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ghost of miles

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Everything posted by ghost of miles

  1. Heard about this a couple of months ago, but there was no definite release date for it yet... glad to see it's now imminent.
  2. Nice record, Phil! I'm going to play "Jeannine" (always loved that tune) and/or "Bluelonious" on the Afterglow that I tape tomorrow. Steve Hougton's playing at Bear's in a few days--still haven't met him, but I'm going to flash the Phil Kelly badge of introduction when I do.
  3. California Green? Mmmmm......
  4. Best to you & thanks for the beats!
  5. The extra interview clips won't be up till tomorrow sometime, but the program itself is now archived.
  6. Some recently archived Afterglow programs up on the website: Duke Ellington Small Groups (drawn from the Mosaic set) Rene Marie Billie Holiday: the Decca Years A Portrait of Billy Strayhorn Two programs featuring the "Great Jazz Vocal" reissue series from EMI (June Christy, Dakota Staton, Chris Connor, Sue Raney, Dinah Shore, Irene Kral) Frank Sinatra on V-Disc
  7. A similar incident happened here in Bloomington last weekend.
  8. Late, I just remembered there were at least two previous threads devoted to this particular period of Simone: Four Women #1 Four Women #2 I find myself only liking her more & more as I get older...perhaps as iconic a jazz singer for her time as Billie Holiday was for hers. When I play the Phillips or RCA material for friends of mine in their twenties, they generally tend to fall for her right away.
  9. A friend told me about this one: Billy Ripken 1989 card
  10. Great recs--and I'll definitely second those two Roulette sessions, After Hours and +2, as I've been revisiting them recently.
  11. Wagner card goes for $2.3 million
  12. My favorite part is when you answer that you play jazz and they say, "Jazz? Oh, I like jazz. It's so relaxing." My wife & I were sitting in a restaurant here in Bloomington on a recent Sunday afternoon, and they were playing some godawful contemporary version of "Come Rain or Come Shine." I couldn't ID the singer, but I was positive it was some washed-up 1980s New Wave star... kind of a cross between the Spandau Ballet vocalist and Boy George, but not actually either one of them. It was very schmaltzy and fatigued-sounding at the same time, with some limp brass in the background; we've had a bevy of bad Great American Songbook (or GAS, as the Yahoo Songbirds call it) tributes from fading rock vets lately, but this one really piqued my curiousity. My wife went up to the counter to order a coffee drink and asked what was playing. When she came back, she said, "Don't get mad..." Then proceeded to tell me that the guy behind the counter had said he wasn't sure what it was, because it came off an employee's ipod, "but I think it's Miles Davis." My wife said, "Uh, are you sure?" (She knows Miles' recordings fairly well.) He said, "Well, yeah... you know, it's jazzy and stuff... I'm pretty sure it's Miles Davis!"
  13. I've suggested something similar to MC re: the EMI Pomeroy holdings. "Risky but tempting" was the reply; I think there's concern about how well it would sell. They did recently reissue the Irene Kral album with Pomeroy backing her, and that's a fine one (part of the "Great Jazz Vocals" series).
  14. Sounds like it was a fantastic experience for all involved. Was this festival a one-off, WL, or will you be attempting to make it an annual event? You're to be congratulated roundly for pulling it off! And my thanks as well for posting those pictures.
  15. Been doing some rereading myself--Charles Jackson's THE LOST WEEKEND, which holds up quite well. Also reading the Library of America's REPORTING WORLD WAR II: 1944-46, which is chock full of amazing pieces (the Vietnam volumes in that series are excellent as well).
  16. This week on Night Lights L.A. jazz historian Steve Isoardi joins us for "One More You Wrote Through Us: Horace Tapscott." In 1961 pianist Horace Tapscott turned down a chance to have a high-profile career with the Lionel Hampton band and spent the next several decades in Los Angeles, leading several community-jazz bands and doing his best to extend the mentoring and teaching tradition that he had experienced growing up during the glory days of L.A.'s Central Avenue era. The underground jazz scene that he helped to create and sustain--a vibrant, multi-arts mix of culture, politics, and African-American values--has now been documented in Isoardi's new book, The Dark Tree: Jazz & the Community Arts in Los Angeles. We'll hear some previously unissued music by Tapscott and UGMAA (Union of God's Musician and Artists Ascension) and the Pan-Afrikan People's Arkestra (from a CD included with the new book), along with solo and trio Tapscott piano recordings and a collaboration with Black Panther activist Elaine Brown. "One More You Wrote Through Us: Horace Tapscott" airs Saturday, February 24 at 11:05 p.m. EST on WFIU and at 9 p.m. Central Time on WNIN-Evansville. It also airs Sunday evening at 10 p.m. EST on Michigan's Blue Lake Public Radio. The program will be posted, along with 12 extra interview clips not used in the show itself, Monday afternoon in the Night Lights archives. Next week: "Alice Coltrane, Ascending."
  17. Thing is, I actually prefer this board. I guess I sometimes feel nostalgic for BNBB as my doorway to jazz discussion on the Internet, but... hardly ever think about it that way now.
  18. And six posts in there's mention of DEEP getting banned from another jazz board!
  19. Mosaic says they are again interested in possibly doing a Konitz Verve set--I, for one, am crossing my fingers and hoping that it eventually comes to pass.
  20. For Impossible & other interested parties, an update on the new Kill Rock Stars comp. I have or have heard about 3/4 of it, but I'll be buying it... press release from KRS & the family w/tracklisting follows:
  21. I would not have figured you for a Lucinda fan, Clem. I'm mostly familiar with the SWEET OLD WORLD/CAR WHEELS era & like both those albums lots... kinda so-so on ESSENCE & haven't really followed her since, but I'd be curious to hear this new one.
  22. I cast my vote for Mr. Wilson. Maybe THE big band of the 1960s... and there were some very good ones.
  23. Slap those skins and have a good 'un!
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