RiRiIII

I'm not sure which Atlantic reissue program you refer to. I have around 10 Japanese Atlantics 60th Anniversary issues - WPCR 2xxxxx, they all sound excellent. I wasn't aware that these issues were thought to suffer from loudness/compression etc. This is their official website: http://wmg.jp/jazz1000/?icid=top120904

No idea what you are talkin about, really. If i was comparing the commercially available disc with RVG's master tape stored in the label's premises, then of course it would be irrelevant in terms of discussing which disc somebody should buy. However, we are talking about 2 discs in 2 popular among us formats readily available in similar prices. Also DSD downloads are actually offered for sale and are Playable as other "format". I was referring to these ones.

I do not compare the formats. I am comparing the outcome of the playback as it comes from my speakers to my ears through my brain. Meaning I do not care if it is CD, SACD, DSD etc. I am only interested which of the 2 discs gives better audio results. Only this. But these are formalistic issues. Do you really think that by comparing these 2 discs, the purpose of the comparison is not addressed? If an audio file was compared to a painting, then it would be apples and oranges of course. In our case we just compare audio files aiming to conclude, let's say, which disc somebody "should" purchase.

So, just before going to work, I played the whole Platinum SHM-CD through - the intent was to compare short sections, but I could not stop it. Amazing sound. Now I am playing the APO SACD (SACD layer): the new Platinum SHM-CD is definetely darker than the APO. The APO is brighter and louder in my system. I dare to day that the Platinum wins; much more comfortable and analogue. I ll repeat the test soon though. Alex I got really tired by the APO/SACD sound during the Part III around the chaos in the 5th minute of this track; thin/limited sound - a total mess etc. I immediately put the Platimun SHM-CD and it was an unconditional YES: thick sax, powerful bass, nice cymbals etc. I think there is no question here. I think comparing an SACD-layer with a redbook CD is comparing apples and oranges. Perhaps if the intent is to show which medium is "best". If the question is what is the best commercially available physical digital product of this particular recording, and since this latest japanese remastering as inlcuded in the Platinum SHM-CD has not (yet) been released as SACD, then this comparison is appropriate I think.

So, just before going to work, I played the whole Platinum SHM-CD through - the intent was to compare short sections, but I could not stop it. Amazing sound. Now I am playing the APO SACD (SACD layer): the new Platinum SHM-CD is definetely darker than the APO. The APO is brighter and louder in my system. I dare to day that the Platinum wins; much more comfortable and analogue. I ll repeat the test soon though. Alex I got really tired by the APO/SACD sound during the Part III around the chaos in the 5th minute of this track; thin/limited sound - a total mess etc. I immediately put the Platimun SHM-CD and it was an unconditional YES: thick sax, powerful bass, nice cymbals etc. I think there is no question here.

As per their listing details, the Platimum SHM-CD comes from a fresh 2013 remastering. No details in english (similar to the rock/soul Platinum-SHM CDs) are provided in these Jazz Platinum SHM-CDs sadly. I doubt the blu-ray audio has this new mastering. I do not have it, but this is my instinct and the poor impressions I got from some blu-ray audio discs I purchased.

So, just before going to work, I played the whole Platinum SHM-CD through - the intent was to compare short sections, but I could not stop it. Amazing sound. Now I am playing the APO SACD (SACD layer): the new Platinum SHM-CD is definetely darker than the APO. The APO is brighter and louder in my system. I dare to day that the Platinum wins; much more comfortable and analogue. I ll repeat the test soon though. Alex

Fully agreed.

Thanks for this analysis. Shouldn't also the all too recent Platinum SHM-CDs be added to the thread? I just received "A Love Supreme" from these series.

