Brad

Bill, You may be right in certain respects. Maybe I just don't get them yet. Unfortunately, my resources are limited and while I'd like to check them out, I just can't do it right now. BTW, you overestimate my ability to stop the presses on this thread.

I can honestly say I have a clean record today. Next week will be a different story. I'm expecting a shipment from Hiroshi

Tom, These kinds of threads do not belong in Discography. They really should go in Reissues or Recs. There's been too many of these threads here lately.

He IS the hard bop preeminent pianist of the late 50s early 60s for me. One of my favorites.

I guesss I wasn't clear but why does Angel show up on that technical difficulties pages since Mosaic has nothing to do with them unless they're linked to EMI and their page is down also.

Who is Angel and Manhattan. Isn't Angel a classical records reissuer?

Guilty as charged and I promise if I have the chance I'll do it again I bought 3 cds from Hal. He was very friendly, got 'em real fast and they were all great. I'd been looking for the Richie Kamuca Quartet on Mode for awhile so thank you Hal

Thanks for the tip. I'll check 'em out.

I'm also looking for this cd also. If anyone has one to trade or sell, please send me a pm. Thanks.

I'm looking for a copy of this cd. If anyone has one to sell or trade, please send me a pm. Thanks.

I've obviously been very lucky because I've never experienced the antics that you guys have experienced. I've been stiffed a couple of times but not on big ticket items. Which brings me to my next point. I think ebay is great for things like cds and items that aren't too expensive. If someone stiffs me for $30, I won't be happy (to say the least) but I can get over it. However, I'm not sure someone I don't know or an item I haven't seen when we get into the thousands. I'm just not comfortable with that.

Weizen, what I was trying to say is that someone with 95% I dismiss out of hand. I wouldn't deal with them. If somebody's at 99.5% and above, no risk. However, if it's around 99% and into the 98s%, I get a little leery. Usually, I'll take a closer look at their feedback and if they're generally clean for 6 months, I'll bid on their stuff. While all this may not matter to some people, my resources are not unlimited and I don't want to lose money needlessly.

I'd have to disagree with you about being a corrupt system. I've been on there for six years now and that's not my experience at all. I do think people participate in it and when dealing with sellers I look not to see if they're in the 95% range (tha's bad) but in the low 99s or high 98s. If they are, I try to avoid them. I think it's a self policing system and I think it works reasonably well. As a rule, I'm very loath to give out negative feedbacks. It's just something I don't like to do. I've done it but probably not more than 3 or 4 times in six years.

I hate to get legal on this but the basis of your argument is that Hal had promised him to refund his money and that therefore he couldn't have bargained the buyer's money back for the promise not to leave negative feedback. However, any deal or promise to be binding must have consideration. If there's no consideration, it's not enforceable. If Hal had said, I'm not going to refund your money, the buyer would have no recourse. It wasn't part of the original transaction and Hal's offer to refund the money was just a mere promise or offer on his part. For Hal's offer to become binding, the buyer would have to have offered something in return, either positive or negative. To be binding, there must be something flowing both ways. It doesn't look to me like the buyer did. Therefore Hal's initial offer is not enforceable. However, when Hal made his offer with the requirement that the buyer not leave a negative feedback and the buyer agreed, then you have an agreement because there was consideration. Consideration can be both a positive act (e.g. paying money) or surrendering a right that you would otherwise have (e.g. agreeing not to leave feedback). Regarding leaving feedback. As a seller, I always give feedback. I feel it's my obligation and a courtesy to do so. However, as a buyer, I won't leave it until the seller does. If he doesn't have the courtesy, why should I? I recently bought a cd and the seller said that he doesn't leave feedback unless I ask him to. My feeling about that? Screw you. It's your obligation to leave it and I shouldn't have to remind you to do so.

How is that extortion. That's called making a deal. You want your money back, here's the deal, etc. He doesn't have to agree to it. It's not blackmail or whatever. He just won't get his money back.

99.99 % is not strong enough. I'll go for the whole 100%.

Tom's list doesn't really any sense because they all belong in the Hall of Fame. Perhaps we should turn the question around and say who is the most influential person in the history of jazz (or perhaps three people)? That's a very easy answer: it's Pops. Again, if you choose the top 3, it's also very easy, Pops, Ellington and Bird. After that it gets harder.

I'm not as crazy about Some like it Modern as their earlier BN stuff and can't comment on the other cds but it could also have something to do with Alfred Lion's influence since he was always looking for a certain sound out of his artists. This is probably a question for Dan Gould who has more of an extensive collection than I do as I only have the pre 66 material.

I've got three of the sessions that are on this set and while they're nice, I'll have to be the one dissenting voice here and let this one go. I'll get probably get slammed for this but these guys overall don't excite me that much.

I'd also have to agree with the Moose. Once you offered the refund, which you didn't have to do, and he accepted, that was it; you have to follow through. Dan also raises a good point in his last post. With ebay (and I sell things there to support my jazz habit), it's not worth getting hassled or a negative feedback. I try to go out of my way to make sure I keep my perfect feedback. If a buyer is unhappy (rarely happens), I offer a full refund. Better to follow the high road, as Mark says.

I'll upgrade if I have a circa '87 BN, either with a TOCJ or an RVG. Invariably, it sounds better. I just upgraded Cape Verdean Blues. However, if I have the TOCJ I will not. I don't think it'll sound better than that. Sometimes, I'll upgrade the OCJs with a VICJ if the price is right. However, it's not an automatic knee jerk reaction anymore. I didn't do it with Sweet Honey Bee. It's an ok session and didn't feel the need to do it.

David, I'm very sorry to hear about this. She was obviously a very distinguished person and I'm sorry I never had the chance to meet her. Our best to you and your family.

Reinier's comment about McMaster is quite revealing. Capitol probably wants to use him not because any great love for him but because it's cheaper to do so. Sending out masters to Malcolm Addey involves extra expense (shipping, insurance, etc.), which they can avoid with McMaster. Why McMaster is used now makes a whole lot more sense.

That is truly sad and tragic. I recently picked up the magazine after having not read it in a very long time. I was not impressed (not that I think Jazz Times is so hot either). Except for the British magazine, Jazz Review, there seems to be a paucity of good jazz periodicals out there.

What a fucking travesty, man