P.D.

I don't know if this is "proper" but the complete Borderline.. the Quinichette date, is on the Mel Powell " It's been So Long".. in the recent Vanguard reissues. The Braff set " Thingamagig " was included in the other Powell " The Best Things in Life " but is missing one track Don-Que-Dee which is mainly a Caravanish type drum solo by Bobby Donaldson with very little Braff or Powell. Both albums were released complete on a FNAC french Vanguard CD in 1993 ( as were most of the other Vanguards at that time)

Without the "E" its all Jack

From an anonymous author, wh no doubt he is glad he was, on the Bill Jennings / Leo Parker Bill in the Lions Den Lp "Leo Parker, brother of the famous Charlie " Prez" Parker.........."

Some I like, asome I don't.. depends on the content of the lyric.. but I have to admit, like Paul, sometimes it's hard to listen to the original due to te vocalese version. Twisted immediately comes to mind. I like the hip funny Annie Ross lyric but it runs through my head everytime I play the Wardell Same with the Basies from L.H.R...just about all of them Dig Count Basie Blow joe's blues away....... Hmmn even responding to the thread has got me doing it.

Reggie has Morgan,Golson, Kelly, Middlebrooks , Persip Stable mates has Morgan, Rosolino, Golson, Dick Shreve pno. Red Mitchell, Stan Levey Celedia has Candoli, Rosolino, Cooper, Kelly, Middlebrooks, Persip Moto , Wildwood Candoli, Morgan, Rosolino, Golson, Cooper, Shreve, Mitchell, Levey The Champ Candoli, Cooper, Rosolino, Shreve, Mitchell, Levey Blues After Dark Morgan, Golson, Kelly, Mitchell, Persip Quicksilver, Bye Bye Blues Candoli, Rosolino, Cooper, Shreve, Mitchell, Levey Taken from the Cd booklet all recorded Hollywood Feb 14 and 27 1957

O.K. but swallow that tongue or more correctly

It's a Blue World Torme with unknown large orchestra Al Pelligrini director Al Hendrickson guitar NY Aug 28,29,30 1955 Songs for My Taste Howard McGhee tpt, Ralph Sharon pno, Max Bennett bs, Stan Levey drms Pat Moran Quartet vcls Russ Garcia arranger Crescendo Hollywood May 8 1956 At the Crescendo Don Fagerquist tpt, Larry Bunker vs, accordion. bgo, Marty Paich pno. Max Bennett bs, Mel Lewis drms Hollywood Feb 22 1957 New York Unknown personel arrangers Dick Hazard, John Williams, Shorty Rogers Los Angeles Dec 2, 4, 7 1963 all via Tom Lord

Charli Christian and WES... for two who have immediately identifiable styles

If Verve had released this, it would have probably been on two separate CDs. I'll settle for Ocium getting into verves pockets.(there was a Basie Big Band, and there's a Basie with Guests which looks like it includes the Clef "KC7" sides too.) until something better comes along. Apple Jam, the track, on the Ocium sounds as though it was taken from an inferior LP, but the rest sounds O.K. to me

Ocium recently issued a CD of the Norman Granz Jam Sessions #3 & #4.. The Basie led ones. As far as I know this is the first CD issue of these dates ( unless in Japan.. but I have not seen any indication) So they are the first out with this. At least they seem to be trying to have " original" concepts in what they offer. Disconforme ( Jazz Factory etc.) never seem to be first with any material that appears in their own issues

From the disco's it would appear to be Al Cohn... Wonder how many records Al made under an " assumed" name ? it has jonah Jones on 4 tracks Joe Wilder on 4 and then Rusty Dedrick for the last fout Mundell Lowe gtr Trigger Alpert Bass Don Lamond drums.

I've Got you Under was the first Sinatra title that evr made me take notice.. mainly because of Milts Solo.. made my buy the Swingin Lovers Album, turned me on to Sinatra. Those Capitol / Riddles are still my favourite Sinatra's..oops there goes Chris' thread.. Simple solos.. short ones seem to be from the pre LP days ..because they hafd to be short.. but my old standby.. Tommy Ladnier on Really the Blues...short, simple but toatally in the mood of the piece Django Reinhardt on Japanese Sandman from the 1937 Dicky Wells set. Greta solo, full of dynamics, swings like mad and resolves perfectly to bring Dicky up for his out chorus.... any guitarist who hasn't heard this track, hell any musician who hasn't.. shpuld be fed Catesta's barbequed Spam..... Another sol0 that builds nicely to a climax is Sidney DeParis on Nobody Knows how I Feel this morning... he hints that he's going to growl, builds on it, and closes out the solo with the fully realised phrase. Not a solo but one of my favourite musical interludes are the exchanges between Johnny Hodges and Lawrence Brown on Me 'n You after Ivie's vocal. They swap phrases of assorted bar lengths.. not your usual straight 4's or 8's.. just a gem of a record Well there goes the thread theme again... pass me that Barbeque......

I don't think there is an American CD that has it all.. there were two ' Three Tenor" CDs on Flying Dutchman (?) that I think would have all the Hawk and Pres plus some Webster. The Pres set which was actually under Wells name is complete, with alternates, on the Masters of Jazz Cd.. Lester Young vol 3 1943 but unfortunately for us MOJ gave up the ghost and is no more

I thought this might be the Blues for Tomorrow that showed up as a bonus track on lots of Riverside LPs.. features Ray Copeland, GiGi Gryce, Hawk, Trane etc.. if so it will sound a bit out of place on a Herbie Mann bass clarinet album.

