felser

All of that sounds lovely, but with Concord's track record, what we're likely going to see next is Trane Vol, 2, Miles Vol. 2, Monk Vol. 2 etc.

I'm willing to buy used in VG/LN condition. . I see the 1995 Etcetera (which I prefer) at $6.97 http://www.amazon.com/Etcetera-Wayne-Shorter/dp/B000005H1C/ref=sr_1_1?s=music&ie=UTF8&qid=1464522714&sr=1-1&keywords=wayne+shorter+etcetera Odyssey at $12 (or $13.78 with free shipping) http://www.amazon.com/Odyssey-Iska-Wayne-Shorter/dp/B000008C8J/ref=sr_1_1?s=music&ie=UTF8&qid=1464522784&sr=1-1&keywords=wayne+shorter+odyssey Motto at $10.99 https://www.amazon.com/gp/product/B00FMRPXM6?ie=UTF8&keywords=wayne%20shorter%20grosso&qid=1464522884&ref_=sr_1_2&s=music&sr=1-2

Wonder how well those actually sold. Kind of a cult item. I bought several early on, but tired of them, and have only kept a few (Barron, Hicks, McPartland come to mind).

They are, but you can buy the three individual BN's for less than $50 combined.

as will I, looking forward to it!

You fell victim to one of the classic blunders - The most famous of which is "never get involved in a land war in Asia" - but only slightly less well-known is this

Fantastic collection with amazingly good sound quality. "You've Lost That Lovin' Feelin'" was the first record I ever bought. Always liked the jazzy-if-slight B-side.

I like them both OK, though I'm not running to go pull them out and listen to them. I DO run to go listen to Natural Essence at times, especially Joe Chambers' work on it.

I have no complaints,the Billy Bang was a great find, and I like to trade discs and discover new sounds (I have a Mike Osborne coming in a trade with another mystery lot receiver, and that is also a wonderful keeper for me. The Bang and Osborne alone are worth the $15 to me, any other return is gravy). No criticism implied, and I think the mystery lots were very generous on your part. I will jump at future opportunities to receive another mystery lot from you.

But too many of them live in my basement...

One win/win trade done. Willing to trade these for other mystery discs: Hans Reichel - The Death of the Rare Bird Ymir/Bonobo Beach Hard Rubber Orchestra - Crush Golia/George Lewis/Turetzky - Triangulation II Blue Humans - Live in London 1994 Derek Bailey - Solo Live (2 CD's) and potentially Daley, Joseph The Tuba Trio Chronicles 2014 JoDa MusicEskelin, Ellery/Hemingway, Gerry Inbetween Spaces 2008 Auricle Records

Got mine, overall very very happy, as I discovered Billy Bang (and there is a really good Roy Campbell, though I don't have need to keep it), but willing to trade the remainder of my lot apart from the Bang for some of somebody else's lot if anyone interested in that concept. Could be 9 for 9, 3 for 3, whatever.

I have totally missed on him over the past 40+ years. Listening to and enjoying "Vietnam Reflections" (thank you Stefan!), which just got here a couple days ago, after having been blown away by his FAB Trio "History of Jazz in Reverse" (thank you Clifford!) earlier in the week. If I really like both of those titles, what else do I want/need by him? I always thought Bang would strike me along the lines of Leroy Jenkins, who I always wanted to like but seldom did all that much, but Bang turns out to be something very different.

I've had all of his Prestige sides for many years, and have generally found them rewarding and above the run-of-the-mill product they sometimes produced during that busy era. Nelson always had strong enough writing and arranging talent to avoid many of the pitfalls.

Does anyone else find it perverse that a set containing (at least some) single edits would be entitled "Uncompromising Expression"?

Great review, thanks. this recording is stunning. I can't remember the last time a vault release unearthed new understanding and enjoyment for me the way this one has - maybe the last one was Coltrane's complete Village Vanguard set from 20+ years ago.

Still waiting for her great 'One For Me' Strata-East recording to come out on CD. Probably in for a looong wait at this point. Also MIA from that label, 'Reasons in Tonality', 'Alkebu-Lan', and the Harold Vick 'Don't Look Back' among other worthy titles.

