barnaba.siegel

Oh, but you can - there are long clips straight on the Beat Club channel on YT. It was also released on DVD sometime ago https://www.discogs.com/release/3117370-Ginger-Bakers-Air-Force-Live-1970

Cool news from German MiG label - some extended Beat Club performance in May, Airforce II with unreleased tracks in July and more. "Under the banner of the “Ginger Baker Archive,” we are thrilled to present music lovers worldwide with the first-ever complete release of the 1970 Beat Club recordings by the groundbreaking “Ginger Baker’s Airforce,” titled “What A Day,” scheduled for the end of May. The next step, slated for the end of July, will be the CD release of Airforce II, featuring previously unreleased bonus and alternative recordings in various forms and contents, mirroring the album’s original release in countries like England and Germany with different tracks. Many more releases are in the pipeline and already in preparation. The MIG team takes pride in collaborating on these projects with esteemed experts such as Peter Brkusic and Johannes Scheibenreif from Vienna, along with other dedicated supporters. Unfortunately, Ginger’s catalog has been released in a partially careless and incomplete manner, and of unacceptable quality. We are determined to change this and restore Ginger to his rightful place in the history of rock music, with due respect and devotion." http://www.mig-music.de/en/mig-music-announces-an-exciting-series-of-releases-from-the-rich-legacy-of-one-of-the-most-significant-drummers-in-rock-history-ginger-baker/

More Sun Ra on the way: STRUT288LP - Sun Ra - Inside The Light World: Sun Ra Meets The OVC Introducing a musical treasure from the enigmatic Sun Ra's expansive discography, Strut Records proudly presents "Inside The Light World: Sun Ra Meets The OVC”. This extraordinary album unveils previously unreleased recordings from the year 1986 for the very first time, showcasing a unique chapter in the Sun Ra catalogue, officially released for Record Store Day 2024. https://strut-records.co.uk/blogs/news/rsd-record-store-day

Whoa, that's the kind of news I've been waiting for since years! I wish it's just the beginning, would love to hear some live stuff with strings and wurlitzer.

This is how the upcoming LP boxset looks like. Nice artwork, very much like 60/70 science-themed graphics. There is a preorder for LP's, but US only. Other areas and CD's will come later. Release: May 2024 http://www.waysidemusic.com/Music-Products/Soft-Machine-Høvikodden-1971-4-x-vinyl-lps-in-heavy-slip-case-(due-to-size-and-weight-this-price-for-the-USA-only-Outside-of-the-USA-the-price-will-be-adjusted-as-needed)__Rune-spc-530-v.aspx

If anyone would like to fill some gaps in collection or just pick a few live gigs, by SM, I'd strongly recommend: Third the 2CD set with the absolute studio classic and a live performance at Royal Abert Hall Virtually - my personal favorite, pure fire from the most iconic line-up Noisette - on of the few recordings capturing band with Lyn Dobson, so double sax or sax/flute BBC 1967-1971 and 1971-1974 - two 2CD sets, all-killer no-filler, there is stuff with Allan Holdsworth and a big-band gig Floating World Live - peek performance with more fusion oriented material from "Bundles"; what Holdsworth is playing here is unspeakable Bundles the 2CD set the 2022 Cherry Red edition, classic jazz-rock album extended by late 1975 gig (John Etheridge on guitar) There are many, many more, like Switzerland 1974, the Montreux performance - not perfect in terms of sound quality, but it's audio with video and it's great to see Holdsworth's fierce solos or Mike Ratledge playing some modular stuff on Synthi AKS.

So there is a new archival set of Soft Machine records coming out this year! Cuneiform have just announced this: SOFT MACHINE – HØVIKODDEN 1971 (4 disc set) COMING OUT MAY 2024 (4-disc set of archival live recordings, half of which are previously unreleased, by British electric jazz/ jazz-rock legends, Soft Machine) [UK] It seems this will be a previously known "Live At Henie Onstad Art Centre" gig, but with two new CD's. Well, maybe the 2023 Dutch Lesson wasn't that good (mediocre sound quality and surprisingly not as interesting as the live-at-studio NDR Jazz Workshop), but I'm still thirsty for more, especially for the 1970-1971 period.

