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Oscar Peterson "Original Duos Recordings 1950-1951"

crisp

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crisp Newbie

crisp

Posted
Posted

Found this forthcoming release on HMV. It's listed among the European issues of the next batch of Verve Originals, is on the Verve label and at the same price point, yet doesn't seem to have been part of the US batch.

Any ideas what it is? It might fill the gaps on the Mosaic.

J.A.W. Explorer

J.A.W.

Posted
Posted (edited)

Found this forthcoming release on HMV. It's listed among the European issues of the next batch of Verve Originals, is on the Verve label and at the same price point, yet doesn't seem to have been part of the US batch.

Any ideas what it is? It might fill the gaps on the Mosaic.

The Mosaic has 1951-1953 trio recordings, so the European 1950-1951 duo set will not fill the gaps on the Mosaic.

Edited by J.A.W.
Swinging Swede Newbie

Swinging Swede

Posted
Posted

OP's earliest US sessions were in the duo format, until Barney Kessel was added in 1951 to make it a trio. All previously released material has been out on Classics, but if they could add the unissued tracks and make it the bestsounding release of this material so far, it would be a very interesting release of course.

Oscar Peterson Duo

Oscar Peterson (p) Ray Brown (b)

NYC, March, 1950

374-3 Debut Mercury 8917, MGC 110; Clef MGC 696; Verve MGV 8320

375-1 They Didn't Believe Me Mercury 8921, MG 25024; Clef MGC 696

376-3 Lover Come Back To Me -

377-1 Where Or When Mercury 8922, MG 25024; Clef MGC 696

378-3 Three O'Clock In The Morning Mercury 8923, MG 25024; Clef MGC 696

379-1 All The Things You Are -

380-1 Oscar's Blues Mercury 8922, MG 25024; Clef MGC 696

381-3 Tenderly Mercury 8917, MGC 110; Clef MGC 696; Verve MGV 8194

* Music By Oscar Peterson - Tenderly (Clef MGC 696; Verve MGV 2046)

= Music By Oscar Peterson - Tenderly (not released) (Verve MGV 8080)

* Various Artists - Down Beat's Hall Of Fame, Vol. 1 (Verve MGV 8320)

* Various Artists - Verve Compendium Of Jazz, #1 (Verve MGV 8194)

* Oscar Peterson - Collates (Mercury MGC 110; Clef MGC 110)

* Oscar Peterson - Piano Solos (not released?) (Mercury MG 25024)

= Oscar Peterson - Piano Solos (Mercury MGC 106; Clef MGC 106)

* Oscar Peterson - Debut c/w Tenderly (Mercury 8917, 8917x45; Clef 8917, 8917x45)

* Oscar Peterson - They Didn't Believe Me c/w Lover Come Back To Me (Mercury 8921, 8921x45; Clef 8921, 8921x45)

* Oscar Peterson - Where Or When c/w Oscar's Blues (Mercury 8922, 8922x45; Clef 8922, 8922x45)

* Oscar Peterson - Three O'Clock In The Morning c/w All The Things You Are (Mercury 8923, 8923x45; Clef 8923, 8923x45)

Oscar Peterson Duo

Oscar Peterson (p) Major Holley (b)

NYC, May 8, 1950

394-1 Little White Lies Mercury 8926, MGC 110; Clef MGC 696

395-3 In The Middle Of A Kiss Clef MGC 696

396-4 Nameless Mercury 8943; Clef MGC 696

397-1 There's A Small Hotel Clef unissued

398-1 Two Sleepy People Clef MGC 696

399-1 Tico Tico Clef MGC 697

400-1 Get Happy Mercury 8933, MGC 110; Clef MGC 697

401-2 Jumpin' With Symphony Sid -

402-1 Smoke Gets In Your Eyes Clef MGC 697

403-1 Deep Purple Clef MGC 155, MGC 697

404-1 Robbin's Nest Mercury 8930, MGC 110; Clef MGC 697

405-1 I'll Remember April Clef MGC 155, MGC 697

406-2 Lover Mercury 8926

406-5 - Mercury MGC 110

407-3 Exactly Like You Mercury 8930, MGC 110; Clef MGC 697

408-1 I Can't Get Started Clef unissued

409-1 Body And Soul -

* Music By Oscar Peterson - Tenderly (Clef MGC 696; Verve MGV 2046)

= Music By Oscar Peterson - Tenderly (not released) (Verve MGV 8080)

* Music By Oscar Peterson - Keyboard (Clef MGC 697; Verve MGV 2047)

= Music By Oscar Peterson - Keyboard (not released) (Verve MGV 8081)

* Oscar Peterson - Collates (Mercury MGC 110; Clef MGC 110)

* Oscar Peterson Plays Pretty, #2 (Clef MGC 155)

* Oscar Peterson - Little White Lies c/w Lover (Mercury 8926, 8926x45; Clef 8926, 8926x45)

