felser

I'd be really surprised if it was as early as the 70's. Seems to have a post-Wynton studied feel to it. But I've been wrong on these BFT's many times!

1 – Either Michael Brecker or someone greatly influenced by him and Jan Garbarek. Way too sleepy for my tastes, though expertly played for what it is. 2 – Much more up my alley, now we’re talking! I love the composition and everything about the cut, especially the trumpet solo. Sounds like Woody Shaw and Kenny Garrett, but I can’t find an album match for it. Very excited for the reveal if I don’t figure it out first. A gem. 3 – Very good cut. Steve Nelson on vibes? Strong solos, long cut which does not outstay its welcome. 4 - Cheek to Cheek. Has to be one of those Oscar Peterson/trumpet duet albums on Pablo, doesn’t it? But I can’t find a match. Pleasant enough for sure. 5 – Eastern influence, but not as overt as those Joe Harriott albums, I don’t think. Interesting, though not overly compelling to make me return. Maybe it’s the Oregon with a guest sax player. 6 – World tour? Nothing here for me, though I’m sure it’s a good example of whatever style this is. 7 – Back on track. Groovin’ High. Very enjoyable trumpet player. Fun to hear guitar rather than piano in background. 8 – One of those latter-day tracks that I respect more than I enjoy, even though I should “like” it. Players sound very trained, but to me the performance is pro-forma and lacks excitement. YMMV. This sort of thing sounds better to me live than on record (well, mp3). I do like the trumpet solo. 9 – Well, that was unusual. 10 – Better Than Anything by Tuck & Patti. That’s a great song, I love Irene Kral’s version of it as well as this version. My wife and I enjoy and still play those early Windham Hill Tuck & Patti albums, and back when we had answering machines, I had their “Love is the Key” as my answering machine message for a time. 11 – Pleasant. One of the old masters on tenor. 12 - Wonderful. Very substantial, and another favorite cut on the BFT. Wished it went on longer, grew more and more on me as it went on.

Especially the last one.

Here is what BandCamp sent out today: Hello, Significant changes are coming to global tariffs (import taxes imposed by a government) that may impact how packages enter the United States. In practice, this means fees may be applied to some types of merchandise on US-bound shipments, and some Bandcamp sellers may choose to temporarily pause shipments to the US. Also, several international postal carriers are temporarily suspending delivery to the US. These restrictions do not come from the artists or labels but from global carriers. If you have questions about how an artist or label is handling this for your order, you can contact them directly by clicking the “Contact” link on the right side of their page. Remember, that while some artists and labels may suspend shipments to the US, you can always support them directly by purchasing digital music. For more information, head to our help center.

Me too.

One item 32Jazz got totally right. All four Muse albums on 2 CD's:

I at one time did ship CD's to Europe, but had some nightmare experiences with some of the non-USA post offices (Italy was especially memorable), and decided it just wasn't worth the stress and trauma. Plus, as you point out, rates have skyrocketed.

That would be very welcome news!

And that's where most of the good reissues come from these days.

Does the end of the de minimus tariff exemption mean that CDJapan and other foreign outlet shipping costs, with the extra duty imposed, will now make it unfeasible for USA customers to order from them? I'm no tariff lawyer, but what I'm reading doesn't sound good.

I'm also sparse on Lacy. Irene Aebi's vocals are an absolute deal breaker for me, and I don't need multiple CD's of him doing Monk, so that leaves me quartets with Waldron and groups with Steve Potts but without Aebi as my sweet spots.

PM sent on -Robin Eubanks- DB3 Live Vol. 1 (CD/DVD) -Charles Mingus- Modern Jazz Symposium -Saxophone Summit- Seraphic Light- (Leibman, Lovano, Ravi Coltrane) -David Murray- Saxmen- (Hole in UPC) -David Murray- Creole- (Drill mark in UPC) Fred Ho- Year of the Tiger Dexter Gordon- Our Man in Paris (RVG) Sealed- Notch in spine Stan Killian- Unified SF Jazz Collective- Untitled- Nonesuch 79855-2 Freddie Hubbard- Outpost (sealed) Donald Harrison- This is Jazz Houston Person- Talk of the Town T.S. Monk- Higher Ground -Roy Haynes- A Life in Time (3 CDS/DVD)- Box shows wear, bar code scribbled out G/Discs Ex-. $4

They could make downloads of those two tracks available with proof of purchase, but I assume they wouldn't consider that.

If this CD set does not include the two missing tracks, I'm good with just keeping the 2005 2-CD set, which otherwise IMO is a perfect reissue.

I fully agree with both of your points, thanks!

Denon is sitting on a lot of music which should be reissued, including some great 70's live Max Roach with Billy Harper.

@mikeweil. Good call, that's the session that got Alice's overdubs for the Infinity album.

Agreed it is the best work they ever did by a longshot, the only label that truly captured their magic. Columbia did not know what to do with them, and Stax just tried to fit them into the Stax mold.

Yes, on Blue Moon's Vee Jay series.

Primo Woody Shaw, great album.

I like Sloane also, and agree with your assessment, thanks.

What do you think of it? Bavan has never sounded "right" to me as a replacement for Annie Ross, but I've had limited exposure to the work with Bavan, and it may just be that my expectations were caught short by the differences in their styles.

That whole BN Montreux series has been a mystery for five decades. I know I only ever saw them as cutouts at Third Street Jazz in Philly (Jerry Gordon's store years before he founded Evidence Records), and there is question if those albums were actually released at the time. The CD issues later on were good to have. If course, the Marlena Shaw sample was the retrospectively famous moment, and I assume that and the Norah Jones windfall made their release more viable.