colinmce

+1. Especially for Sal Mosca.

Bah. I wonder what's up. I figured with the unusually precise street date this one was maybe being done with a bit of help from a corporate entity.

Funny, that For Alto also came with For Trio and Montreux/Berlin. I'm glad I sold off the Mosaic, I really do prefer the LPs.

I'll stop belaboring the point after this but I get the Cecil LP; it's a one of a kind work of art, take it or leave it and be happy with the other 5 dozen CT albums on the market What I don't get is releasing important historical music that would appeal to a relatively broad base in this fashion. I'm sure it will be a beautiful package and I bet they'll make that money back but they won't accomplish much else than that.

Doubtful, that's just a 1998 repackaging of a 1957 session. Or close. I'll feel good about myself if I got those dates right off the top of my head.

??? Really sounds like something No Business, Eremite, or even ESP should've done. Taschen for music, I suppose. Nevermind the fans.

2000 reissue with one grey marble LP. I almost think the album works best on CD but when this came up on Ebay I couldn't resist. Chuck, any idea why he nixed the gatefold for this edition?

The Cecil Taylor 2xLP they put out cost $110, so keep that in mind, too ...

Exactly.

RIP. A fine drummer indeed.

Thanks. Didn't occur to me that the times listed on Amazon exceeded 80 min.

http://www.amazon.com/Sleeper-Tokyo-April-16-1979/dp/B0085G0DH6/ref=pd_sim_m_6 Standard Jarrett/ECM-not-everyone's-cup advisory but I'm excited for this. Looks like they spread waaaay out on these tracks, and seeing how they can ride a groove like no one's business I'm interested to hear the results. This is from the same tour as Personal Mountains.

I have two lps in the "Father of Modern Jazz" box set with the same crew except for Buck, and they're possibly "reigned" in but it seems all want to play this way, with elegance and beauty. I love 'em! Yeah, I mean, how do you not love those guys, right? I hear ya'. But on this particualr album, there's a few cuts where they loosen up and play...uh, looser, and the rest sound kind of..."produced", maybe with an eye towards radioplay. 1968 had to have been a weird time to make a major label record like this. I know it's unreasonable to look at Milt Gabler & a date like this in 1968 and expect a Commodore-type 1940 thing, but still...not a bad record at all, really, just would have preferred just a teence a bit more looseness overall. What is this 5 record Hines set, btw? What label was it released on? Is it all live stuff? I might need to go a-huntin' for that one! MF Distribution. 3 LPs of solo, 2 quartet. I passed the damn thing up a million times for $10 at my old record store, fool that I am.

John Lloyd's Four and Five on Hatology is also quite nice.

1. The Bley is great 2. Performance 1979, Charlie Parker, Koln 3. The Way, Songs 4. Way good Gotta put in a good word for the McPhee/Plimley/Ellis, Cecil Taylor, Murray, Carter-Bradford, Nagl/Big 4, and of course The Dark Tree. I also like the Graewe, Konrad, Wallin and Oliveros titles.

Yeah, the Blackhawk box is OOP and quite pricey now. The two 2xCD sets can still be had for normal costs.

Sounds like a nice proposition!

Yep. Steve Lacy at Unity Temple has it bad, too.

If I'm not mistaken the writers of the film version of THE TALENTED MR RIPLEY inserted jazz into the narrative. Matt Damon does a pretty cringey Chet Baker impersonation and carries around Bird and Dizzy Savoy 12"ers, alongside Chet Baker Sings and, erm, Complete Communion (the story is set in the mid-to-late fifties).

My fears here were not unfounded http://www.hathut.com/media/HatHut_LimitedShareholderPlan.pdf

Anyways, I agree re: Jones-Lewis, not that I don't enjoy the band on some level.

Good record, but my least favorite of the 1963-4 live albums for no fault of Sam's. The others are just too damn good.

Love that Endangered Blood record, will take a chance on the others given the personnel. Send 'em on over!

Doesn't bother me either, though I prefer discreet. I have a reissue of MUSIC FOR PRANCING that has an address label and a small note saying which store the LP was purchased at and the date. I think that's neat.

I'm in the market for this album but I'm wondering which edition to get, the older CD with the drawing (by DSM?) or the newer Verve Original with the photo of Stan. I seem to recall the newer edition having an edge for some reason or another, but perhaps I'm imagining that.