medjuck

"You're not very tall are you? - Well, I, uh, I try to be. So you do get up, I was beginning to think you worked in bed like Marcel Proust. - Who's he? - You wouldn't know him, a French writer. - Come into my boudoir. Speaking of horses, I like to play them myself. But I like to see them workout a little first, see if they're front runners or comefrom behind, find out what their whole card is, what makes them run. - Find out mine? - I think so. - Go ahead. - I'd say you don't like to be rated. You like to get out in front, open up a little lead, take a little breather in the backstretch, and then come home free. - You don't like to be rated yourself. - I haven't met anyone yet that can do it. Any suggestions? - Well, I can't tell till I've seen you over a distance of ground. You've got a touch of class, but I don't know how, how far you can go. - A lot depends on who's in the saddle. You've forgotten one thing - me. - What's wrong with you? - Nothing you can't fix. I liked that. I'd like more. She tried to sit in my lap while I was standing up. I don't like your manners. - And I'm not crazy about yours. I didn't ask to see you. I don't mind if you don't like my manners, I don't like them myself. They are pretty bad. I grieve over them on long winter evenings. I don't mind your ritzing me drinking your lunch out of a bottle. But don't waste your time trying to cross-examine me. Do you always think you can handle people like, uh, trained seals? - Uh-huh. I usually get away with it too. - How nice for you." I think some of these lines are from the novel on which the film is based, but much of this dialogue may have been written by William Faulkner. (And I'll leave it to to Ubu to name the film.)

Mazel Tov! (as we say in California).

Is there another title to the song they call Tutti? (1st cut on disc 2.) It's very familiar to me and I think I've got a performance of it on another cd. But I don't see that title on any of my cds and I haven't taken to the time yet to listen to every cut on 10 cds.

Are you sure? That would mean that anything recorded before 1936 was now pd. I'm quite sure he's sure, because that's the way it is! I thought it was now 95 years as a result Disney's lobbying so that first Mickey Mouse cartoon wouldn't enter the public domain.

Well this one got made because Clint wanted to make it. He's known for working efficiently and most of his films are very profitable. Warners has let him do whatever he wants for a couple of decades. This script sat around for ages before he got involved.

Wow! And I was going to brag about just celebrating our 25th (living together 30). Congratulations!

Right, but a box set in chronological order would be nice. (And I don't have every volume yet.)

Right, but a box set in chronological order would be nice. (And I don't have every volume yet.)

Don't matter if you got the lps. I think that the Lps don't contain all of the original session and have edited versions of some songs. (Not sure though and I'm several thousaand miles away from my reference materials.)

Uhhh.. I don't think Marty was available to take part.

34 thru 38 are included in the recently reissued 'Boston Blow-Up' Capitol/BN CD: Chaloff was not heard on 'Chasin' the Bass'. Ooops you're right. My bad. So I guess all I'm missing are some alternates and Chasin' the Bass.

Thanks. I was trying to figure out what I was missing. I've got everything except some alternates, Chasin' the Bass and 34-38. Any ideas where they might be found?

Anyone able to list the contents for me? I'd appreciate it.

West of the Moon will be available in October as Mosaic single.

Well I got it and it sounds good to me, but I think that "Old Bottles"-- the one Avakian produced-- is the same master as the older cd I had. Great Jazz Standards however is much improved.

Lucky guy! Happy B'day amd many more.

I'm enjoying the music and the booklet but what does the writer mean when he talks about "cut time"?

I'm about to do a lot of flying so I've asked my family for noise-reduction headphones for Father's Day. I'm assuming that the Bose ones you see advertised everywhere are a rip-off since the price you pay pays for their advertising. (I presume the same thing about their radios.) So what's another good high end choice? Or are noise reduction headphones not a good idea?

Oldest I can find is Roach/Brown "Study in Brown". Manufactured in Germany. No date on it. Probably about '84. Picked it up free from an office in Warner Brothers where I was working on a laser disc project (which eventually became Criterion). I also got the Koln Concert but traded it for a later edition because the first one didn't have the coda.

The double cd set of Max Roach and Dizzy dueting in in Paris has an interview in which the 2 are shown this performance. Dizzy can't remember the drummer's name at first. He does notice that he's left handed. And neither of them recognize the bass player. But then Max says the drummer is Charlie Smith who was a brilliant young man who became a lawyer.

The following should speak for itself. To find the links to which they refer you can go to their website (Just Google KJAZZ). I've had probelms with KJAZZ in the past but they actually seem to be getting better recently. THIS COUNTRY MAY LOSE ONE OF ITS BEST AND LAST JAZZ AND BLUES STATIONS The California State University Long Beach Foundation (CSULB) which owns KKJZ’s license has put out a Request for Proposal (RFP) to 5 different entities to compete to manage and run KKJZ FM. Evidence suggests that Southern California Public Radio (SCPR) approached CSULB to run KKJZ FM, which led CSULB to send out their RFP. We believe that the other 3 entities were invited to the RFP to deflect attention away from SCPR’s agenda. Only Pacific Public Radio, the entity that has run the station for the past 19 years has the expertise to keep KKJZ a 24/7 jazz and blues station. We are in a time where jazz has eroded away on the public dial, relegated to night and weekend programming - second to news and talk, if available at all. While we understand the cause of this, we believe a fight is on to prove that a 24/7 jazz and blues station like KKJZ FM in Los Angeles ought to be able to survive and thrive next to our news and information counterparts, providing a unique and equally valuable service. Jazz and blues have large legacies that should not go out with a whimper. Far too much of the media in our society has become disposable, tossing out legacy for the latest money maker. The cultural significance of jazz should not be thrown away. Please review the following links and do what you can to help us.

Wow!!This is great. Now if Sony would only release all full band sides they have from the same era.....

Did you get it on cd or Lp? Maybe the first 1000 were for which version you didn't get.

Hey Jim: Last night while I was waiting for The Sopranos to begin I was cable surfing and on one of the many music channels my cable system offers (the Jazz one of course) there it was: A picture of the 3 of you with a cut from your latest release as soundtrack. While I watched the picture changed and brief pieces of information about each of your professional lives began to appear on the screen! Congratulations!

I expect they never filmed The Honourable Schoolboy because Smiley isn't central to it and he's sort of a villain in it. (As he is in The Spy Who Came In....). If they were to do more Smiley stories they might do Call from the Dead (which Sydney Lumet turned into a pretty good movie) or A Murder of Quality.