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thanks to @Dub Modal BFT compiler extraordinaire

OK, so ignoring all the blind alleys caused by mentions of Michael White and thanks to the prompts that it's not a violin that my cloth ears are hearing, track 8 is 'Bruremarsj' by Garbarek, Vesala and Andersen from the ever marvellous 'Triptykon'. https://www.discogs.com/master/108087-Jan-Garbarek-Arild-Andersen-Edward-Vesala-Triptykon Stellar trio and a fabulous album that I obviously haven't listened to nearly enough recently. Vesala was a monster precussionist and drummer. Great choice! Early Garbarek in a trio, should have got this a lot earlier

Thank you,and apologies for not paying full attention to the listing. Too keen to access the music, in my defence...

Someone else posted it recently on another thread - I can't remember who so can't give them their due credit

Can't believe I missed Garbarek. Kudos for that spot and the way it was arrived at. I thought I knew most of his output but obviously not nearly well enough. I'm going to be intrigued come ID time. The albums with Shankar are the only JG albums with violin as far as I know. Perhaps he's not the leader?

Album announced https://intlanthem.bandcamp.com/album/step-on-step

I was able to slip into the church before my sister's funeral and read part of the address to an empty space, it really helped come the real thing a couple of hours later.

Thanks for uploading this. Listening now and enjoying it very much Do we know who's playing with HT?

Now listened to this a couple of times. I think it's one of those where it would have been better to have been in attendance. definitely some longueurs. Some nice passages where the brass get going together. Individually all play well, obviously given the pedigrees. Marsh stands out

But even if you do break down it will be an honest and heartfelt reaction. I gave the address at my younger sister's funeral (my parents were too distraught to even think about doing it) and it was very difficult but I'm glad I was able to. I broke down at the end for a moment or two, no-one cared.

Pleased to hear that you've got to the point where you feel the address is ready. I wish you well in its delivery at the weekend.

I don't have any which actually surprises me. I'd like to hear them though - I remember being very tempted by 'Sweet Oranges' when it came out as much for its recognition of Thornton as anything else

I'd buy that too, good price as you say and nice presentation. Hope it gets released over here

Same here. I don't think any of Lloyd's BN releases have eclipsed any of the ECMs yet. I have enjoyed the BNs, although I thought 'Wild Man Dance' weak. Those trios are very enticing

That's a really good album. I'd be interested to hear the TP, my original is in good shape so will probably stick with it

Kicking myself for getting Bley and Kikuchi mixed up, not least because if the vocalisation that RH points out above (Kikuchi is indeed a vocaliser not that that bothers me one iota) but also they are quite distinct as players.

Both the new ones are interesting I think

Damn, not news to start any day with. I love everything Moncur recorded that I have managed to get hold of. The BNs, as leader and sideman, alone would be a musical legacy of great importance but there is so much more beyond them right through to the sporadic later recordings. I give thanks that such a musician, and I include composer in that, gave us his musical legacy to continue to appreciate beyond his physical presence on earth

late to this, as usual there'll be hardly any IDs just impressions. I haven't read previous posts Track 1. Love it, has nice tinge of experimentalism. Suspect it may be older than I initially think it is. Love the bass lines and the drummer. No idea who this is but I definitely want to know. Great start. Track 2. 'Gospel Trane' by Brandee Younger & Dezron Douglas from their International Anthem album https://intlanthem.bandcamp.com/album/force-majeure an overall delightful listen. Very nice to see it on a BFT Track 3. More fabulous music, is this Gary Peacock and Masabumi Kikuchi from one of Peacock's Japanese releases. I'm pretty sure I have this so if I'm wrong I'll hide my head in shame Track 4. - my first thought was Paul Bley then I wasn't sure. It's someone who's listened to Bley Track 5. - way out of my listening zone. Fun though Track 6. - this is great. The guitar is making me think Europe for some reason but I can't think of a European horn player that sounds like that so I'm going US expat in Europe. Maybe Nathan Davis? Track 7. - I've heard this before and may even have it. If not, I want it. I'm thinking youngish pianist with a bit of an R&B feel. Surely not sneaking in some Glasper (kind of hope so). Like the keyboards. Decided I haven't got it Track 8. - Now this should be right in my zone but something's holding me back on initial listen. I don't know it, did Billy Bang do an Ayler tribute? Not that I'm aware of. But I'm not convinced it's Bang. Like it more by the end. Will be interested to know who this is Track 9 - leaves me cold I'm afraid. Like the drummer Track 10 - Is that Eberhard Weber? An earlier ECM perhaps. So Gary Burton comes to mind as I don't think it's Naura. Strong chance I have this one. now the guitar's arrived, that's Metheny. So Metheny/Burton, first Metheny on ECM or if it is weber/Burton/Metheny then Burton's 'Ring'? It's nailed down lovely whatever Track 11 - Ok, so another that hits the spot first off for me. I feel I should know this but the sax player's definitely eluding me. Another really good rhythm section on this, not too taken by the guitar. Style-wise it sounds like something recorded on CJR, like the Frank Lowe's but not them or on black saint or Silkheart. Intrigued to know who this is. It's not David Murray but it almost should be if that makes any sense. Track 12 - not a big fan of solo piano generally (I know, take me outside and shoot me now) and especially not Mr Jarrett's which this is very akin to, to my ears although it does have a bit more bite to it. This BFT is a great listen, thank you for putting it together Dub Modal. Familiar enough in places to tempt me to an ID and unfamiliar enough to make me look forward to some IDs for follow-up listening. Now, I'm going to read all the previous posts and see how wide of the mark I've been (apart from the Brandee Younger which I am very confident about )

Another L'Art du Son fan here. Does anyone have a view on how long a bottle keeps? I've had mine for about 4 years now with no noticeable deterioration of performance.

Thanks, I'll track it down for a listen

That look interesting?