Rooster_Ties

I'll confess, I'm still sitting on a band new, still sealed, extra TOCJ CD of Tyrone Washington's "Natural Essence". Not sure what it'll take for me to try to sell it, or trade it (more likely trade), but I've got it. I used to have an extra Lee Morgan "Procrastinator" TOCJ too, for about 6 months, but I was incredibly nice and outright gave it to a friend of mine. Then again, a couple years before, this same friend gave me one of those $60 Blue Note watches that BN was selling back in the early-to-mid 90's. It wasn't that he and I were really close friends, or that he really owed me anything - it was just that he never, ever wore a watch - and being a utilitarian sort of guy, he felt better about it belonging to someone who did wear watches. I kinda figured I owed him one... Anybody sitting on any extra Mosaic sets?? I’ve thought about buying duplicates once or twice, but I’ve never had the cash at the time to do it. Of course, now, we all wish we had gotten extra Larry Young sets, and extra Andrew Hill sets, and - well, you get the picture. What "speculative" buying do you do?? (if any) Hey Dmitry, you still got that sealed 'Nat King Cole' Mosaic, that you found in a store last year, under half-an-inch of dust, for like $150??? It's still sealed, I hope, right??

RT, that's exactly why Patton is so good. "Groove" plus "out" = "pure joy"... See also....

Oh, that's what those unspecific "medical reasons" were.

"Boogaloo" is like a terminally groovy version of Larry Young's more 'out' dates. It's the closest Patton ever got to Larry Young's more progressive vision. Maybe I should be more careful when I talk it up so much --- it's not the "end all and be all" of all groovy music, and I don't want to set people's expectations too high. But I sure as hell like it!!!!!

You gotta get John Patton's "Boogaloo". It's a little 'out' at times, but it never looses the groove. It's my all-time favorite Patton release, period. Hard to believe it sat in the vaults, unreleased, until 1995. By the way, Bill, let me extend an offical welcome to you!! - and a hope that you'll stick around and post a bunch here. For me, the vibe here is all of the best things I liked about the old BNBB. B) B) B) Also, here's a couple generic searches for Patton's "Boogaloo"... eBay search for "john patton boogaloo" and half.com search for "john patton boogaloo" Damn, neither search has a hit now, but check back later. I think it's the best Rare Groove ever!!

Hey, impossible, You talkin' about the disc under Walt Dickerson's name from 1978, called "Visions"??? - on Steeplechase?? I didn't think that was all that rare. I've got one (or at least I had one at one time). If I can find it (meaning if I didn't trade it off), I'll give it a spin, and see if it's something I still think I need. It was quite nice, what I remember of it - but I suspect it's not something I'll spin enough to merit keeping. (Like I said, I can't remember if I still have it or not.) This was the only Dickerson/Ra duets disc I could think of, since "Impressions of a Patch of Blue" has bass and drums too.

Since I was adopted, and since I don't know anything about my biological parents (nothing at all), I've occasionally wondered if I had any African American blood in me. If it did, it would have to be a very, very, tiny, tiny, tiny bit - cuz I look as typically 'white' as anyone I know. But even if I don't have any Black blood in me, I do know that my biological parents never married (my 'mother' was an unwed teenage mother), and so the odds are very good that one or both of them has since gone on and gotten married, and probably had one or more children. AND, it's not beyond all possibility that one of them married someone who was Black, and had one or more bi-racial children. Which means that I could have a half-brother who's half a 'Brother'!!!

Oh, and since I couldn't include larger text in the 'topic description', let me restate the obvious... OUCH!!!!!!!!!!

OK, enough other people have posted, such that I can weigh in now without spoiling the jury pool. If you know and like Woody Shaw's work in the late 60's and early 70's, you should like Charles Tolliver. I find them to be very similar, generally speaking. Tolliver is kinda my #1 pet "obscure" jazz artist, so I'm fond of saying I like him best. But truth be told, I probably like Woody Shaw a touch better. Still, many of Tolliver's tunes are really great (IMHO), and Tolliver has lots and lots of great ideas in his playing. As to what to call it?? The once and famous BNBB legend Aric said it best, I think about Lee Morgan, "Live at the Lighthouse"... "It's the future of Hard Bop, as we now know it today", or words to that effect. (Or was it "it's what happened to Hard Bop, after Hard Bop"?? --- anyway, something like that....) I tend to fumble around , and call it "progressive hard bop" (like that's a label that everyone knows), but if you have any of Woody Shaw's early 70's albums, then you know what I'm talking about. By the way, if you can filter out the Dusty Goove 'universally positive spin' fluff, all of the descriptions of Tolliver's albums are still fairly useful. (See the "Dusty Goove" search/link I provided in my post up above.)

