felser

PM sent

I've been very happy with their sets.

I've also had 100% fill rate on my three largish orders with them over the past couple of years.

Amen. Well, yeah, but Concord has given us "Miles Davis Plays for Lovers"...

By far! Yep, Fantasy was doing some great sets when they sold out to Concord. The 3 Trane boxes, the Davis Quintet, the Stitt, the Evans VV, etc. Beautiful stuff. Concord gives us the "... Plays for Lovers" series. Those were all released after the Concord sale. Excellent sets far superior to anything Fantasy put out. Sadly Concord got cold feet ater an initial flurry of great releases. My summary of the situation would be: Fantasy = quantity but no quality Concord = quality but no quantity. Take your choice! Not sure ... I agree about the presentation of those boxes, mostly the three Coltrane ones, which are indeed wonderfully done (but the way the discs are stored is still beyond moronic). How many of those were in the planning stages when Concord took over and/or prepared by Fantasy folks that were laid off soon after? Anyway, certainly OJCCDs were "basic" if you want - but I love them still, don't feel any need to get Japanese replacements, they sound alright in 99% of the cases, which cannot be said of the product that Verve put out in the late 80s/early 90s (they only started doing nice presentations in the second half of the nineties, too, just in case ...), neither can it be said of the early Sony CDs or of any BN CDs (we're past all those fights, but there are bad-sounding McMasters, bad RVGs ... to an extent I never felt there were bad Fantasy discs ever - and early BN CDs, 1987-89 or so, when they put out virtually their entire catalogue - were just as basic presentation wise as OJCCDs were). As for Concord, I'm not a nay-sayer in general, they put out some good stuff (those late Getz albums for instance!) that goes a bit further than their reputation (as I perceive it) admits. But their taking over of Fantasy really hasn't resulted in all that much. Previous discussions have indicated that those boxes were all developed by Fantasy, and that Concord just pushed out what had already been done, then laid off the people involved. Overall, I have no complaints about Fantasy. Unbelievable how many obscure but worthy titles they re-released from the Prestige/Riverside/Contemporary catalogs.

Then PM sent on Cliches and European Echoes, thanks!

I'd be all over the Lacy's if it weren't for Irene Aebi.

I have had both for many years, wouldn't be without either. If you are only going to get one, get the DVD to better understand the cultural impact/time/place. This event was a landmark, really moreso than Woodstock in a lot of ways. I believe there is a fair amount of music on the CD's that is not on the DVD set.

PM sent on the Tristano

By far! Yep, Fantasy was doing some great sets when they sold out to Concord. The 3 Trane boxes, the Davis Quintet, the Stitt, the Evans VV, etc. Beautiful stuff. Concord gives us the "... Plays for Lovers" series.

I picked up the deluxe 2 CD set of Led Zeppelin II over the weekend and I have to disagree with you here. This new remaster sounds nowhere near as good as the old original CD that was issued way back when. It's overly loud and trebly - painfully so when cranked up (and Zep NEEDS to be cranked up!). I picked up I and was not knocked out by the remaster or by the mono Concert recording on the second disc. A disappointment.

I only PM'd because I have an extra of it. I would not want to be without mine either. Love that period of Pepper's playing, have that box and the Galaxy box.

PM sent

Still waiting on the Bobby Hutcherson/Harold Land set. When I suggested it to them several years ago, they said they were actually already trying to do it, but it never happened.

Much to listen to yet, but wanted to weigh in. Last track sounds like a big band version of Leon Thomas doing Horace Silver's "Song for My Father". Not the version from 'Spirits Known and Unknown' I grew up with.

DL Please. Colin, if anyone in USA needs a CD, I can burn and send those for you.

Up with edits.

Agreed. I also like "Tea for One" from that album quite a bit, but "Achilles Last Stand" is spectacular, to me the only truly GREAT track done after IV ("Stairway to Heaven", "The Battle of Evermore") and one of their half-dozen greatest, period.

IV and Presence have some great cuts on them, but some other stuff that does not hold up. I-III are solid. I want to get the remaster of I at some point to get the '69 concert.

Please contact me at john.felser@verizon.net or via PM if interested in any. If you do email me, and are a member of the Organissimo discussion board, please also PM me, as some of my incoming emails have been getting routed to spam before I see them: Shipping in USA is $2.75 for first CD, $.25 for each additional CD. Buy $60 worth at one time and get free shipping in USA. Buy $120 worth at one time and get 10% discount and free shipping in USA. Willing to ship worldwide, will quote shipping cost to other countries. As always, willing to trade CD’s as well as sell. Prefer payment by Amazon gift certificate, but will accept paypal, check, cash, money order. Complete listing available as Word doc upon request. 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I've been a fan since I first heard him on McCoy Tyner's Enlightenment Montreux set. Was thrilled to see him resurface playing so strongly.

Posting blind before reading the other comments. Thanks Tom, very enjoyable BFT with a wonderful flow, and I look forward to finding out the identities, especially on #'s 5 and 6. 1 – Great background music for a workday on the computer. I feel like the tenor player and pianist are names I should know well. Reminds me of the album Stan Getz did with Albert Dailey. 2 – That’s a good sound with the guitar on the ensemble passages. I like the composition, the alto player, and really like the drummer. The trumpet player, not so much. Recent vintage (which to me means anything in the last 25 years). 3 – I admire this greatly, but would not see myself ever actually deciding to put it on and listen to it, leaves me emotionally cold. Reminiscent of the stuff Mark Turner and Kurt Rosenwinkel were doing together. 4 – I also admire this one, and like it better than #3, but it still sinks into the background for me, as good as it is. 5 – Most assuredly did not fade into the background, I love this one! Timeless, could have been recorded in 1964 or 2014. Love the guitar (there is a LOT of guitar on this BFT!), but all of them are good. I’m going to guess it’s the guitar player’s album. Has the feel of some of the things Kenny Burrell was doing with larger groups in the 60’s, though this ensemble sounds larger than it actually is, I think. Also something of an early CTI feel to this. I look forward to seeking this one out if I don’t happen to already own it. The percussion stuff going on in the background is fascinating. 6 – GREAT trumpet solo. This is a wonderful cut! Is that Pepper Adams on baritone? Sounds like it could be the Jones/Lewis big band. Whatever it is, it needs to be in my collection ASAP. Ends far too soon. 7 – This whole sort of thing has always been lost on me. I don’t know, maybe someone like Hamiett Bluiett, who is just utterly hit or miss for me. This is miss by a mile, but that’s just me. 8 – Yeah, I can do this one. Gotta be the tenor player’s album, doesn’t it. I know I know him. The trumpet player is playing in a more vintage style, which indicates that the tenor player would be one of those transitional masters like Lockjaw Davis or Gene Ammons, unless they are modern-day ringers (blame it on Wynton). 9 – See comments for #4. Arranger’s record. 10 – Gotta enjoy this, you know! Good time music. Reminds me of some of those Lonnie Smith Blue Note sessions ca 1970, with the likes of Lee Morgan and George Coleman. 11 – That two tenor, bass, drums configuration is one of my favorite sounds in jazz. Elvin Jones was the master, though I don’t think this is him. But this is a treat.

seems legit. I can drill down to it from the bing.com root. On the other hand, if you don't like google's invasiveness, how do you feel about being logged into bing while you do all your searches?

I saw CSNY on that Tour at the Atlantic City Race Track with 100,000 close friends and neighbors. They were good, but the opening act was the awesome Leon Patillo/Tom Coster version of Santana, who blew CSNY off the stage..

Works great, thanks!