CJ Shearn

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About CJ Shearn

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    Funktastic!!
  • Birthday 06/20/1981

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  • Location New York

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  1. Vernell Brown Jr - RIP

    RIP. Last week, Bernard Wright now this.
  2. Jessica Williams, R.I.P.

    Hugely important for the trans community, as one of the first trans musicians, in the sense she didn't have to hide her identity, unlike Billy Tipton for exxample
  3. My Friend Hot Ptah has passed.

    Wow... Really shocking news to hear, RIP. The fact he and his wife had a developmentally disabled child really, my heart goes out, my late mother ignored the advice of those to institutionalize me and here I am.
  4. Miles Davis: The Bootleg Series, Vol. 7

    Gotta disagree Ken. I reinvestigated the Warner Bros years and found a lot of great music there and live recordings show it was even better. What I found boring if we discuss vamps is Derrick Hodge's last album. I'm just not that into that strain of hip hop/R&B. The influence is fine but the actually contemporary genre I'm not that into but I have friends who are so it's all good.
  5. 2 New Tyshawn Soreys Forthcoming on ECM

    Oh shit! Great news. Ever since two different firms have handled ECM's digital promo distribution it's been harder to keep up. Their former PR, Tina Pelikan was terrific, I got new release download links in my email without fail. I still gotta listen to the new one with Vijay Iyer and Linda May Han Oh, Ayumi Tanaka Trio and Jorge Rossy Puerta
  6. Wow. Incredible article and one that offers a lot of food for thought Yeah I get what you mean how major labels would at least release some really cool stuff
  7. What's changed? Nothing really, just a transition to streaming and labels still kind of neglecting stuff beyond the big sellers.
  8. Yeah, that one is great. Very upset I lost both Montreux Summit CD volumes in the fire. Looked up prices on discogs today, ridiculous. Will just have to stream those in the meantime.
  9. Jimmy Smith "Plays Fats Waller"

    The title track too. I'm a Jimmy Smith Blue Note completist so I'll go for it again. I had before the fire his entire Blue Note output on CD, including the three Japanese albums. Started collecting JOS on CD at age 13 so that was a bit of a huge blow. Yes, the below posted videos, a few on Crazy! Baby (his best solos), Bucket!, one on Prayer Meetin' the Salle Pleyel, Mai 28 1965 discs, and I think a few solos on Bashin, the trio material. Was he the greatest guitarist ever? No when you look at who JOS had as guitarists, especially Burrell, Benson and Wes. Eddie McFadden was a better soloist IMO in regards to Jimmy's "regular" guitarists. Quentin? he was there to provide a buffer for Jimmy to cook, and when you view it at that angle, he's not half bad.
  10. Yes! That's right. I had both those albums pre fire. You are welcome. Kind of surprised it brought forth quite a bit of discussion.
  11. Definitely many perspectives should be considered Yes... many of those CTI'S are not smooth in the least. Now once we get to David Matthews as arranger, that's where things get SUPER generic. There was an interview I read with Marcus Miller once, he said at first he thought Bob James was Black without seeing his picture which was really funny and quite a compliment. His arrangement of "Don't Mess With Mr. T" then using the same material for Grover's Soul Box is masterful IMO
  12. That thing about "power": Yanow's review, much less a review than a statement (common with him) he seems to already have an agenda against James at the outset, so it's already flawed. Just like statements in various reviews for Bobby Hutcherson's Knucklebean about "it's a relief to hear Hubbard playing jazz again" (I mean, the fuck? Did he actually ever stop? Yes the Columbia's were super commercial, but videos from that area say otherwise) or things he said about Herbie and Chick "returning" to acoustic piano... I mean I have listened to Herbie's Columbia's since I have that set, many times and the acoustic piano still has prominence, even on the funky stuff. Those statements are more about "I don't like it" than actually about music. My writing, if people like it, cool, if you don't that's cool too. My writing is about the music, less about "me". Yanow is very much a gatekeeper to an inflexible narrative, and the way he jetted from this place many years proves that. I ignore his writing, it's just I curiously searched the AMG review. Someone gave me a copy of his book Bebop, I skimmed it, but it just collects dust, I'll probably donate it to my local library.
  13. Definitely many perspectives should be considered Yes, all of that is true there is much more open mindedness now then before but it seems like social media always is regurgitating a critic like Gary Giddins or Ashley Kahn or Howard Mandel (who I lost all respect for when he claimed ECM wasn't jazz) they are all part of the old guard. As a writer definitely I was influenced early on by Leonard Feather and Ira Gitler but really to me it still represents an old way of thinking. Hopefully I can turn more people of my generation and younger. I'm even gonna go outside of jazz
  14. Wow. Incredible article and one that offers a lot of food for thought