Stereojack

One of the greatest - a real innovator and master musician. Always recognizeable on sessions. RIP

I like the Coen Brothers a lot, although I'm with RDK - I thought Lebowski was overrated. The new one is quite funny, with some great performances by McDormand and Malkovich.

The drummer on this session Louis Hayes. Pianist is Cedar Walton. The mispellings reflect the sloppiness and ignorance of the people who prepared this release.

I watched some of it and was quite appalled at how uninspired they seemed to be - mostly on automatic pilot, and surprisingly sloppy. It's no news that by 1977 they were past their prime, but I was reminded as to why I had lost interest in them by this time back then.

Happy Birthday Dan! (not very original, I know)

Don't listen to Lowe - he's generally full of shit.

Not a clue, but this sure brought back memories! I used to watch the show when I was a kid, and remember how awkward and out of touch the show seemed when they tried to come to terms with rock & roll a couple of years later!

Burland was primarily known for his work in the field of jingles - also was half of the Nutty Squirrels with Don Elliott. http://www.answers.com/topic/sascha-burland

I could answer that, but I won't because it might make me look "smarter" than I am. I opnly learned the answer recently, from a poster here. Stereojack, otoh, owns this one! Baja Marimba Band He was usually in the background, back to the camera. Whoops! Didn't see the last post!

I could answer that, but I won't because it might make me look "smarter" than I am. I opnly learned the answer recently, from a poster here. Stereojack, otoh, owns this one! Baja Marimba Band He was usually in the background, back to the camera.

The Boris Rose LP and the Spotlite contain the same performances. Spotlite also includes a Hawkins interview.

Another AMG screwup. Btw, The Spotlite LP gives slightly different info from that given in the Silver discography. Birdland, September 13, 1952 Roy Eldridge (tp), Coleman Hawkins (ts), Horace Silver (p), Curley Russell (b), Connie Kay (d) -Disorder at the Border -The Blue Room -Stuffy Birdland, September 6, 1952 - Howard McGhee (tp), Coleman Hawkins (ts), Horace Silver (p), Curley Russell (b), Art Blakey (d) -Rifftide -I Can't get Started -Disorder at the Border London, date unknown -The Hawk Talks (interview) Furthermore, Jepsen's "Jazz Records" shows Art Blakey for both dates!

I believe you are correct that tracks 2, 3 & 7 are not from the claimed source. Track 7 is lifted from the Prestige LP "Coleman Hawkins Soul".

Knowing the pace at which his "front burner" projects come to fruition, I wouldn't hold my breath waiting for this one. It is a beautiful record.

I only got one, although I have seen three of ther movies. I thought "The Absent Minded Professor" was "Suspicion".

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Monterose made two records for Uptown - the first was weak, but the second (which we are discussing) is great. Btw, the CD has extra tracks.

Since Denny and Lucas are both dead, I assume the album was "finished" by the three surviving musicians? I look forward to this - am a fan of all things Fairport.

Apologies are made in the notes about the sound quality, but it's really not bad. Perhaps not up to the standards of the super-audiophile types, but very listenable. I only recently discovered this side, after having heard vol. 1 years ago and not being overly impressed, and I don't find the sound to be any kind of problem.

The double live album is great. Some of Freddie Hubbard's most fiery playing on record!

I agree. Kind of a lightweight session, given the personnel. If you found an original for three bucks, you did well, but this is most likely the reissue.

Thanks for posting this, Larry. Very enjoyable!

Carl Fontana: http://www.dailymotion.com/trombone-usa/video/112390

Gladys is great, but this isn't one of her more memorable tunes.

I can hear the resemblance between Jambangle & the one line in Light My Fire, but I doubt that there are grounds for a lawsuit.