I don't have a clue.
Somebody posted a picture asking for identification. I wanted to say it was possibly Jimmy Harris (trumpeter in the Erskine Hawkins band) and discovered I could not post.
Yes, there are a bunch of flaws in the original recording from 1954. I like the choices Rudy made in 2001 for this reissue.
BTW, if it don't matter why keep this going?
My only point is, considering the 1954 tapes/RVG technology, the current versions are wonderful.
Sorry you can't hear the great stuff happnin'.
Mike, I urge you to search out the Rosen (vinyl or cd).
What Schumann recordings do you have by him. CR's been a favorite for over 3 decades. I think he's "as bright" as a musician dares before becoming a pedantic bore. He lives on the edge.
Do you know his writing?
Yes Wolfie I was talking about the Feb, '54 Birdland recordings of the Art Blakey quintet. I have, and like, both volumes of the current RVG remastering. Is that specific enough?
Geez!!!!!!!!!
Over the years I've had this material on 10" lps, 45s (my first exposure), 12" lps, Liberty reissue, '80s BN cd, 1995 BN Brownie set and now the US RVGs. Overall, I find the current US RVGs the best representation of the material.
I know I said I'd go away but...........
Wolffie mentions in his first post a "'70s pressing". If I remember correctly, the various owners of BN (3 during the decade in question) pressed records at 7+ pressing plants in the '70s. Adding in the sources of metal parts/masterings, the variables are endless - and far from "audiophile". What mastering is he referencing?
It is really hard for me to accept as valid criticism, comparisons with no context. He also ignores the sound beyond the cymbals. This is not a solo cymbal date.