But don't you think that it is the small-group nature of these recordings that make them especially attractive? That is one reason why I for one find them so attractive.
Oh, sure, but I think they'd like to do the big-band material as well. Cuscuna said several years ago, when I inquired about a possible 1930s full-orchestra set, that Sony wasn't quite willing yet to part with some of the "jazz giant" holdings they had. Maybe they licensed these small-group sessions because a large number of the recordings have been on the market for 15 years. In any event, in the booklet to the new Mosaic Sonny Greer is quoted as raving about how great the late-1930s band was, better in his opinion than the Blanton-Webster unit. I may e-mail Scott Wenzel and find out if they're contemplating having an eventual go at that era, although I'd imagine they're focused on getting out the Goodman set first.
I'm hesitating on the current box (I have all the master takes and many of the alts in some form) but would buy an orchestral box in a minute - and I have that stuff too.