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Everything posted by Brad
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I picked this up but haven't had a chance to listen to it yet.
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Packing My Bags
Brad replied to BeBop's topic in Jazz In Print - Periodicals, Books, Newspapers, etc...
I hate to admit this but I picked up the Owens Bebop book a while ago and never got a chance to read this. What's your views on this? -
Sick maybe but "let he who is without sin....", I think you get the idea
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Here I am, looking at the members who are on line list, feverishly scanning for grey's name, anxiously waiting to see if he's posting more Japanese cds that I have to spend my money one, that I just have to HAVE, so anxious that my fingers are getting numb waiting to hit that PM button with the message "I'll take 'em all" and, lo and behold, he's taking the day off. I'm thinking of doing a seance, to get in touch with grey's mind so I can get a hint, a clue, an inkling of when he'll post again and drive us all to hit that pm button. Ahhh, the agony and when he replies in the affirmative, ahhhhh the ecstasy
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These are coming out tomorrow, courtesy of BN/Capitol: Cannonball Adderley-Ernie Andrews - Live Session Stan Kenton - Back to Balboa Benny Carter - Sax a la Carter Johnny Smith - Moonlight in Vermont George Shearing Quintet with Nancy Wilson - The Swinging's Mutual I'd like to pick up the Johnny Smith (since I don't anticipate getting the Mosaic for awhile) but I don't know the others. Any comments?
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I saw a very low priced JSP Charlie Christian set recently. Is that one worth picking up or if I have the recent box that came out, should I skip the JSP box?
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B, you can close this thread as well(Like I have
Brad replied to BERIGAN's topic in Forums Discussion
I thought Dr. Freud was into penis envy. Now I see he's moved a little higher, different sex, however. -
Meow!
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Whom do you think did the best linner notes?
Brad replied to Hardbopjazz's topic in Miscellaneous Music
Ira Gitler and Dan Morgenstern. Larry, do you have any information about the forthcoming book? -
This is a rather thought provoking thread and basically gets down to why I (or anyone) likes or dislikes Miles? I have heard this argument before that he doesn't have good technique but I like Miles because of how he pared down his style to the bare essentials minimalist of style. Maybe he did that because he realized he couldn't blow like a Dizzy or a Kenny Dorham. Whatever each of us have we try to make do with the best we have. Maybe that's why he pared down his style. For me it works. His tone, which I like, is instantly recognizable and you recognize it to be Mile and no one else. It's also the emotion in his playing that comes through. As Chris and others noted, there may be others with more talent, but there are a lot of people out there with talent who don't always come to the fore. There must have been something there for Bird and Dizzy to take him under their wing when they came through St. Louis when they were with Hines. For Miles to play with Bird on his seminal Savoy session, instead of Dizzy, there must have been something there. I know you didn't address this point but Miles was in the forefront of every big movement in music since 1945. To me, that's something. I don't know how you can ignore that. You can't separate the man from his ambiance or environment. I also don't think the argument that he surrounded himself with good players is all that meaningful. Of course he did, he recognized talent and wanted to play with some of the best. Who wants to play with crap? Now if you want to get into a discussion about which period of Miles you like, there's some interesting conversation there. I'm not wild about his late 60s stuff on. Everything before that I love. But that's just my opinion and I know it's not universally held.
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B, you can close this thread as well(Like I have
Brad replied to BERIGAN's topic in Forums Discussion
Doesn't this prove that the beer guzzlin' fanatic himself now has a fourth personality: the Grouper. Maybe he could Dr. Freud to examine himself. But who would answer? Lenin? Stalin? -
I like it and voted to keep it. Maybe it's the alpha male thing but I just like it.
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Tod, it's time to call Dr. Freud or throw that bottle away!
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The god damn stupid Borders messed up my reserve on Uptown and Masterpieces so I have to wait another week now. But they did give me a $5 off certificate on each one so I guess there's a silver lining there.
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Fungii Mama quickly come to mind.
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How about bird, sonny berman, kenny drew, paul chambers and blakey. That'd be a hell of a combination.
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Curiosity killed the moose . Alfred and Francis are still spinning in their graves.
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Wow! I hadn't looked at this thread since last year. I had no idea that there were more than 25. I noticed right off the bat that what's on Vol 26 replicates what's on Stash's Birth of the Bebop. Thus, the job will be to figure out what the heck I don't have and do have. Cadence doesn't seem to have above Volume 25, nor Worlds Records. Bummer.
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Still waiting.
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If Deep has been banned, how is it that his name appears on the list of people looking at this thread?
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Here's another vote the Blue Hour. Kudos to BN for putting out the Complete set. Also, a big yes vote for Queen of the Organ. Awesome! Other favorites of mine are Stan the Man on Time/Bainbridge (little hard to find, although it's probably still available in Japan) and Dearly Beloved and Never Let Me Go, also on BN.
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I've pretty much ignored his thread early in the game. There were a few good stories mixed in with the nonsense, but few at that. I'm glad he's been banned. In my mind, I can never associate his discs with the persona that's been on various boards .
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As mentioned their service is the best. They're the gold standard as far as I'm concerned. Ornette, if you'd like I'd be willing to give them a call for you if you pm me with the particulars, if you don't get a response soon.
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Catesta, are you sure about that ?
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I have the Stash version of Red Norvo's Fabulous Jam Session which IMHO is one of the seminal sessions in the history of the music up to that time. Having the bad boys of bebop record with an established figure such as Red Norvo gave them a very strong air of legitimacy that they'd not had. It took me a very long time to find this disc. I first heard it on Phil Schaap's Bird show and was transfixed. It took me over a year to get it. Now, it's generally available on the combined Savoy - Dial box. An interesting sidenote to some of the discussion about Jay McShann is Bird's alto partner, John Jackson, who was rumored to be better than Bird and sounded just like him but never got the attention that Bird did. Unfortunately, I've never been able to find out that much information about him and google searches haven't helped at all. If anyone has any leads, please post them.
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