Hi Joe,
Why wouldn't it be? The more info directly from the source, the better
By the way, it's not my call, you'd have to ask Jim Alfredson, the board's owner.
But the projects are at least partly about the same Blue Note titles. Hoffman mastered them for 45rpm LP release for Harley's Music Matters label previously.
http://www.musicmattersjazz.com/titles.html
So Harley hired Hoffman to master LPs, and then a couple of months later he hires Yoshida to master the same titles for CD. This looks like unnecessary duplication of work to me, compared to the Analogue Productions way to do it for ther LP and SACD reissues
http://www.stevehoffman.tv/forums/showpost...mp;postcount=11
Why not ask Joe Harley about "the how and the why"?