Huh, 0-2 on that quote. I should go more in-depth with this pretty strong claim with a new thread, but IMO the level of rigor involved in a lot of jazz writing with regards to fact and accuracy is very poor indeed when compared to rock crit. This is of course a very complicated thing, too, as this thread shows but reading jazz books after a lifetime of reading about rock I was dismayed by the umpteen times I saw the same hearsay fabrications passed off again and again across literally dozens of books. To Marcello: fair enough, but it's still not something most anybody would immediately associate with Miles, and especially not in the late '50s.