( The 'topic description' was supposed to read "Holy fucking OUCH!!!!!!!!!!, Batman". ) Tongue splitting latest piercing rage (CNN) Wednesday, May 14, 2003 Posted: 0543 GMT ( 1:43 PM HKT) James Keen got his tongue split in December by a piercer who used a scalpel heated by a blowtorch. CHICAGO, Illinois (AP) -- Ears with two, three, even five piercings are ancient history. Studs in tongues and navels are, for many, no big deal. And who doesn't have a tattoo? These days, the attention-grabbing look is tongue-splitting: cutting the tongue to make it forked. Some say the practice, still relatively uncommon but edging up in popularity, is nothing short of mutilation. Lawmakers in Illinois are considering regulations that would all but outlaw it. And earlier this year, several branches of the armed services banned tongue-splitting. Officials at Seymour Johnson Air Force Base in North Carolina say one airman had the tissue in his split tongue reopened and sewn back together in February to avoid being kicked out of the service. Those who've had their tongues split call it a body modification, and see it as an enhancement. A few do it for shock value. Others describe the experience as spiritual. And many say they simply like how it looks and feels. "When I first saw it, I thought tongue-splitting was the most beautiful thing I've seen in my life," says James Keen, a 19-year-old from Scottsville, Kentucky, who got his tongue cut by a local body piercer in December after a surgeon declined to do it. Keen, who now speaks with a slight lisp, says most people don't know he's had it done unless he shows them. When he does, he demonstrates how both forks of his tongue can move independently. And it's a plus, he says, when it comes to kissing. "People are very curious about how it feels," says Keen, whose parents gave him their blessing -- and the $500 it took to do it. He says the cutting was done in three sessions with a scalpel heated by a blow torch and no anesthetic. Keen's story is exactly what Illinois state Rep. David Miller, who's also a dentist, had in mind when he authored a bill requiring that tongue-splitting be done by a doctor or dentist, and only for medical reasons. The bill passed nearly unanimously in the Illinois House and is awaiting a vote in the Senate. Last summer, state lawmakers in Michigan narrowly defeated a similar bill. "Ultimately, it came down to an individual rights issue," says Tom Kochheiser, a spokesman for the Michigan Dental Association, which supported but did not introduce that state's unsuccessful measure. He says the association has no plans to pursue the issue further. Miller, a Democrat from Chicago's south suburbs, says he understands the notion of personal freedom. "But I'm not sure the people getting this done understand the risks," he says. "We're choosing safety over cosmetics." One of the main worries, Miller says, is risk of infection from bacteria in the mouth. He also says a person's speech could be affected by scar tissue and the splitting itself. Essie Hakim, a 30-year-old New Yorker who had her tongue split by a surgeon in 1998, says she did have to learn how to speak again. But she enjoyed the process, and says she knew what she was getting into. "I'm an adult making a decision that's not harming anybody. And I'm not harming me," says Hakim, who believes piercing and tongue-splitting are no different than plastic surgery. Beauty, she says, is simply in the eye of the beholder. "People get breast implants. People do body building," Hakim says. "People do so many things that are never questioned." She and others believe the Illinois bill, if it passes, will actually do more harm by making it difficult for the most qualified people -- doctors -- to do the procedure. Shannon Larratt, a 29-year-old Canadian who had his tongue split by a surgeon, worries that many people will simply go to "underground" parlors to have it done in unsafe conditions. "It means only the hacks will be left doing it," says Larratt, editor of the Body Modification E-zine, a Web site he publishes from a farm in rural Ontario. While Larratt estimates that only about 2,000 people in the Western world have split tongues, that's "almost commonplace, as heavy 'mods' go," he says, using the abbreviated term for body modification. And curiosity about having it done is growing, says Scott Jania, a senior piercer at Progressive Piercing in Chicago. Jania says he now gets seven to 10 inquiries a week from customers who want to know if he'll split their tongues. But, afraid he'll hurt someone or get in trouble with city regulators, he turns them down flat. Says Jania: "My career is far too important to risk it."