Sound exciting, but I'm also a bit unsure about the music/tunes and line-up - sounds like a vehicle for hard-bop revisitation, not a classic mid 70's spiritual and free Ranelin. 23$ is a great price, but with additional 20 for shipment I'd wait for the samples.

Hi all. Yes, this is a legit release done in partnership with Tony Zawinul and NDR radio archives with their brilliant soundboard archives. "Live in Berlin 1971" will be released on 27th October, 2023. Available formats are 2CD, 2LP (black) and two different colored LP editions - one in GAD Records store and one at heavyweathershop.com. Pre-orders are available now.

I've read reviews on Discogs, some people writing about really raw sound, so I guess it's a "no" for me. And I guess Gearbox had chosen the best stuff for LP, so the downloadable content could be even "more raw". According to this site (https://www.jazzmusicarchives.com/album/art-blakey/live-at-jazz-workshop-1970(live)), the tracks and credits are as following: Tracklist Side-A 1. Autumn in New York 2. Falling in Love with Love 3. Just in Time Side-B 1. Round About Midnight 2. East of the Sun (and West Of The Moon) Digital edition track list: 1. On Green Dolphin Street 2. The Theme v.1 3. Wee Dot v.1 4. Round About Midnight 5. The Theme v.2 6. Con Alma 7. Daahoud 8. Somewhere Over The Rainbow 9. A Night In Tunisia 10. It's Only A Paper Moon 11. Autumn In New York 12. Falling In Love With Love 13. Just In Time 14. The Theme v.3 15. Wee Dot v.2 16. East Of The Sun (and West Of The Moon) Line-up/Musicians Art Blakey; drums Andy Bey; piano, vocals Ramon Morris; tenor saxophone Isao Suzuki; double bass Junior Cook; soprano saxophone (track B2)

Good to see it will be issued by Moosicus. This + Marion Brown is an insta-buy for me.

Not much info, only this below. Good to know it's official, Andy Bey and Isao Suzuki sure sounds interesting. Too bad it's only on LP, maybe we will see CD after the RSD '23 craze. "Previously unreleased, historically important, a gift from the jazz gods. Available for the first time, as an official release in partnership with the Art Blakey estate, this is the only known recording with this Jazz Messengers line-up. This RSD 2023 release comes with a QR code which accesses almost five hours of content - essential for the true Art Blakey enthusiast."

The thing is simple. No label can be deemed as a bootleg in general, so that any new entry will be marked as Unofficial. But a single release could be. So to kick anything out of the regular discography from Discogs, move it to Unofficial Releases column and block sales on Discogs, you need to simply edit certain release and check the "Unofficial release" box. From time to time I'm doing it, not in the obsessive way, but when I check if anything interesting was released and cross with some cheap sh*t, it goes straight to the "Unofficials". Thankfuly rarely anybody reverse it (but technically it's just few clicks). But recently I've got some change of heart and lost confidence, because of those "loophole/justification/legality" @JSngrymentioned. This music legal stuff could be crazy. I had a chance to interview John McLaughlin a few years ago and asked him about years with Graham Bond and then-recent 4CD release "Wade In The Water" with some of the earliest McLaughlins' recordings. I thought it would be a pleasant talk and would trigger some fond memories with general gratitude that Repertoire Records released this rare and old music - but John went instantly ballistic that he don't know anything about this box and they didn't pay him! Should they? Are Repertoire guys and gals acting on the edge of grey market? Thanks for your answer. Thankfully I'm waaay behind the episode, when I was buying everything that have printed cover and pressed CD, so I was asking more like "is there a chance it's legal" (especially label doesn't look that random, we even know names of its founders) more than seeking absolution 😀. I'll pass and wait . I have 3 Miles' boots, bought them in the late 2000s and I was very happy about them. Still am. There is a 1969 lost quintet album from the autumn European tour, an 1973 Olympia concert and double Belgrad 1971/1973 gigs. All this music from that period was virtually inaccessible. Plus some DVD's, I guess all of them could be from this grey market area. I was thinking a lot about "Blue Coronet", so important recording for this electric period transistion! Eventually I got MP3, but it's great somebody unearthed those tracks.

