All Activity

Beautiful album!

August 22-23, 2025: Jamille Brazilian Quartet, Windmills, The Colony August 23, 2025: Pt Kushal Das (Sitar) & Sandip Ghosh (Tabla), ICMC, Plano Quamon Fowler, Scat Jazz, Fort Worth August 30, 2025: Doreen Ketchens, Pete Escovedo, Riverfront Jazz Festival, Fair Park, Dallas August 31, 2025: The Texas Tenors (Shelley Carrol, Jason Davis, Quamon Fowler), Riverfront Jazz Festival, Fair Park, Dallas September 2, 2025: Isiah J; Thompson Quartet, JazzTX, San Antonio September 6, 2025: Xuefei Yang, Unity of Dallas Andrew Griffith Quartet, Scat Jazz, Fort Worth September 11, 2025: Miguel Zenon Quartet, Parker Jazz Club, Austin Ben Lamar Gay, Damon Locks, Sonic Transmissions Festival, Draylen Mason Music Festival, Austin September 12, 2025: Ibelisse Guardia Feragutti and Frank Rosaly's Mestizx, Sonic Transmissions Festival, Austin Scottish Rite Theater, Austin Miguel Zenon Quartet, Hobby Center for the Performing Arts, Houston September 13, 2025: Pt Sandeep Chatterjee (Santoor) & Shubhojyoti Guha (Tabla), ICMC, Plano Miguel Zenon Quartet, Hobby Center for the Performing Arts, Houston Clarence Johnson III, Scat Jazz, Fort Worth September 23, 2025: Mdou Moctar, White Oak Music Hall, Houston September 24, 2025: Mdou Moctar, Radio/East, Austin September 27, 2025: Quamon Fowler, Scat Jazz, Fort Worth October 1, 2025: Jon Cowherd, Parker Jazz Club, Austin October 5, 2025: Kushal Das (sitar), Abhijit Banerjee (tabla), Unity Church of the Hills, Austin October 9, 2025: Paul Cornish Trio, JazzTX, San Antonio October 10 2025: Paul Cornish Trio, Monk's Jazz Club, Austin October 12, 2025: Joy Clark, Little Freddie King, Bobby Rush, Crescent City Blues Festival, New Orleans October 17, 2025: Walter Smith III Quartet, Wortham Theater, Houston October 21, 2025: Lila Downs, Jones Hall, Houston October 24, 2025: Jackie Venson, Tulips FTW, Fort Worth Camille Thurman Quartet, Walton Arts Center, Little Rock, Arkansas October 29, 2025: Chuck Redd, Parker Jazz Club, Austin November 10, 2025: Lincoln Center Orchestra with Wynton Marsalis, Walton Arts Center, Little Rock, Arkansas November 12, 2025: Lincoln Center Orchestra with Wynton Marsalis, Meyerson, Dallas November 14, 2025: Nicholas Payton Quartet, Wortham Theater, Houston Wynton Marsalis, Grand Opera House, Galveston November 15, 2025: Wynton Marsalis, Hogg Auditorium, Austin Mike Stern Band, Walton Arts Center, Little Rock, Arkansas November 16, 2025: Wynton Marsalis, Hobby Center, Houston February 22, 2026: Branford Marsalis Quaret, Wortham Theater, Houston March 7, 2026: Pat Metheny Side-Eye, Wortham Theater, Houston March 13, 2026: T.K. Blue and African Rhythms Alumni, A Tribute to Randy Weston, Walton Arts Center, Little Rock, Arkansas March 21, 2026: Fort Worth African American Roots Music Festival, Southside Preservation Hall, Fort Worth March 26-29, 2026: Big Ears Festival, Knoxville, Tennessee April 2, 2026: Kaia Kater, Arkansas Museum of Fine Arts, Little Rock, Arkansas April 10, 2026: Coltrane at 100 (Joe Lovano, Melissa Aldana, Ndudzo Makhathini, Matt Garrison, Jefftain Watts), Cullen Theater, Houston April 23-26, 2026: New Orleans Jazz and Heritage Festival April 30-May 3, 2026: New Orleans Jazz and Heritage Festival May 9, 2026: Hiromi's Sonic Wonder, Cullen Theater, Houston May 16, 2026: Chucho Valdes, Paramount Theater, Austin August 1-2, 2026: Satchmo Summerfest

$8 shipped

You can get those two cuts by buying the Blue Note Ike Quebec Jukebox, which has all the contents on replica OG 45s.

There are a lot of regional pronunciations in Canada and I've heard both "kwe-BEK" and "ke-BEK" but never "QWEE-bek" or "KEE-bek"

Evan Christopher and David Torkanowsky, Live at Luthjen's

Is it too late to tell Blue Note?

I have subscribed.

I'd love a copy of the Myers album, but otherwise I don't think these are too hard to come by. The MB solo is a perennial $20 used LP, the Sun Ra has been reissued several times, the Wertman was reissued a few years ago and it still around, and the McCraven is being prepared for reissue now via a Kickstarter campaign: https://www.kickstarter.com/projects/wooleythenewt1/stephen-mccraven-wooley-the-newt

So how do the Canadians pronounce the city of "Quebec"? From what I remember from those I've encountered around here or heard on Canadian Army radio (when there still was such a thing here) it is more like "kwe-BEK" or "ke-BEK" but rarely "QWEE-bek" or "KEE-bek". I.e pronounced with the stress on the end (as with the habitants referred to as the "ke-BEKKERS"). But as you indicate, it apparently is different with his name.

I love the 2 CD set. On many days I like it better than Quebec’s LPs.

Many thanks for the kind words. Appreciate it.

In an interview with Art Taylor, Percy describes "Ike QWEE-bek" as a "real buddy of mine". It never occurred to me that proper pronunciation might be a long "e" but that's how Percy said his name.

Eric Reed and Ralph Moore

Amina Claudine Myers: Poems For Piano (The Piano Music Of Marion Brown). Sweet Earth Records SER 1005 [US 1979]

Yes, from all I've read before I realize it's like you said. But for a CONSCIENTIOUSLY programmed re-reissue that's no reason not to include them this time around IMHO. After all, as you confirm they WERE intended for marketing as 45s. Or was it a matter of playing time? (Which I somehow find hard to believe if there had been a will - considering that the set has 3 LPs).

Grateful Dead, “Enjoying the Ride” box set, Henry J. Kaiser Convention Center, Oakland, CA (11/22/85) 297×200 19.6 KB

Marion Brown: Solo Saxophone. Sweet Earth Records SER 1001 [US 1977]

But what about the re-release of the small catalog 'Sweet Earth Records' https://www.discogs.com/label/48031-Sweet-Earth-Records?

Michael Cuscuna & I talked about these two tracks before the 2-CD set came out. He said that they weren't in the Mosaic box due to an oversight on his part. He believed that they should have been included. When the second release came out without them, I got the feeling that someone goofed when they pulled the master tapes for Ron McMaster and simply duplicated the songs on the Mosaic but Michael never flat-out said that. He never named names when there was a mistake like this, unless it was his fault. The thing about these two tracks was that while they made were for a 45 rpm release, they were cut the first day in RVG's new recording studio and not with any other tunes. That sort of "orphaned" them from the rest of the 45 rpm sessions.