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Beatles Remasters coming! 09/09/09


Aggie87

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Even though I didn't own a Beatles record until 1973, they were part of the sountrack of my childhood via the radio.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

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Even though I didn't own a Beatles record until 1973, they were part of the sountrack of my childhood via the radio.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

I can understand that. I deliberately steered clear of them in the first few years of my record buying and did not get fully drawn in until much later. In 1970 they seemed a bit like pre-history, something warm and fuzzy from a half-remembered youth but not nearly as interesting as Yes or King Crimson. Once the adolescent urge to react against what was mass popular had been bypassed I found that I really enjoyed this music...and could see how much I was listening to in my own time was drawn directly from them.

The hype thing is very interesting. The posters on this site are pretty wise to the way the industry tries to manipulate us for commercial gain. Yet so many of us have gone for this package in one form or another - some, like me, after initially protesting our indifference. Makes you think about the sheer power of a sustained marketing campaign.

I'm also intrigued by the BBC. On its own websites it is extremely sensitive to any form of marketing. On the folk and acoustic site links and announcements are quickly purged if there is the slightest danger of them appearing like a commercial overture. And yet over the last couple of weeks we have had sustained Beatles coverage on radio and TV. I'm not suggesting the BBC are secretly in league with the powers behind these reissues - I'm sure they would argue that they are just responding to a popular interest in these reissues. But it's a rather fine line!

Edited by Bev Stapleton
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Even though I didn't own a Beatles record until 1973, they were part of the sountrack of my childhood via the radio.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

It's never too late. Why not pick up an album like Revolver or Rubber Soul and see what you think.

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I'm also intrigued by the BBC. On its own websites it is extremely sensitive to any form of marketing. On the folk and acoustic site links and announcements are quickly purged if there is the slightest danger of them appearing like a commercial overture. And yet over the last couple of weeks we have had sustained Beatles coverage on radio and TV. I'm not suggesting the BBC are secretly in league with the powers behind these reissues - I'm sure they would argue that they are just responding to a popular interest in these reissues. But it's a rather fine line!

The BBC 4 coverage over the last few days has been amazing - I slept through most of it though. A couple of intriguing documentaries - the one about the 'Beatles Sound' and its gradual evolution looked good. As did the one about the 'Beatles and the Russians In The Cold war' which seemed to be implying that they were a secret NATO weapon with the illicit flexible disks that could be hidden under shirt sleeves. :unsure:

Even though I didn't own a Beatles record until 1973, they were part of the sountrack of my childhood via the radio.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

It's never too late. Why not pick up an album like Revolver or Rubber Soul and see what you think.

Yes, good idea - I think I will, just to check it out. Those look like good suggestions.

Edited by sidewinder
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!

:

.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

It's never too late. Why not pick up an album like Revolver or Rubber Soul and see what you think.

Yes, good idea - I think I will, just to check it out. Those look like good suggestions.

Come to the Dark side my son :cool:

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Even though I didn't own a Beatles record until 1973, they were part of the sountrack of my childhood via the radio.

I've never owned a Beatles record and the whole thing is lost on me I'm afraid. Possibly due to hype and over-exposure growing up 'Oop North' when they were in their heyday.

I won't be buying the mono set..

I'm also intrigued by the BBC. On its own websites it is extremely sensitive to any form of marketing. On the folk and acoustic site links and announcements are quickly purged if there is the slightest danger of them appearing like a commercial overture. And yet over the last couple of weeks we have had sustained Beatles coverage on radio and TV. I'm not suggesting the BBC are secretly in league with the powers behind these reissues - I'm sure they would argue that they are just responding to a popular interest in these reissues. But it's a rather fine line!

I remember when the Beatles were knighted. There was a lot of controversy around that - the Queen stooping so low as to give the honor to a bunch of pop singers! The explanation given was that the Beatles were ambassadors for Britain (absolutely true - how many of us in the States would have even been aware of England if it weren't for the invasion?), and they brought a lot of money home to England.

