connoisseur series500 Posted July 26, 2003 Report Share Posted July 26, 2003 Thanks for the heads up, Jim. I just ordered a copy. Hey Conn500 - I'll be curious to hear what you think of this one. I borrowed it from a friend years ago, and at least at that time I thought it was a pretty 'out' date, probably one of the most 'out' things Joe's ever recorded - actually. For some reason or another, I never did pick it up myself - probably just too expensive when I did see it, which wasn't ever that often. If you find you don't care for it, I'd be happy to provide it a happy and caring home... ...if ya know what I mean. No prob, Rooster, If I don't like it (unlikely), it will be winging its way over to you! I've pm'd you. Conn Quote Link to comment Share on other sites More sharing options...
JSngry Posted July 26, 2003 Report Share Posted July 26, 2003 It IS one of Joe's more "out" dates, but not an inaccessable one if one is not inherently opposed to freer (as opposed to outright "free") playing. Joe's mastery of the instrument and supreme musicality are evident from the git-go, and that alone is appealing to me. Others' milage, of course, may vary considerably. But I personally think it's a stone gas of a side. And they DO have more than one copy, I'd imagine. Quote Link to comment Share on other sites More sharing options...
mikeweil Posted July 31, 2003 Report Share Posted July 31, 2003 (edited) I just remembered Joe is playing on this rare bird: Paramount PAS 6061, released in 1973. He fits nicely into Manu Dibango's role on the title track, energetic and wild soloing! Marvin Stamm and Eddie Bert are the other horns; the album combines Olatunji's afro-beats with some funky shadings provided by Reggie Lucas and Gordon Edwards. One thing I always admired about Joe is how well he adapted to different, especially more "exotic" contexts: This encounter with African rhythms is as satisfying as his excurisons into Cuban (Canyon Lady), funky (Black Miracle) or exotic soundscapes (The Elements). On the latter I really like his tasteful use of overdubs and electronic attachments. Saw him live in Germany with some flamenco-jazz encounter project. He has an element of Northern African music in his sound and phrasing on these occasions. Edited July 31, 2003 by mikeweil Quote Link to comment Share on other sites More sharing options...
Sundog Posted July 9, 2004 Report Share Posted July 9, 2004 UP for further consideration. I gotta get Barcelona. Quote Link to comment Share on other sites More sharing options...
king ubu Posted July 9, 2004 Report Share Posted July 9, 2004 What other of Joe's sideman appearances (after say 1970), really stand out as being top-drawer performances?? Have you heard this one here? Henderson, Corea, Carter and Billy Higgins - a pretty good one! ubu Quote Link to comment Share on other sites More sharing options...
sidewinder Posted July 9, 2004 Report Share Posted July 9, 2004 Good to see this thread up for more airing yet again. There were so many recorded highlights in Joe's career - he hardly put a foot wrong. It also reminds me to give the 'Barcelona' CD a spin this weekend. Two personal favourites - 'Brown Sugar', recorded with Freddie Roach and with Joe playing very much a supporting, late-nite R&B type role. Just shows how incredibly flexible he could be at the BN sessions. Also '49th Parallel' a Concord Jazz session recorded in either 88/89 by Neil Swainson's Qunitet. This one has the added advantage of Woody Shaw also in the front line. Strange that this session isn't mentioned more often ! Interesting to read Mike's recollections of meeting with and hearing Joe in Germany (I guess it was the 1970s, 1980s?). Reminds me of a holiday I had over in SW Germany with friends back around 1982/83. One of these folks was at senior school and gave me a copy of their school newsletter to read over. Imagine my reaction when I noticed mention of a 'school concert' with 'The Joe Henderson Quartet'. About 5DM admission I think - unfortunately it was already over. My friends had absolutely no idea who Joe Henderson was and how huge a name in jazz he had become. Quote Link to comment Share on other sites More sharing options...