Best rijstafel is at Tempo Doele just opposite Concerto at Utrechtsestraat 75. http://www.tempodoeloerestaurant.nl/en2.htm

RIP. My Guitar Hero. I just saw him once at the Blue Note in 2000 with Joe Lovano: "Grand Slam" concerts. Marvelous. I got his autograph as well. Yesterday, the french classical/jazz radio, after broadcasting the Sax Summit Paris '13 concert, they paid tribute to Jim Hall. A year ago they dedicated ten 1-hour programs to the guitarist, who was also interviewed by phone. You can find them here: http://www.francemusique.fr/jazz/rencontre-avec-jim-hall-les-heures-exquises-du-maitre-des-guitaristes-13815

You will enjoy Carlos Kleiber's Beethoven 7th a lot. Actually he conducted this work more than any other, along with the 4th.

I guess you are right. Although my preorder remains, now the book cannot be ordered from amazon uk.

A great set indeed. Very good remastering in general. I d like more unreleased stuff. However, the overview of Duane's career is well documented, very well.

Thanks! And here is what Richard Strauss had to say 90 years ago on the subject (incl. a nice one by Sir Thomas): Ten Golden Rules for the Album of a Young Conductor: 1. Remember that you are making music not to amuse yourself, but to delight your audience. 2. You should not perspire when conducting: only the audience should get warm. 3. Conduct Salome and Elektra as if they were Mendelssohn: Fairy Music. 4. Never look encouragingly at the brass, except with a brief glance to give an important cue. 5. But never let the horns and woodwinds out of your sight. If you can hear them at all they are still too strong. 6. If you think that the brass is not blowing hard enough, tone it down another shade or two. 7. It is not enough that you yourself should hear every word the soloist sings. You should know it by heart anyway. The audience must be able to follow without effort. If they do not understand the words they will go to sleep. 8. Always accompany the singer in such a way that he can sing without effort. 9. When you think you have reached the limits of prestissimo, double the pace. 10. If you follow these rules carefully you will, with your fine gifts and your great accomplishments, always be the darling of your listeners. The RPO’s founder Sir Thomas Beecham was also known for his classic quotes. Here’s what he – rather mischievously! – had to say about Ein Heldenleben: ‘I spent a couple of days on the train with a German friend of mine. We amused ourselves by discovering how many notes we could take out of Ein Heldenleben and leave the music essentially intact. By the time we had finished we had taken out 15,000!’ http://royalphilharmonicorchestra.wordpress.com/2012/03/26/strauss-ten-commandments/

I preordered it from amazon uk with publication date of .... tomorrow!!

Amazon.co.uk has it on order with a release date of 30 Nov 13: http://www.amazon.co.uk/gp/product/0670020664/ref=ox_sc_sfl_title_1?ie=UTF8&psc=1&smid=A3P5ROKL5A1OLE

I like it as well. The impressive is that they actually remastered again for this Blu-ray Audio? IIRC, the latest ALS CD is a Reeves remaster, but it does not inlcude the extra Deluxe tracks... Interesting and tempting! Thanks!

Thanks for posting your impressions! The Deluxe version from 2000 was a RVG remastering job? I have purchased just the Ella & Louis Blu-ray Audio since it contains the whole "Again" double LP. However, the sound is just a reproduction of the commonly available remasters. So, not an upgrade. The APO SACDs are miles ahead but the "Again" SACD include just the half of the original double LP. Alex

My first set was the Duke Reprise one. I have around 40 sets since then.

Unprecedent jazz live overload here in Athens, Greece. Two days ago the Saxophone Summit with Liebman, Lovano, Coltrane, McBee et al., since yesterday and till Monday Nicolas Payton Trio and on Monday Joshua Redman 4tet.! Happy days!

Enjoy your trip!

I have got the Fischer and Cannonball CDs. The Cannonball one is louder than it should have been, but listenable (I have no idea how the LP of this one sound though). Brasamba! is very nice.The LTs I got are very good - no probem with them. The Atlantics (I ve got around 30 of them) work quite well for recs of the MJQ, John Lewis and similar, while the Lloyd's for example should have been less loud for sure. Alex

Just received this one (#1081) and enjoy the Bechet tunes as well as The Eckstine Jelly Jelly! Great sound too.

Well, that would be about all of them, wouldn't it? Universal and Sony together control all the Brunswicks, Sony has the Victors and the Okehs. What's left? gregmo ... and the Columbias belong to Sony as well. All set!