Good choice. Happens to be the only Byrd and/or Diz disc I own ( ). I've got a ton of respect for both of them (and hold them both in very high reguard), but I just don't have the ears for very much 50's or 40's jazz. I know, I know - it's my loss. And I am starting to get some more late 50's material, slowly. Anyway, I'm glad I'll be able to give this one a spin, and chime in with my thoughts...

Question: Are either of Charles Tolliver's or Stanley Cowell's Black Lion dates in this list of remastered titles??? (4 total, 2 each.)

FYI, all of Tolliver's "Strata East/Charly" CD's are currently only $12 a pop at Dusty Groove. If that ain't cheap, then I don't know what is!!! Do a search on "Tolliver", and you'll also find a number of titles they normally stock, but happen to be 'out-of-stock' on at the moment. And, you can easily sign-up to get an e-mail from them when they get stock back in on them. They also normally have his Black Lion titles for $7 each. Dusty Groove - the source for all your Charles Tolliver needs!! Here's a search on "Charles Tolliver" at Dusty Groove to get you started!! (Beware, the sound quality on "Impact" is really weird. The music is great, but the sound is quite odd. Not really 'bad', but very odd.)

A good article that also contrasts jazz and the Pulitzer (near the end of the essay): KIND OF BLUE - Some Thoughts on Music, Culture, and Class. (FYI, it's a .pdf file, so you have to have Adobe.)

A quote from the Village Voice article... Well, one of the better jazz critics I know of (White or Black), happens to be Black. Calvin Wilson, currently at the St. Louis Post Dispatch. He used to be at the Kansas City Star, for several years. He was here when I moved to Kansas City in 1994, and left for the Post in St. Louis in the late 90's. Here's a random sample of his writing... [*]Search for "calvin wilson jazz" at the St. Louis Post Dispatch website. [*]Search for just "calvin wilson" at the St. Louis Post Dispatch website (returns a bunch of other entertainment articles he's written, including a bunch of movie reviews). I haven't prescreened any of these (the results of the searches above), and to be honest, until just now I hadn't seen any of his work since he left K.C. in the late 90's. But I always found his work in the Kansas City Star to be notable, even his movie reviews. And I'd probably subscribe to any jazz magazine that gave him a regular column, even on the strength of just his writing skills alone. Also, here's an interview with Calvin Wilson, from 1997 - that he did with the local Kansas City jazz rag. I'd forgotten until just now that Wilson left K.C. for a year then, to attend the year-long "National Arts Journalism Program Fellowship" at Columbia University. And, here's what appears to be a superb essay Wilson wrote, called KIND OF BLUE - Some Thoughts on Music, Culture, and Class. (I'm only just skimming it now, but it looks good on first glace.) Wilson's got strong opinions, and isn't afraid to take positions on things. But he isn't as inflamitory as Crouch - though who is???

Tolliver..... that hack???

Well, I finally found one about 6 months ago, but Charles Tolliver's "Compassion" was a real bitch to find. I got mine off eBay, from a guy in the U.K. - and this was the only time I ever bid on anything from a country other than the U.S. or Canada. CHARLES TOLLIVER (trumpet) NATHEN PAGE (guitar) -- Note: His name is often misspelled as "Nathan Page" STEVE NOVOSEL (bass) ALVIN QUEEN (drums) Unlike all of Tolliver's other Strata East titles, which have been released on CD recently (late 90's) on Charley, "Compassion" (which is also on Strata East) has only ever been released on CD in the early, early 90's, on (I think) Bellaphone (sp?), in Germany. I think I paid about $30 for the used one I got (including postage from the U.K.), but it was worth it. A great album - if anyone ever sees it, by all means pick it up - for anything less than $20, for sure. I'll have to think about a list of "10-most-wanted", and get back to you...

The key is to edit early, and often...

I'm pretty sure it hasn't. Not 100% sure, but 98% sure. Come to think of it, I don't think there are any Andrew Hill albums that have been released on CD in Japan, that haven't also been released in the U.S. - or if I'm wrong about that, somebody please correct me.

If you're in Chicago, I'm betting you'll get it in about 3 or 4 days (from the time it shipped), at most, maybe even 2 days. Yeah, I guess I should have said "welcome" too!! - where's my manners??? Glad to have you here!! Many of us find the Organissimo board to be the closest thing you can find to the old BNBB. Stick around, we could always use some more people. Again, glad to have you here!!!