Alexander Posted July 9, 2004 Report Share Posted July 9, 2004 Another excellent Joe sideman date worth seeking out is "49th Parallel" by Neil Swainson. Not only does it have Joe in fine fighting fettle, but it contains one of the last recorded appearences by Woody Shaw! Quote Link to comment Share on other sites More sharing options...
brownie Posted July 9, 2004 Report Share Posted July 9, 2004 A Joe Henderson I had never heard about is the 'Warm Valley' album he recorded in 1991 in Washington, D.C., with the Louis Scherr/Tommy Cecil/Tony Martucci trio. Henderson plays on five of the eight tracks of this What's In a Name release. Nice album. Quote Link to comment Share on other sites More sharing options...
Rooster_Ties Posted July 9, 2004 Report Share Posted July 9, 2004 A Joe Henderson I had never heard about is the 'Warm Valley' album he recorded in 1991 in Washington, D.C., with the Louis Scherr/Tommy Cecil/Tony Martucci trio. Henderson plays on five of the eight tracks of this What's In a Name release. Nice album. LOTS of cheap copies of "Warm Valley" to be found on half.com, if anybody's looking for one. There's two that are "like new" for only $3 a pop (plus postage). Quote Link to comment Share on other sites More sharing options...
BFrank Posted November 18, 2004 Report Share Posted November 18, 2004 Just listening to "The Kicker" once again tonight. Gotta be one of Joe's greatest "unsung" albums. Some REALLY solid tunes and the group of Grachan Moncur, Kenny Barron, Ron Carter, Louis Hayes is first rate. The only weak link is Mike Lawrence on trumpet, who is competent, but not of the caliber of the rest of the group (as a soloist, that is). The Elvin Campbell engineering is up there with RVG's engineering on those early CTI albums ("Red Clay", "Straight Life", etc.). If you don't have this........get it. Quote Link to comment Share on other sites More sharing options...
sal Posted November 18, 2004 Report Share Posted November 18, 2004 I am really enjoying the "Live at the Lighthouse" reissue that came out not too long ago. This was quite a band. Quote Link to comment Share on other sites More sharing options...
Guy Berger Posted November 18, 2004 Report Share Posted November 18, 2004 Just listening to "The Kicker" once again tonight. Gotta be one of Joe's greatest "unsung" albums. Some REALLY solid tunes and the group of Grachan Moncur, Kenny Barron, Ron Carter, Louis Hayes is first rate. The only weak link is Mike Lawrence on trumpet, who is competent, but not of the caliber of the rest of the group (as a soloist, that is). The Elvin Campbell engineering is up there with RVG's engineering on those early CTI albums ("Red Clay", "Straight Life", etc.). If you don't have this........get it. Gotta disagree. I don't have anything approaching a "complete" Joe Henderson collection, but out of ten CDs of him as a leader, this one is easily the weakest. Guy Quote Link to comment Share on other sites More sharing options...
JSngry Posted November 18, 2004 Report Share Posted November 18, 2004 Good enough playing, but the tunes are way too short, imo. Quote Link to comment Share on other sites More sharing options...
BFrank Posted November 19, 2004 Report Share Posted November 19, 2004 Good enough playing, but the tunes are way too short, imo. It would be nice if the tunes were longer and there were more of them, but I think what's there is smooookin' !! Quote Link to comment Share on other sites More sharing options...
Rooster_Ties Posted November 19, 2004 Report Share Posted November 19, 2004 (edited) Joanne Brackeen - "Ancient Dynasty" (Tappan Zee / Columbia, 1980) Joanne Brackeen : piano Eddie Gomez : bass Jack DeJohnette : drums Joe Henderson : tenor Spontoonious burned this LP for me (it's never been released on CD, far as we can tell), and I have to give it very high marks. Joe plays very well (as do all the players), and there is quite a bit of through-composed music here, which one rarely gets to hear Joe play (or many jazz musicians, for that matter). Well worth seeking out. (If it were ever released on CD, I'd buy one for sure.) Edited November 19, 2004 by Rooster_Ties Quote Link to comment Share on other sites More sharing options...