* Oscar Peterson - Nameless c/w How High The Moon (Mercury 8943, 8943x45; Clef 8943, 8943x45)

* Oscar Peterson - Get Happy c/w Jumpin' With Symphony Sid (Mercury 8933, 8933x45; Clef 8933, 8933x45)

* Oscar Peterson - Robbin's Nest c/w Exactly Like You (Mercury 8930, 8930x45; Clef 8930, 8930x45)

Oscar Peterson Duo

Oscar Peterson (p) Ray Brown (b)

NYC, August, 1950

450-1 Easy To Love Clef MGC 697

451-6 Air Mail Special Clef unissued

452-1 Taking A Chance On Love Clef MGC 697

453-1 Just A-Sittin' And A-Rockin' Clef unissued

454-1 Squatty Roo Mercury 8940, MGC 127; Clef MGC 697

455-1 After All Clef MGC 697

456-2 Caravan Clef MGC 698

457-1 Summer Nocturne -

458-1 Salute To Garner Mercury 8940, MGC 127; Clef MGC 698

459-2 I Get A Kick Out Of You Mercury 8952, MGC 127; Clef MGC 698

460-2 What's New? Mercury 8952, MGC 127; Clef MGC 698; Verve MGV 2032

461-1 Dark Eyes Mercury MGC 127; Clef MGC 698

461-3 - Clef 89130

462-1 What Is It? Clef MGC 698

463-2 The Way You Look Tonight -

464-1 Soft Winds Clef unissued

465-1 Minor Blues Clef 89139, MGC 698

466-1 Boogie Woogie Clef unissued

467-2 That's My Weakness Now Clef MGC 155

* Music By Oscar Peterson - Keyboard (Clef MGC 697; Verve MGV 2047)

= Music By Oscar Peterson - Keyboard (not released) (Verve MGV 8081)

* An Evening With Oscar Peterson (Clef MGC 698; Verve MGV 2048)

= An Evening With Oscar Peterson (not released) (Verve MGV 8082)

* Various Artists - Potpourri Of Jazz (Verve MGV 2032)

* Oscar Peterson - Collates, #2 (Mercury MGC 127; Clef MGC 127)

* Oscar Peterson Plays Pretty, #2 (Clef MGC 155)

* Oscar Peterson - Squatty Roo c/w Salute To Garner (Mercury 8940, 8940x45; Clef 8940, 8940x45)

* Oscar Peterson - I Get A Kick Out Of You c/w What's New? (Mercury 8952, 8952x45; Clef 8952, 8952x45)

* Oscar Peterson - Dark Eyes c/w Nuages (Clef 89130, 89130x45)

* Oscar Peterson - Minor Blues c/w Pettiford's Tune (Clef 89139, 89139x45)

Oscar Peterson Duo

Oscar Peterson (p) Ray Brown (b)

NYC, January 19, 1951

501-8 How High The Moon Mercury 8943, MGC 127; Clef MGC 698

502-6 The Nearness Of You Clef MGC 155, MGC 698

503-5 The Lady Is A Tramp Clef unissued

504-2 Fancy Free (Gypsy In My Soul) Clef MGC 695

505-1 On The Alamo Clef MGC 155, MGC 695

506-3 Lullaby Of The Leaves -

507-1 Laura -

508-2 Tea For Two Clef unissued

509-2 Dark Eyes -

510-2 September In The Rain Clef MGC 155, MGC 695

* An Evening With Oscar Peterson (Clef MGC 698; Verve MGV 2048)

= An Evening With Oscar Peterson (not released) (Verve MGV 8082)

* Nostalgic Memories By Oscar Peterson (Clef MGC 695; Verve MGV 2045)

= Nostalgic Memories By Oscar Peterson (not released) (Verve MGV 8079)

* Oscar Peterson - Collates, #2 (Mercury MGC 127; Clef MGC 127)

* Oscar Peterson Plays Pretty, #2 (Clef MGC 155)

* Oscar Peterson - Nameless c/w How High The Moon (Mercury 8943, 8943x45; Clef 8943, 8943x45)

crisp Newbie

crisp

Posted
  • Author
Posted

OP's earliest US sessions were in the duo format, until Barney Kessel was added in 1951 to make it a trio. All previously released material has been out on Classics, but if they could add the unissued tracks and make it the bestsounding release of this material so far, it would be a very interesting release of course.

Thanks for that. Clearly more than one disc required, though.

why does it say release date 28-9-2009 for the batch? pretty sure i saw them earlier today...

UK release dates.

  • 1 month later...
crisp Newbie

crisp

Posted
  • Author
Posted

Play has a track listing for this here. Quite a good price for a three-disc set, although it's £1 cheaper at HMV.

