Hey Ak, just want to give my 2 cents. I first heard Cecil "live" with Lyons. Grimes and Murray around '64. I've heard Cecil many times since and produced a concert with him once (also a failed recording project - not Cecil's fault). In a personal way I consider him a friend though I have not talked to him in 20 years. The band on "Salty Swift" is my favorite of his groups (with the exception of the Lyons, Sirone, Cyrille quartet). The New Worlds are amazing and the MPS disc if fine too.
Just relax and let the music take you. Or not.
I just read the first couple of sentences and stopped. I don't need to know right now. Just pull her nails out with a pliers and check back for more instructions.
Helen was a strange one. Northwestern Univ. hosted a "women in jazz" symposium around 1980. Don DeMichael and I ran into Helen Keane and Toshiko in a record store in Evanston. Don introduced me to them as a producer and mentioned my Warne Marsh date. Both of the women responded that they each had produced a date recently with Warne - Helen did one with Bill Evans and Konitz and Toshiko a 2 tenor date with Lou Tabackin. We exchanged stories, chatted pleasantly (I was delighted to meet them) and I left to return to work. Don told me after I left Helen said "Did you see that? Every time I meet a male producer he acts like that. They don't think we're worth shit and I'm sick of it". Toshiko said she thought I was "delightful".
Don is a saxophonist who wrote the first positive reviews of Shepp, Dixon. etc in DownBeat in the early '60s. He continued there for a few years. An AllMusic search should turn up something.
I certainly understand loosing patience with the ICP folks. I don't think he's the kind of listener to be "predisposed to not liking" anything.