and listen to his music.

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FWIW, there was a great story/interview w/ Dixon in Wire two issues back.

Yeah, it was nice. I did a pretty extensive piece slated for STN that due to reasons I won't get into here, got shelved (not Bill). Hopefully it will see the proper light of day.

Bill's not an "easy" person to deal with, but nor is his music "easy." I approach him and his work with the same ears, and it has worked out very well. Of course, that was purely from a writer's standpoint and not a producer's or a record label's.

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