Yeah, unfortunately I've gotten real used to that.
I didn't say they weren't valid points.
Sidestepping the points Shawn makes, there's the mastering which in my opinion has been in the previous three volumes excellent enough to just forget other versions, and the fact that these are presented as copies of the original lps in track listing and packaging. For some of us, this was the way we first heard the music (in my case in the 'seventies) and it can be the way we'd like to experience them now. (I really enjoy that now.)
OK, I can understand that, I guess. I didn't have any issues with the Impulse CDs, and personally like having the alternate tracks available. I did check out the Amazon reader reviews (FWIW! ); seems the first volume got raves for its remastering, while 2 and 3 (especially 3) got panned. I mostly listen to these on vinyl anyway
Well, I don't really know what some people are hearing in these reviews. In the case of the third box I have two of the albums in lp facsimile Impulse gatefold cds from Japan just the year before. They as far as I can tell use the very same Kevin Reeves mastering as in the box, and they sound fantastic. (As does the box set version, they sound identical).
Anyway, I don't do vinyl any longer so like having these as they are. I sold a few of the extra versions I had but decided to keep the rest of the Japanese ones I have (k2 remastered and 24/192 versions) as I couldn't sell them at what I thought was a very low price, so just decided to keep them.
I can certainly see why anyone who has been collecting jazz for a while would avoid these box sets; I happen to really enjoy them, and they're good for the new collector imo.