She was also a very kind lady, met her at a benefit concert she headlined at the Ethical Society in Philly for the husband of a mutual friend ca. 1990. She played piano at that event.

So did I. Just looked, and different sites have it as 1931 or 1932. 1931 makes a little more sense to me, though, based on the years of his earliest recordings.

Don't miss "The Wrecking Crew" documentary blu-ray, by Tedesco's son. About 8 hours of extras, largely fascinating. Artistry in search of a hit is still artistry - long live Hal Blaine & Co.!

Found the Bell set at a semi-acceptable price ($18.99), will report back on it after it arrives and I listen.

B-sides were a great hobby. Righteous Brothers did one called "There's a Woman" (I think it was the flip of "You've Lost That Lovin Feelin", first record I ever bought) that I loved as a kid and have never been able to find in the CD era. Here are two different takes on the O'Jays Bell sides from Allmusic. Together they paint a pretty good picture. I've never heard the material, but plan to eventually. George Kerr produced most of these tracks, with some productions from the Poindexter brothers; the recordings were originally released on Bell Records. "I'll Be Sweeter Tomorrow," a gorgeous ballad, became their highest chart entry to date. The follow-up, "Look Over Your Shoulder," nearly duplicated its predecessor's success; both were indicators of good things to come. The B-sides of the aforementioned, "I Dig Your Act" and "I'm So Glad I Found You," were both quality uptempo grooves, and all four sides were led by Eddie Levert. Walter Williams handled the lead on their third 45 for Bell Records, "The Choice," an energetic message about finding yourself. It did poorly, and its flip, "Going, Going, Gone," had more in common with the first two releases but was not nearly as compelling. The fourth single, "I Miss You," didn't receive much play, even in the Cantonian's adopted hometown of Cleveland. The slow, meandering ballad just didn't have enough of the right stuff. The flip, "Now That I Found You," featured Levert and Williams alternating leads on the same song for the first time. Two more singles were released by Bell: "Don't You Know a True Love When You See It," which was a drastic change in their style, and "Four for the Price of One," released in 1973 to capitalize on their success at Philadelphia International Records. Bell slapped "Look Over Your Shoulder" onto the flip of the remake of Larry Williams and Johnny "Guitar" Watson's "Two for the Price of One." Walter Williams' best lead, "Just Another Guy," tenderly sung in his mercurial baritone, never appeared on a 45. This is an O'Jays fanatics' must-have; the only disappointment is that neither Kerr nor the Poindexter brothers saw fit to feature the late William Powell's chilling falsetto. --------------------------------------------------------------- The O'Jays' stay at Bell Records, immediately preceding their hookup with the Gamble & Huffproduction team, saw them land three strong- to mild-charting soul singles. But even though they had nearly a decade of recording under the belt, they really didn't hit their stride until becoming a big part of the Philly sound. With Bell, as documented by this compilation, they were a good sweet soul harmony group, though not one with the kind of ace material and production needed to make them big stars. So this 20-song CD, including all of their Bell 45s and LP tracks (along with five previously unreleased cuts), is something for the serious O'Jays fan or serious '60s soul buff, rather than something on par with their famous '70s work. These are still respectable late-'60s uptown soul productions, sometimes strongly echoing Motown or the emerging Philly soul genre, and featuring strong counterpoint/trade-off harmonies. "I'll Be Sweeter Tomorrow (Than I Was Today)," a Top Ten R&B hit and their biggest Bell single, is the most memorable performance; two lower-charting R&B 45s, "Look Over Your Shoulder" and "The Choice," are also here. Yet it's interesting to hear them venture, if tentatively, into more sinister early sweet soul funk on "That's Alright," and mimic the harder-rocking Temptations sides on "Four for the Price of One" and "Don't You Know a True Love." If you want ultra-sweet soul that's almost sickly sweet, though, you can turn to "Going Going Gone," where they moan in ecstasy about strawberry ice cream chills -- quite literally -- up and down their backs.

I've owned this one for a while and am glad to have it. Would like to get the set of their Bell recordings on Sundazed, but not willing to pay the going OOP rate for it.

I have it in my Amazon cart awating release. A must have for me.