As we all now, market is full of pirate recordings these days, so it's hard sometimes to distinguish one from another. Not to mention there are probably some levels of bootleg companies - from Dimeadozen thievies to some more sophisticated labels that seem like they're having some purpose, goals, aesthetics. So what do you think of SleepiNight Records, "Independent jazz label owned by Gary Gillies and Sean Gillies" (to quote Discogs), who released 3 Miles Davis CD's - Lost Quintet, Lost Septet and Lost Concert? A bootleg or not? https://www.discogs.com/label/245236-Sleepy-Night-Records

Good to know, will add those to my to-hear list. Still - it's a bit odd to me.

Oh my, that's a treasure... And after a deeper thought I'd say it's quite SENSATIONAL. I checked through his discography and it turns out that Donald Byrd have never ever released a live album under his name! (pls correct me if I'm wrong). I guess he was a "I-don't-like-live-albums" kind of guy, especially after reading this piece from Don Was press release: Well, everything comes together for me now. (Leaving the investigation) I'm quite thrilled about this album, tho I was never a huge fun of his Mitzell era. I enjoy the majority of transitions from classic post-bop jazz to soul/funk/rock driven electric version of this music, but with Mitzell's? I don't dig their singing and harmonies, as well their taste in types of synthesizers sounds. But this live version of "Black Byrd" is really promising, I hope the raw live atmosphere will take away those studio detail I don't like.

I bought also a CD set and I'm more than happy. It's and oldschool box, not a cheap clamshell one, but with hard cardboard wrapping, cut-out on side, thick booklet and two double digipack inside. And the music - stellar. Maybe the first half of first set is a bit hesitant, but the fire stars with "Ghosts" on CD2. The second set is slightly different, because of a piano, but I think it makes the music more accessible.

You were so lucky to see those cats in a gig! I could only imagine the tension and great loudness. About "In Philharmonics" - I could never listen to this album at whole. I guess it's not the playing, but more the audio quality. I always wanted to hear this electric sitar, but all music blends together too much... (i've got a classic Columbia CD and the japan Mastersound). But maybe it was also a transitional sound between the Jarrett-Bartz band and a funky 1973 unit. Yeah, I do think so. The majority players from 80's band are still alive and kickin, Miles become a celebrity apart from the music world during that decade - not to mention this music is less demanding if we're speaking about it's promotion (or a cover bands).

I'll buy it for sure, especially if there will be a decent amount of unheard studio music, but it's a great shame they didn't managed to get through the 70's period. Miles got a really tight band in 1971, touring over a year with Jarrett and Bartz, but there is only 1 officialy released gig. The mysterious 1972 year is caught only on a terrible "In Concert" album There are tons of great quality bootlegs from 1973-75, but there are only few releases. It's crazy comparing to the amount of 1969-1970 music on market. Not to mention unreleased 1975-1978 sessions (although I'm not sure they should see the daylight....)

An email from one shop alerted me that famous Larry Young "Lawrence of Newark" is getting re-released on CD in Japan. It turns out that not only it happens today, but also it's a part of large back-catalog reprint From CD Japan: https://www.cdjapan.co.jp/product/OTLCD-2608?utm_source=MAIL&utm_medium=text-genre&utm_campaign=Jazz-20220405-genre-OTLCD-2608 [PERCEPTION RECORDS] Japan's first full-scale catalog reprint of the independent label <PERCEPTION> established by Jimmy Curtis in 1969 has started! Japan's first CD. The latest digital mastering. Newly written Japanese commentary. Supervision and commentary: Kazunori Harada. If anybody could track down other releases and paste it, that would be great.