JSngry Posted November 19, 2004 Report Share Posted November 19, 2004 Yeah, that's a GREAT one! Quote Link to comment Share on other sites More sharing options...
BFrank Posted November 19, 2004 Report Share Posted November 19, 2004 I have Brackeen's "Keyed In" - same group minus Joe (unfortunately). Still a nice trio set....also on Tappan Zee. Quote Link to comment Share on other sites More sharing options...
pryan Posted November 19, 2004 Report Share Posted November 19, 2004 I picked up the Lp version of POWER TO THE PEOPLE. I like it more than some of the classic BN stuff but for different reasons. What do you guys think of this one? Quote Link to comment Share on other sites More sharing options...
Rooster_Ties Posted November 19, 2004 Report Share Posted November 19, 2004 (edited) I picked up the Lp version of POWER TO THE PEOPLE. I like it more than some of the classic BN stuff but for different reasons. What do you guys think of this one? Absolutely love it. Other than his BN work, this is my favorite Joe Henderson album, hands down. 5-stars. Edit: It doesn't hurt that this was one of the very first jazz albums I ever heard (and probably one of the first ten I taped, back in my college days). Had it on a 90-minute cassette with "Mode For Joe" on the flip-side. Edited November 19, 2004 by Rooster_Ties Quote Link to comment Share on other sites More sharing options...
pryan Posted November 19, 2004 Report Share Posted November 19, 2004 I thought you dug it; didn't know you liked it that much, however. There is a two-fer that fantasy put out - is POWER TO THE PEOPLE also on that (I think it is)? I think the other album on it is called BLACKNESS or something like that. AMG doesn't give this one a very high rating but that means nothing to me. Anyone have this? Is the Milestone box worth it or should I stick a few of the better single sessions? Quote Link to comment Share on other sites More sharing options...
Rooster_Ties Posted November 19, 2004 Report Share Posted November 19, 2004 I thought you dug it; didn't know you liked it that much, however. There is a two-fer that fantasy put out - is POWER TO THE PEOPLE also on that (I think it is)? I think the other album on it is called BLACKNESS or something like that. AMG doesn't give this one a very high rating but that means nothing to me. Anyone have this? Is the Milestone box worth it or should I stick a few of the better single sessions? Here's an entire thread about the Joe Henderson Milestone box, if you're on the fence about buying one. My advice is if you find one at a decent price, take the plunge. CLICKY LINKY Quote Link to comment Share on other sites More sharing options...
Evonce Posted November 19, 2004 Report Share Posted November 19, 2004 Problem is, some of the Milestones released individually sound better than their counterparts in the boxset. I'm thinking of In Japan, especially, with its more recent remastering. However, I'm keeping the Milestone box until all the albums are available by themselves - the last two titles are only in the complete set, if I'm not mistaken. My favorite of the Milestone years is Tetragon, BTW, altho In Japan is very strong. And I have a fondness for Multiple (Tress Cun Deo La....) Quote Link to comment Share on other sites More sharing options...
pryan Posted November 19, 2004 Report Share Posted November 19, 2004 I'll check out that thread in detail later. The box set is not in sight $$ wise right now, but maybe later on down the road. Listening to SO NEAR, SO FAR right now. Execellent. Quote Link to comment Share on other sites More sharing options...
BFrank Posted November 20, 2004 Report Share Posted November 20, 2004 Quote Link to comment Share on other sites More sharing options...
Guy Berger Posted November 20, 2004 Report Share Posted November 20, 2004 I picked up the Lp version of POWER TO THE PEOPLE. I like it more than some of the classic BN stuff but for different reasons. What do you guys think of this one? A great album. Herbie reminds us why he's one of the finest Rhodes players in jazz. Guy Quote Link to comment Share on other sites More sharing options...
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