"live at Monterey" is great - I've said this before but I've always felt she became too much of a blues sage in her later years - especially as there's an old quote where she speaks about feeling limited by the blues - and her later playing is too one-note for me; over the years, however, she wrote great arrangements (nice one for Benny Goodman recorded on Capitol); played pieces that were dissonant and complex; also recorded a version of Caravan, maybe 1943, that shows a striking resemblance to Monk, or at the least a powerful reference - don't have it in front of me but it's somewhere on Devilin Tune -
I tried to get her to let me interview her back in the 1970s, went and spoke to her at the Cookery; she was evasive and I never pursued it, though I wish now that I had - amazing lady -