Caught Ornette's gig at Cheltenham last night and I'm very glad I did. Same group as per WD45's gig report with the two-bass powerhouse Tony Falanga and Greg Bowen. My sixth row centre seat gave me an excellent 'stereo sounstage' with Falanga on the left (concentrating on the arco work, strongly reminscent of David Izenzon as mentioned previously) and the 'walking' Bowen on the right. Ornette was in absolutely tremendous shape - executing his still breathtaking ideas at speed on the white alto. The group sound with the two basses is inspired. They set a powerful, driving sonic space which frames and focuses Ornettes statements. I liked the way that Ornette moved from trumpet and then back onto the alto, a transition which seemed to further 'energise' his alto playing. A bit of violin work too and that combination of the three strings was spellbinding - although brief. The main point of interest though was that sound on alto - and it is still spectacularly distinctive and soaked in blues feeling.
The band played for about 75 minutes straight through with one of the encore numbers being 'Lonely Woman' - Falanga was dripping wet by the end of it but Ornette hardly broke sweat. Incredible ! This ability to pace the performance and up a gear or two at will is one I associate with only the very greatest jazz musicians. The performance here at Cheltenham last night put paid to any possible doubts (at least in my mind) that that was the case.
Incredible !