Jim .. Cadet 60019 has the tracks I listed PLUS Sultry Serenade under rhe Tyree Glenn title The Argo was recorded at the same time and venue.. but the Ellington / Glenn tune was not included in the argo. according to Lord these are the total titles that were recorded Soft Winds Will You Still Be Mine Blues in the Closet* I'm A Fool to Want You Broadway I Just Can't see for Looking It's Easy to Remember* Doodlin* Well You Needn't But Beautiful* How Could You do a Thing Like That Cheek to Cheek All Night Long Afternoon in Paris Tricotism Trio Just A Sittin' and a Rockin * were unreleased, the rest were spread out over the Cadet and Argo issues.. I listed the Cadet above and you have the Argo Some titles were on a Chess CD9316 (just Can't See / Cheek to Cheek) was this CD a Burrell comp? Some on Chess Lp 2ACMJ408 ( Afternoon in Paris / Just A Sittin').. was this a Burrell Comp? The Glenn / Ellington title is apparently only on the Cadet issue, and the German equivalent or on the English Checker label6467310 ( with Soft Winds / Will You still be / All Night / Just a Sittin) I have no indication if that was the complete Checker album or if it was a comp with other Burrell albums.

Jim the details I have are via Tom Lord Sep 17 1959 Kenny Burrell trio at the Village Vanguard Burrell / Richard Davis / Roy Haynes was on Cadet 2CAS60019 ( vinyl?) British Checker 6467310 also on German Bellaphon BLST 655b other tracks on the Cadet were Soft Winds Will You Still be Mine I Can't See For Looking Well You Needn't All Night Long some of these tracks were also on Argo..LP655 with others recorded at the session.( I'm a Fool to Want you, Afternoon in Paris).. but not the Glenn tune I didn't check the #@ Jazz that closely, was just looking for the title, but you are probably aware that it was recorded Dec 15 1978 The Cadet / Argos do not seem to have been reissued on LP or CD

We were simo-posting The tune is Sultry Serenade, recorded as I mentioned above by Duke in 47, so the How Could you title must be the "alternate".. probably when words were added later. Maybe Glenn got the rights to it from Duke because it was Tyree's conception.

According to the discographies available to me, Glenn recorded a song by that name in 1952 for Roost. On the Burrell Cd it's definitely Sultry Serenade. Sultry generally get's credited to Duke, but on some Ellington CDs / LPs I have both Duke and Glenn get composer credits. It was a feature for Glenn with the Ellington band, this could be one of those (many) cases where Duke picked up a riff or an idea from a band member. Could be Glenn collaborated with Allen Roberts to make a song of it later... BUT Burrell was such a big promoter of Duke I find it strange he would record the tune under Tyree's title.. if that's what it was. There is a version on Erroll Garner's Concert By The Sea.. titled How could you do a thing Like that to Me credited to Glenn only.. which is again Sultry Serenade. Also by that title on Glenn's Roulette album with Strings. Burrell recorded it under the full title on the Cadet album Night at the Village Vanguard ( not the 32 / Muse version) I haven't heard this album but I suspect it is the same tune.

Yep just checked my albums.. it's all bass clarinet on the LP

Herbie is credited with only taking his flutes and a bass clarinet to both these sessions. On Sultry he plays the bass clt. on Lazy Bones Great Ideas is out of my reach at present but I suspect he took it out of the case for one tune at least.

Sultry Serenade... first recorded Oct 10 1947 by Duke.. a feature for Tyree Glenn (with some Hodges thrown in). I'm not sure if someone wrote words to it, but How Could You certainly fits the opening phrase.

One way to make you look...

I'm a great believer that things happen. Had Hawk not " happened" someone else would have made music via the saxophone and it would still be a major Jazz instrument.. perhaps different in some respect, but still there . So to state that without Hawk the saxophone would have remained a novelty instrument( as most Jazz critics do ) may be a bit romantic but it is a bit silly. BUT Hawk was the first and had the musical ability not only to introduce the horn to the world of Jazz but to dominate its use for many years, playing alongside, and to good effect with a wide range of musicians from traditional environments to bebop and beyond. Therefore although I prefer to listen to others Pres, Thompson etc..( maybe Hawk is too much for me ), he is the only one that fits the poll parameters set out by mikeweil.

tracks 3, 6, 7, 9, 10, 11, 15, 16, 17 are fron Con Soul ( you are missing Sunnyside of the Street, otherwise the whole album is there..personnel as per Chuck. Jan 7 1965 1, 3, 8, 18 Cat Anderson,Lawrence Brown, Jimmy Hamilton, Jimmy Jones, Bill Berry ( vibes), Les Spann, Aaron Bell, Rufus Jones Jan 10 1967 For Jammers Only is called Wild Onions on the CD ( you are missing Figurine from this set) 2, 4, 14 Ray Nance, Buster Cooper,Paul Gonsalves,Hank Jones ( and Jimmy Jones) Tiny Grimes, Milt Hinton, Osie Johnson Jan 9th 1967 ( you are missing The Nearness of you from this date Take 'Em Off was in two parts each about 3 mins long) 5, 12 Roy Eldridge, Benny Powell, Harry Carney, Nat Pierce ( and Jimmy Jones) Billy Butler, Joe Benjamin, Oliver Jackson also recorded Jan 10th ( you are missing Fur Piece from this set)

Fhe Fresh Sounds site is currently featuring the Rogers RCA CDs as their sale of the month. Just under 7 Euro's each.