Strange, I was thinking about making this very same thread ...
I got to thinking about this the other day when I put on Walter Bishop Jr.'s Prestige trio date from 1965. I have heard him play with Miles, Jackie McLean and others, but for some reason I got the notion that he was a player in the line of Nichols, Waldron, Weston et al ... those Monk-ish hard-bop era players who brought an individual edge to the playing that kept it interesting. I found this was not the case. Which was not Walter Bishop's fault mind you, but it made me realize that I need there to be more than just melody and changes for me to appreciate piano trio music (at least in the p/b/d formation). I get this from players like Mal, Herbie Nichols, Don Pullen, Ahmad Jamal, Paul Bley, Marilynn Crispell. And I love Bill Evans, too. Beyond this, the music just feels like easy listening to me. Which I know it isn't, always. But I can't get that notion out of my head.