I thought at the time that the compositions and the conception in general on 'Phantom Navigator', 'Joy Ryder' and (less so I guess) 'Atlantis' were great but thought the recording was less than the greatest and that the albums suffered from some dated electronics and rhythms of the period. No doubting the unique compositional vision behind these though. Totally agree that on 'High Life' that it really gelled - maybe he had a band by then that really grasped the nettle - and maybe Verve allowed a bit more preparation time.
With time, for sure, the importance of these albums has only been enhanced - and it is interesting that Wayne draws heavily from them (including the likes of 'The Soothsayer' and 'Schizophrenia') in his programmes for his present-day quartet.