Yeah, they're beautiful, real vintage (i.e. no poly underlayer, all nitro finish) finish. Fit and finish is excellent on this guitar. I like the Jazzmaster, there's really two neck pickup sounds you can set, because you use teh rhythm circuit (the pot-wheels have a darker sound than the other tone circuit) and you can also set a neck pickup sound with the other circuit. For a neck pickup lover, it's an ultimate guitar. I love that you can have two sounds just by flicking one switch and can go back and forth. The bridge and the bridge plate makes an interesting sound. Very sparkly, very much like an acoustic to me as well as an electric. The short sustain is very jazz guitar like as well. Leo really came up with a superior design and put a lot of thought into the guitar.
The photo is not actually mine but looks exactly like mine.
I think I've finished with the bug, I've got the guitars I've really found work for me. I'd distill my collection down to three if I had to: this Jazzmaster, my Billy Corgan Stratocaster (this hardtail is the most versatile and easy playing guitar I've had, impresses me every day), and the Deluxe Stratocaster with the mahogany body (another real player and great tone). I'd probably keep the Breadwinner too after restoration, which I really ought to do. It's one of the earliest, with the nylon string saddles and single-ended pickups, and it's a guitar that is so rugged it'd last a thousand years.