Daniel A

Personally, I'm going to use exclusively material that's not (or at least incorrectly) listed in the AMG for my blindfold disc!

I'm sure I'm missing something; I always thought 'Mode for Joe' was Joe's least enjoyable BN album. I would say that 'In 'n Out' is the one I'm digging the most, with 'Our Thing' and 'Page One' just a notch behind. (Anyone else who thinks Joe and Kenny were one of the best tenor-trumpet matches ever?) How should I approach 'Mode for Joe' to really get into it? By throwing away my McMaster and giving it a fresh start with the new RVG? I must admit that the sound on the old CD always has been a letdown for me.

See also this: Jazz - the result of mental health problems?

The disc reached me about 30 seconds ago, and it's now in the CD player. I've avoided this topic on purpose until I've had a first listen; there seems to be much to catch up with in this discussion, but I hope to be back shortly.

Actually, what I meant was that if Greg's articles were all in high scool papers...

My attempt at a thread like this at the BNBB a couple of years ago misfired after just a few posts when a couple of liners some members brought up turned out to have been written by a couple of other, distinguished board members. Even so, every now and then I'm baffled by what makes it to the sleeves. There are other examples (I'll dig some of them up), but what prompted me to start the tread was this quote from the notes to Paul Chambers's 'Whims of Chambers', written by Leonard Feather: "I would call Chambers a gas, except that it is depressing to think about gas chambers"... :rsly:

Come on Dmitry! Not everything is to be found online. As a matter of fact, I don't believe that any of the articles I wrote for our high-school paper are online!

Interesting! Who are the other musicians? And what about the style? A lot of the Mainstreams were time-locked in a less than flattering way...

Obviously it wasn't on your priority list, but I would like to put in a word for the J.J. Johnson set. It will most likely go OOP soon, though it appears to be very slow-moving (I find it nothing short of incredible that it has been available for seven years without selling out). You won't regret it, the music is wonderful. Besides, most of it will probably not be available again for decades.

Thanks for the info, everybody! Sounds very interesting, GoM! That interview (should it happen) woudn't be available on the web though, would it?

You'll perhaps find something of interest in this thread: http://www.organissimo.org/forum/index.php...blue+train+sacd

I recently got to hear George Russell's 'Jazz in the Space Age'. I didn't recognize the sound of the tenor saxophonist upon hearing the album, and I was very surprised to find that I had never heard of his name, David Young. Whatever became of him? He has a fine extended solo on one of the cuts on the album - can't remember which one - but unfortunately it's marred by several very audible edits.

Land cut a date for Cadet in 1967, 'The Peacemaker' which featured Bobby Hutcherson along with Joe Sample, Buster Williams and Donald Bailey. I think it's as enjoyable as the best of the Land/Hutcherson Blue Notes, so I stronlgy recommend that anyone who digs those collaborations picks this one up! It's only been out on LP, though, and seems to be rather rare too. I found a not very expensive Japanese LP copy through Early Records - it was reissued in Japan in the 80s - so that may be a way of finding it. I don't expect this album ever to be reissued by Verve.

If you're looking for the Organissimo thread, it's here: Jazz Name Pronunciation, How do you say that again? Let's continue!

I'm blowing gently on it.

Bill Evans 'Alone' AMG Rating: "...often-rambling solos"? "The repertoire"..."is not too inspiring"? This is one of the best solo piano albums I've heard! But Yanow perhaps thinks solo piano is only good for background music?

In fact, I'd choose Miles '58 over KOB. Maybe just because I love 'On Green Dolphin Street'. The most beautiful version of one of the greatest standards.

Ed's link is working over here. This is a link directly to the English-language start page: http://www.zweitausendeins.de/indexengl.htm

Grattis på födelsedagen!!! (as we say in Sweden )

My thought was not to use the Organissimo site, but an FTP server run by someone else. To log on and access the files each user must have a user name and password, and the server will identify that the user name corresponds with a given IP address (or that it's within a given span of IP addresses). This way only the specific persons for which user accounts have been created may enter the server. The board member chosen to select the blindfold test tunes of the week simply uploads them to the "secret" server, and then all other users may download them. No address or login info is announced on the site - all account information is sent in private emails to the participants of the test.

I'm all for this idea! MP3s through a server would be the ideal means of transferring the music (no CDR costs), given that it wouldn't be considered illegal.

I'm sure this has been discussed at some point on several other jazz boards, but not (yet) over here... Which is the best way of keeping LPs dust-free, besides any expensive vacuum gear? I'm following the recommendation I was once given to just 'play' my records clean (my LPs are fairly clean) so that the small amount of dust which is present on the surface is collected on the needle. I'm beginning to worry that this may damage the needle, so I though I would get a definitive statement from the vinyl collectors around here once and for all. The reason I'm not using a soft cloth or something similar (perhaps with a small amount propylene acohol and destilled water added) is that it is my experience it adds a some static electricity to the LP, which will be heard as pops, even though the surface looks perfectly clean. Perhaps this is wrong? What do you think?

Oh, I forgot the box itself! Mine is considerably more rusty than those in the pictures above. And I've scratched several of the discs when trying to get them out from the useless sleeves.

'Alone' was re-released last year with a complete additional session which was not known at the time the box was put together. While the tracks that made up the original LP surely are the the definitive takes, the newly discovered alternates were very interesting to hear for an Evans enthusiast like myself. The only drawback of the new release is that a wonderful alternate take of 'A Time for Love' - which appeared both at the box set and the previous CD release - was omitted due to time restrictions. Personally, I think the Riverside box is more consistent - or rather: thouroughly excellent. Besides there are not much additional material to the Verve studio trio sessions, which perhaps would have been what one wanted to hear more of. But there are almost two CDs woth of live material with Philly Joe Jones and Eddie Gomez which haven't been available separatly. It was good to hear it once, but I don't return to those discs particularly often. Hence my - of course very personal - opinion is that the Verve material probably could be boiled down to some five or six excellent separate CDs for the non-Evans fanatic. But I wouldn't want to be without the box myself.

What? Are you suggesting Tom Clancy isn't a source as good as any for idiomatic Russian?