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On 3/12/2026 at 10:42 AM, Late said:

From 2013:

2 hours ago, Pim said:

Thanks for posting that 2013 video. Great to see those woman play together! Definitely something I would like to have seen live.

I was at this show. It was great. I was able to sit right up in front of Geri Allen at the piano. There are other videos of that show on YouTube but they appear to have been posted by someone who had a thing for Esperanza.

The trio was scheduled to return a year later but Geri passed unexpectedly before the show. They brought in Nicholas Payton to sit in the keyboard chair. That show was also very good. It was more of a Geri Allen tribute, so the mood was very different.

Posted

I believe I saw her five times; each time being strikingly different:

1. With Chico Freeman, Andrew Cyrille and Richard Davis.

2. A piano trio but with a tap dancer added.

3. As the pianist in a group led by Wallace Roney (also with James Spaulding).

4. Trio with David Murray and Terri Lynne Carrington.

4. The last time, about a year before she died, at the New Orleans Jazz and Heritage Festival, in a two piano band (with Christian Sands), also including Russell Malone on guitar, for an Errol Garner tribute. George Wein was also in the audience.

Posted

It was a shame I didn’t get to see Geri Allen perform live. I’m probably in the minority here, but personally, while I appreciate her later, more traditional style of piano playing, I feel it was a bit “too serious.” Coming from the M-BASE scene, I preferred her earlier performances, where she really put her keyboards to work. Her music had a unique, ethereal quality—it was bright and open—and I feel like she never fully explored that potential before it came to an end.

 

Posted

Saw her perform in a trio with Ralphe Armstrong and Sherman Ferguson (a real swinging drummer playing for the benefit of the trio). It was excellent. I liked her piano playing much more than on the records.

Posted (edited)

I met her twice, and the personality difference was....well, bizarrely radical.

First time, she played for John Szwed's course at Yale - it must have been mid 1980s? She wasn't very famous yet. I drove her to the train to go back to NYC and she was very "regular," young, friendly, unaffected, casual dress. Even knew some of my work.

Second time - at a Jazz conference in NYC. I do not remember the year, but it was probably in the 20-teens. Well...a different personality entirely. Dressed formally in a "look at me" way, like she was going to the Oscars. I did talk to her (sort of) because Bob Neloms, an old friend of  mine, who at this point was unwell, had been her mentor when she was growing up near Detroit. He was a mess, and I suggested that he might welcome a phone call. She was...strange, distant, disinterested, indifferent. Kinda like a politician meeting a constituent whom they don't think is particularly important, but whom they have to pretend to care about. Carried herself like she was a diva, maybe Gloria Swanson in Sunset Boulevard. Cordial, but regal and not quite there, clearly didn't care about what I was saying.

She was a great pianist, though.

Edited by AllenLowe

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