Maybe this has been said elsewhere, but Crouch had been pushing the music of Arthur Blythe, David Murray, Oliver Lake, and possibly Henry Threadgill (can't recall) until he decided to head 'uptown' and get in with the Marsalises. I think that the music of these players in the post-Loft era could really have gotten over in a more interesting way than the Young Lions did, a la Sonic Youth signing to Geffen. That's my perspective, anyway -- what could have been.