couw

I think so...

I believe these are Hoboken yuppies... ← check out the secret hand sign given by the guy on the left...

it's all the black I tell you

revenge of the black, orange and white rekkid covers?

I don't think so. The Ballads stuff definitely gets dull after a while -- not a lot of variety between takes. The number of alternates on the deluxe Coltrane is excessive. On the other hand, the deluxe ALS is essential. Guy ← I agree on the Ballads bonus disk, 5 versions of Greensleeves pushes it a little. The 4 versions of Tunji on the 2nd Coltrane disk, however, are quite a fascinating listen. That Tunji stuff is a bit like the extra disk to the Atlantic set: you will not listen to it often, but it does have something to offer.

mike, there is a 1+ minute real audio sample of the track here, should be long enough for a pro like you to identify... sounds like 70s alright.

1948, Benny Goodman records for Capitol 1961, Gerald Wilson records for Pacific Jazz (You Better Believe It) 1962, Gene Ammons - Bad! Bossa Nova (Prestige) 1963, Joe Henderson - Our Thing (Blue Note) 1966, Booker Ervin - Heavy!!! (Prestige) 1969, Iancsi Körössy - Identification (MPS) 1974, Dewey Redman - Coincide (ABC/impulse!), ctd the next day plus, according to the bookler: 1966, Chico Hamilton - The Dealer (impulse!) but I have also seen 18 Sept 1966 listed for this session

only on VHS

1954, Joe Gordon session for Mercury (Introducing Joe Gordon) 1964, Cannonball Adderley session for Capitol (released on the Fiddler on the Roof CD)

Congratulations! it's been a while since I visited the town, and it's too far just to drop by, but it's a wonderful place. I hope you'll find a good home and a good life there.

how where the Dutch today? I only saw the goals here. Looked nice enough.

.asf is a streaming format that does not constrict the actual file type of the stream. This .asf acts as a meta-file and hides another streaming format (.asx), that points here. The actual format seems to be .wmv (version 9). This is basically a bunch of the people involved with this release talking about it, all of it underlain by some music excerpts.

1940, Artie Shaw records for RCA 1955, Art Tatum records for Pablo with Lionel Hampton, Sweets Edison, Buddy Rich,Red Callender and Barney Kessel (Group Masterpieces Vol 5) 1970, Art Farmer - From Vienna With Art (MPS) 1979, Abdullah Ibrahim - Echoes from Africa (enja)

yes, it puts the cloud like hair into a whole 'nother perspective. amazing stuff ← that's no cloud, and i'm no critic, but ... as you can discern by the envelopment of his tresses the artist is strongly influenced by the japonais block paintings of hokusai. ← aah! another layer of interpretation, comparing the King's hairdo to a full grown japanese tsunami of yesteryear. But where's the grease in that? ← If you don't have the artistic insight and inspiration to see it, there's really not much hope for you. ← you must be referring to the Japanese whaling; thereby creating puddles of sperm grease on the waves. An obvious point, but also much indicative of your fake artistic attitude. Not all paintings are a mere politico-social critique, you shallow hack!

yes, it puts the cloud like hair into a whole 'nother perspective. amazing stuff ← that's no cloud, and i'm no critic, but ... as you can discern by the envelopment of his tresses the artist is strongly influenced by the japonais block paintings of hokusai. ← aah! another layer of interpretation, comparing the King's hairdo to a full grown japanese tsunami of yesteryear. But where's the grease in that?

you may want to check out some more of the sides BN has been putting out recently. Myself, I really like "Today, Tomorrow, Forever", a very nice upbeat album which features small group settings. Lots of "pop" in there, but lots and lots of taste as well.

yes, it puts the cloud like hair into a whole 'nother perspective. amazing stuff

thanks Mike

yeah, that flat microphone really adds depth to the man's face.

There is a short (5m24) video with the Rollins/Cherry/Grimes/Higgins group performing for Italian television (RAI), probably 1963. The tune sounds very familiar, but I cannot place it, maybe someone more knowledgeable can, I have uploaded an mp3 here (hope this works).

He's also on some of Gil Mellé's BN sides, performed with Mingus at the Bohemia (Debut) and with Monk at Town Hall (Riverside).

1955, Nat Adderley - Introducing (EmArcy) 1966, George Benson session for Columbia (Cookbook)

>><<

September 5 1939, Count Basie Kansas City Seven record for CBS/Columbia 1954, Gil Mellé - New Faces New Sounds [Vol. 3] (Blue Note) 1961, Yusef Lateef - Eastern Sounds (Prestige) 1965, Ben Webster - There is no Greater Love (Black Lion) 1980, Art Pepper - One September Afternoon (Galaxy)