Disc 1

1. Announcement By Norman Granz Live At Carnegie Hall

2. I Only Have Eyes For You Live At Carnegie Hall

3. Fine And Dandy Live At Carnegie Hall

4. Carnegie Blues Live At Carnegie Hall

5. Gai Live At Carnegie Hall

6. Padovani Live At Carnegie Hall

7. Tea For Two Live At Carnegie Hall

Disc 2

1. Title Additional Info

2. Debut

3. They Didn't Believe Me

4. Lover, Come Back To Me

5. Where Or When

6. Three O'Clock In The Morning

7. All The Things You Are

8. Tenderly

9. Oscar's Blues

10. Little White Lies

11. In The Middle Of A Kiss

12. Nameless Eng En Mai 1950 New York

13. Two Sleepy People

14. Jumpin' With Symphony Sid

15. Robbins' Nest Eng 8 Mai 1950 New York

16. Tico Tico

17. Get Happy

18. Smoke Gets In Your Eyes

19. Deep Purple

20. Exactly Like You

21. I'll Remember April Eng 8 Mai 1950 New York

22. Easy To Love

23. Taking A Chance On Love

24. Squatty Roo Eng En Aout 1950 New York

25. After All

Disc 3

1. Title Additional Info

2. Caravan

3. Summer Nocturne

4. Salute To Garner

5. I Get A Kick Out Of You

6. What's New

7. Dark Eyes

8. What Is It?

9. The Way You Look Tonight

10. Minor Blues

11. Slow Down

12. How High The Moon

13. The Nearness Of You

14. There's A Small Hotel

15. Lover

16. Fancy Free (Gypsy In My Soul)

17. On The Alamo

18. Lullaby Of The Leaves

19. Laura 1952 Version

20. September In The Rain

king ubu Contributor

king ubu

Posted
Posted

I don't quite get the comparison of Peterson and Tatum. It's more like Peterson and Nat Cole to my ears... if Cole wouldn't have turned into the big superstar singer, he might be known and estimated nowadays as the superior piano player he actually was.

AllenLowe Proficient

AllenLowe

Posted
Posted

Cole is one of my favorites and really a link between swing and bebop, in my opinion. Peterson got a lot from him but lacked that all important thing called taste. Listen to Nat on Body and Soul if you want to hear an artist - Peterson had a lot on the ball harmonically, but just sounded like a jackhammer to me. Patterns, patterns, and more patterns. There's a famous Miles Davis interview (printed in Jazz Panorama) that, for me, nails it, re-Peterson's problems.

just my opinion.

J.A.W. Explorer

J.A.W.

Posted
Posted

Cole had a lighter touch and smoother style. YMMV.

Cole is one of my favorites and really a link between swing and bebop, in my opinion. Peterson got a lot from him but lacked that all important thing called taste. Listen to Nat on Body and Soul if you want to hear an artist - Peterson had a lot on the ball harmonically, but just sounded like a jackhammer to me. Patterns, patterns, and more patterns. There's a famous Miles Davis interview (printed in Jazz Panorama) that, for me, nails it, re-Peterson's problems.

just my opinion.

I agree. Cole's playing was always interesting, Peterson's more often than not just busy and fatiguing to listen to. Peterson's sidemen were often more interesting; for instance, I got the 1951-1953 Mosaic because of Barney Kessel :)

king ubu Contributor

king ubu

Posted
Posted

Yes, I can see what you feel about Cole and OP.

I still feel the same to some extent, but I grew to enjoy OP's music a lot over the past few months (as I've mentioned elsewhere).

I merely wanted to point out that Cole is much more a point of reference for OP than Tatum, in my opinion (YMMV - ha, done it, used that silly acronym for the first time!)

king ubu Contributor

king ubu

Posted
Posted

I think I disagree - particularly the older Peterson got, the more Tatum he referenced -

Yes, that may be... I'm only into his earlier music, roughly 52-64, after that I don't have that much (well, most of his MPS albums, but he recorded a huge pile of albums I don't feel like getting more of those later ones...)

JETman Newbie

JETman

Posted
Posted

I think I disagree - particularly the older Peterson got, the more Tatum he referenced -

Yes, that may be... I'm only into his earlier music, roughly 52-64, after that I don't have that much (well, most of his MPS albums, but he recorded a huge pile of albums I don't feel like getting more of those later ones...)

For me, the connection was that the playing of both Tatum and Peterson was largely BOMBASTIC. To these ears, Cole was not.

JSngry Grand Master

JSngry

Posted
Posted

Can't say that Tatum remains bombastic once you hear what all he's doing inside all that bombast (often enough). I can't say the same for Peterson (often enough).

Tatum was at root a serious musical thinker, make no mistake. Petterson was at root a serious piano player.

JETman Newbie

JETman

Posted
Posted

Can't say that Tatum remains bombastic once you hear what all he's doing inside all that bombast (often enough). I can't say the same for Peterson (often enough).

Tatum was at root a serious musical thinker, make no mistake. Petterson was at root a serious piano player.

What's with the "musician"-speak? Lay it out for us laymen.

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