An email last night from Michael at Transparency Records announces the next Sun Ra Transparency release:
SUN RA
Live At The Red Garter
New York City, July 1970
Transparency 0319
(Two audio CDs - 86 minutes total - Includes nine minutes not circulated among collectors - Plus a slide show of 82 black & white photos of the event by Lee Santa on the second disc)
UPC #716205031922
A superb performance by the Arkestra at NYC's The Red Garter (later known as The Bottom Line). Dragging the folder of 82 photos to your computer desktop and viewing the slide show while listening to the audio discs takes you right there to the concert - for a very unique documentation like no other.
Please order now using the paypal address meridianavenue@yahoo.com
We anticipate shipping during April 2012.
$15 first class postpaid within the U.S.
$18 airmail postpaid to Canada and Europe
July 1970 The Red Garter, NYC
(Earthly Recordings #150)
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This is a lovely understated duet between Ra on organ and Alan Silva on cello. It's nice that Ra gave Silva so much solo space during the latter's relatively short tenure with the Arkestra.
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Horns and flutes come in, still in keeping with the subdued mood of the previous duet but clearly playing a different piece (RLC calls it a "slow minor key theme"), before the drums pick up the tempo and the horns and organ dig into a cool swinging riff. This would have fit perfectly on My Brother The Wind Volume II. Like so many compositions here, this is one I really wish Ra had recorded officially. He lays down cool organ grooves and Kwame Hadi plays a gorgeous trumpet solo, compelling and exciting like all of his playing. This is followed by sumptuous Pat Patrick baritone sax solo. The groove here is simply incredible. Flutes comment in riffs in the background, and other horns come in. After Patrick stops, the riffs take over for a bit before we return to the opening slower ensemble theme. Dissonant flutes lay down a blanket of chords for the main theme to rest on as it builds to a nice finish.
LADIES AND GENTLEMULES
What a quirky song! Accompanying himself on organ, Ra introduces the piece by saying he has something to say to the gentlemules. Then the band eases into a slinky jump groove, and they chant "Things ain't gonna change like they did," and something indecipherable. At intervals they stop and Ra makes special announcements about members of the congregation not having themselves together -- but it's okay, because "another ******* gonna take your place!" All through the groove, Ra's organ cooks; we get an abrupt ending as the tape cuts off.
SOMEWHERE ELSE
A nice, tight rendering of this piece, one of my favorites from this era. The trumpet solo, by Kwame Hadi, is tight and focused. It's followed by some cool organ, with the band sustaining the groove before returning to the head. (You can tell my bag of musical vocabulary terms is running out. Oh well -- my language may run dry, but Ra's musical ideas never do!)
SOMETIMES I'M HAPPY
This is the earliest known live Ra version of this song, which he first recorded in 1962 at the Choreographer's Workshop (on the CD Standards). Later to be sung so beautifully by June Tyson, here it's all instrumental, with a really nice Gilmore solo, backed by Ra's organ comping. Did I say "really nice"? Gilmore swings like a mutha, turning in a heart-thumping whopper of a solo. I'm going to quickly run out of laudatory language to describe his superlative playing, I can't tell. Words really don't do him justice. Silva does some cool out bowing as the song draws to a close.
PLEASANT TWILIGHT
This piece is easily the highlight of this volume. Ra starts it by playing the melody on solo organ, slowly but straight through, followed by meditative ruminations on the melody. Then the band comes in at a swift swinging tempo, faster than the studio version (which is the only known recording of this piece at all!). After the band plays the head, something magical occurs: the tempo drastically slows down, the horns play through the chord changes slowly, and Gilmore takes off, laying down a simply glorious solo that shows him at the peak of his powers. It's one of those solos that's all over the place while at the same time fitting firmly in the flow of the song, and it's one of his most amazing ever. As he reaches the upper stratosphere of the high register, Ra's organ joins the horns, then, as on the studio version, the band plays the melody at a slower, statelier pace. But it's not over yet -- the tempo picks back up and we get the added bonus of another hot trumpet solo, I'm guessing by Kwame Hadi. Besides Walter Miller, the dynamic duo of Kwame Hadi and Akh Tal Ebah are my favorite Ra trumpeters, and it's great to get whatever solos we can from them. The head comes back, but played even faster than at the beginning. Overall, a fantastic performance.
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TRACK LISTING:
01. unidentified
02. Somewhere Else
03. Ra Improv - Sometimes I'm Happy
04. Pleasant Twilight
05. unidentified
06. Love In Outer Space
07. unidentified
08. Ladies And Gentlemules