The only one of those three that I have is the Blue Mitchell, which I think is really great. I'm planning to get the Turrentine set one of these days, hopefully within the next year or so. One of the best things about the Mitchell set is all the Junior Cook sideman appearances. I hadn't heard much Cook at all (none that I can think of), before I got the Mitchell set. At first, knowing Joe Henderson was on that very first Mitchell album, I kept thinking that Joe Henderson must have been on several other albums in the set. I was shocked to later find that all that "Joe Henderson" I was digging so deeply, was really Junior Cook - playing very much like Joe Henderson. Also, the last two Mitchell albums on the set are nice, in that they are slightly larger groups, much like Duke Pearson's 7-10 piece groups, either under Pearson's name, or groups Pearson did arrangements for (like Mobley's "Slice of the Top", among others). In fact, I don't have the Michell liner-notes handy, but I wouldn't be surprised to find that Pearson did the arrangements for either or both of those last two Michell albums from the Michell Mosaic set. Hey, Sal, please (re)-introduce yourself. You seem to know us (re: "familiar faces"), but I'm really bad with names - and so I'm not sure if I should be remembering you from the BNBB?? - or perhaps you know some of us (but not me) from somewhere else?? Thanks!!

Wow, what great stories, Christiern!!! Can you share any other rememberences of John (Corigliano ) and/or Yoko?? A.B. - I too love Ives' early symphonies, #1 is great, and I especially love #2 - which I seem to find more in every time I hear it. Ives' first two symphonies aren't all that weird (er, um, I mean 'advanced' ), but they are just quirky enough to keep one guessing a bit, even after many repeated listens. Naxos has new recordings of most of Ives' orchestral output (some are already out, others are yet to be released). And in each case, they are from new 'critical editions' of the scores, by perhaps the #1 Ives scholar in the country, John Sinclair. I might also mention that Naxos is planning to release a disc of the complete works of Carl Ruggles, who is every bit as incredible as Ives, IMHO. Ruggles didn't write much (only enough music to fill one 79-minute CD, approximately), but what he did write (or at least his very few orchestral works) rival anything Ives wrote. They were contemporaries, and became friends after both composed their last works. The Naxos "Ruggles" disc won't be out for another year or so, but it should be one of the highlights of their fantastic "American Composers" series.

Me too!! Same thing - I heard that middle movement of "Three Places...", and I was hooked -- the one with the multiple marching-band tunes going on at the same time. I used to focus on Ives' orchestral works mostly, and (at the time), I didn't go as much for solo-piano things. Then I heard Ives' "Concord Sonata" performed live, and I was totally blown away. Although his orchestral work is unquestionably important, I can't help but think (now) that his piano works are equally important, and are of a depth that I haven't found in many other composers. There are two relatively inexpensive Ives' solo-piano releases that are well worth picking up... and Charles Ives: Piano Music (Vox Classical - #5089, 2CD's for $11.00) Charles Ives Works For Piano (Vox Classical - #3034, 3CD's for $16.00) VOX is an inexpensive label - and most of their recordings are from the 70's. Both of these are excelent ways to dig into Ives solo-piano works. (You should be able to find either or both of these at at the CD store in your town that has the best classical section.) There is some overlap between the two, in terms of the works recorded - and if you were only going to get one, I'd get the 3-disc set to start with.

Oh, another one I learned from someone here... You can indent text, by using the 'list' and '/list' commands (between brackets), but without using the corresponding '*' commands (within brackets). Like this... We the people of the United States, in order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America. It's like a general 'indent' command, when used without the '*' codes.

OK, I just discovered that you can also do strike-out text with 's' and '/s' between the bracket things. And you can do bullets without having an indented list, just only use the '*' between brackets, without the 'list' and '/list' between brackets. [*]item number one [*]item number two [*]item number three And you can have an image be a link itself, like this picture which links to the AMG review of this album... (click on this image) What else can you do, besides what the board "Code Buttons" make it easy for you to do??? Please, do show off what fancy stuff can be done... PS: There's a way to do numbered lists (or lists with letters), instead of bullet points, but it doesn't appear to work on this board. Here's where I learned some of this stuff (Link: What is vB Code? at AAJ), although the 'strike-out' lettering I picked up from someone's post here on the board, and it isn't listed at the 'vB Code' link above.