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Listened to Beatles For Sale in both mono and stereo and must go for the stereo this time. There's none of the old wishywashy vocals on the right, band on the left anymore, just an exquisitely balanced sound that is beyond comparison to the old cd. Rocks big time, and then some.

Agreed. Beatles For Sale is by far superior in stereo. The mono mix of Beatles For Sale is flaccid, impotent and lifeless--no balls. A hyper-compressed, lifeless anemic sound. In contrast, the original stereo mix of Beatles For Sale is less processed, more dynamic and has better bass definition and the instruments can be heard in better detail.

Edited by monkboughtlunch
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Does anyone know or understand the rationale for including the original 1965 stereo mixes of Help! and Rubber Soul in the box? I presume they differ from the new mixes in the Stereo box. Also, why only these 2 albums?

:unsure:

Help and Rubber Soul are not "new remixes." They are the same February 1987 DIGITAL remixes (using 16 bit technology and digital reverb) which Martin made for the original 1987 CDs. These were the only 2 albums digitally remixed for the 87 CDs. The others were made from the original tapes back in 87.

Fast forward to 2009. The answer to your question: Politics. George Martin considered his 87 digital stereo remixes of these 2 albums "definitive." So perhaps the Apple reissue/engineering/remastering committee was afraid to say "the emperor has no clothes" and has instead opted to cow-tow to this internal political pressure, despite the absurdity of slapping new eq on a flawed couple of 16 bit 1987 digital reverb laden remixes probably stored all these years on U-matic videotape and calling them "remastered."

The remastering team can sleep at night because they can say, "well the original stereo mixes are available on the mono box." That one has to fork over $200 plus dollars to get the original stereo mixes on the mono box is asinine. They could have fit both the original mono and original stereo mixes on a single cd in most cases.

You really need both box sets. Because some of the mono mixes are superior - like the first two British Lps which were not recorded on 4 track, but rather twin track with voices in one channel and instruments in the other. Those 2 do sound better in mono. Also, Rubber Soul does sound better in mono as well.

As for the others, I think the stereo sounds great and can go toe to toe with the mono.

Edited by monkboughtlunch
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Wonder how much that's going to cost? Yikes!

You'd think an arm & a leg......but surprisingly not. $300 or so. A helluva deal actually for someone that doesn't have most of this stuff in triplicate like most of us.

For that amount of CDs, that's a good price.

Actually, preorder price is 325, release price is 365.

http://www.amazon.com/Complete-Columbia-Co...9397&sr=8-1

Legacy finally gave details:

http://legacyrecordings.com/News/NewsDetai...b0-53833114010b

(thanks to JETman for the link)

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I'm listening to my first reissue: Sgt. Pepper's, stereo digipak.

I've never had a Beatles cd, and my Sgt. Pepper's is a mono lp bought when originally released. This stereo mix IS significantly different in some portions and the stereo sound of this music I know so well in mono is a bit disconcerting, in a very fun way.

They did a great job with this one, at least. Does not seem compressed, certainly not in the way we're used to, and very warm and clear.

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I'm listening to my first reissue: Sgt. Pepper's, stereo digipak.

I've never had a Beatles cd, and my Sgt. Pepper's is a mono lp bought when originally released. This stereo mix IS significantly different in some portions and the stereo sound of this music I know so well in mono is a bit disconcerting, in a very fun way.

They did a great job with this one, at least. Does not seem compressed, certainly not in the way we're used to, and very warm and clear.

I wonder if I'll feel the same way, but in reverse, when I hear Sgt. Pepper's for the first time in mono soon :)

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They did a great job with this one, at least. Does not seem compressed, certainly not in the way we're used to, and very warm and clear.

I am finding the same, while much louder but also warm and clear. I am hearing not so much isolation but space (in floating surrounded by air quality) in the instruments if that make sense.

Believe it or not but Revolution #9 was also a blast. Maybe I am older now and have gone through a electronica/ DJ and experimental music phase but I having a hard time on why people hate on it so much.

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