The Herreweghe recording is great, but listen to this one - stunning sound that places the listener right in fornt of the ensemble, and incredibly moving:
That's what I wanted to point out.
Even drummers have that "problem", that's why most add some melody instrument or vocals to outline the structure of a piece. Few drummers / percussionist have enough sense of form to transport that without melody isntruments and without slipping into displaying technical chops.
A great example for sense of form with drums only are Baby Dodds' 1940's drum solos. I will think of more examples.
It was an original recording for the small French Harmonic label. He also made a Debussy disc for them on the same piano. Ask the label if they still have copies: https://harmonicclassics.com - click on "inquiry" beneath the album cover.
One of my favourites is this Badura-Skoda recording on a one hundred year old Bösendorfer grand piano that sounds absolutely beautiful. He played that instrument as a boy and was able to acquire it from the owner's legacy. You can hear how much he loves that piano.
I'd rather count on our friends in Barcelona, who reissued the jam sessions years ago see https://www.freshsoundrecords.com/cachao-albums/5080-descargas-the-havana-sessions-2-cd-set.html -, and just annoinced this:
You're talkin' about "Drums Around The Corner"? I think it's a general problem of people having problems of relating to music without melody instruments.
TTK, how many of your drum albums have absolutely no melody, no vocals? Just curious.
That's Jan Persson, well-known Danish phtographer in Eurpean jazz circles.
https://en.wikipedia.org/wiki/Jan_Persson
http://www.janperssoncollection.dk
For those who can't wait for the Mosaic:
https://www.freshsoundrecords.com/earle-spencer-albums/2121-the-complete-black-white-recordings-1946-1949-2-cd-set.html
This is what Lord says:
Frank "Fat Man" Humphries (tp) Herbie Nichols (p) others unknown.
c. 1950
G756
Birmingham bounce
Abbey 3016
G757
Doby at the bat
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