I'll paste exactle what Cuneiform wrote in the description: "Footage of the concert was previously released in 2008 on DVD, but we have gone through the original footage once again to improve video quality as well as remove or lessen soundtrack issues including fake applause and hard edits." It depends on what period you're interested in. Definitely the boths BBC sets by hux are essential - first covering 1967 to 1971 and second 1971 to 1975. Soft Machine & Heavy Friends, aka BBC Live in Concert 1971, is good sound-wise, but the big pack of jazz guests was more like a jam thing rather than well-planed extension to Softs' music. Virtually, Noisette, Grides (with DVD) - another essentials from Wyatt era. (and of course the double CD edition of Third, with live performance on second disc) Floating World Live, Switzerland 1974 - must have for fans of Allan Holdsworth era. I enjoyed also Drop (a short living quartet with Phil Howard on drums, very interesting sound), Live in Paris 1972 (the double Fender Rhodes and less of distorted organs give this set a nice delicacy). But if you will get knee deep into SM, most of the official stuff is great. Just recently I pulled "Breda Reactor", a double CD set from Holland, quintet one more time. Years ago I wasn't fond of this music and the sound quality as well. Few days ago I'd pressed played and couldn't stop listening to it, even the hour was getting really late.

Cuneiforme unearthed another live gems from the Soft Machine portfolio. In this time something particulary interesting for fans - not one, but two gigs by a Third-era quintet that lasted only 3 months. Lyn Dobson joins the classic Ratledge, Wyatt, Hopper and Dean line-up doubling Elton on sax, adding flute and even harmonica and vocal. The next interesting thing is the included DVD with a French concert, that is also on CD. It needs to be pointed out, that the video material was previously released as "Alive in Paris 1970", but of lesser quality. Plus the CD covers whole concert for the first time. I've already bought this set so quick thoughts: 1. I wasn't listening to Softs for months, so it's always a funny process of turning an inner audio switch in my ears to accommodate to their harsh, distorted sound. And it's usually not only the tone of hardcore deformed Lawrey organs and Hopper's bass, but also a sound quality. And so is here. Both gigs aren't perfect, I can hear sound deterioration between tracks on the same gig. It's all an B+/A- work, taking on the bootleg scale, but good to keep in mind it's not a clean gig. 2. Well, I must say this famous quintet is kinda overrated. Of course it's great to hear some tunes from "Third" with two saxes, but Lyn Dobson is not doing great on live situations. Not as interesting on sax as Elton Dean, his flute playing, even for the standards set by jazz-rockers (or rock-jazzers) like Bob Downes or this guy from Out of Focus from Germany, is something I'd happily skip, his harmonica playing barely suits this Machine and his vocal works... sheesh... unbearable for me plus doesn't have any delicacy or charm of Robert's singing (btw - Wyatt's gives a serious, noise performance at the end of Paris set, a more Matching Mole level of act). 3. Booklet is surprisingly thin, but there is a huge essay, so considering how many Softs' albums are out there, I guess it's ok. So in overall - well, for sure "a must have for fan", but it wouldn'y be my favorite performance.

For sure there were many, but I was looking specifically which guitar players could influence him in a way that is clearly audible.

It's hard to deny Metheny's genius, especially when talking about his 70's recordings. But I was always wondering, how this young guy came up with the style that was so unique, like without precedent. We're not talking about another McLaughlin, Montgomery, Benson, Szabo. We're not talking either about music that clearly came from all the guitar-driven jazz-rock albums or a straight soul-jazz or country influenced music I'm still digging early and pre-jazzrock recordings, I've listented to dozens of famouse and thrice as much obscure guitarist and I couldn't figure out, what could inspire both his style and sound. He was a jazz-rock enthusiast in early 70's and - according to Bill Milkowski book "Jaco" - his early playing with Jaco was much more fiery, as on this bootleg "Jaco", a studio album with Paul Bley and Bruce Ditmas. Bob Moses stressed out in Milkowski's book, that he was a bit disappointed with the final effect of "Bright Size of Life", complaining that the music captured was far from the flaunt Jaco and Metheny were supposed to show with Moses alive in New York's clubs. I couldn't figure out all of this till I started to dig Volkrer Kriegel, great German guitarist, one of the stars of MPS label. He cut great psycho jazz-rock stuff with the Dave Pike Set and he recorded a bunch of amazing albums. And more I've been listening to him, the more I catched: the chords, the single notes, the passages, the tone, the aura, use and cooperation with other instruments. Here's a bunch of tracks featuring Volker I gathered - it's usually not a whole song (and definitely not those distorted, blues-oriented solos), but rather elements, "ingredients")https://open.spotify.com/playlist/5itBC69M09elsoe0to5kbO?si=ec52174074bf4b6c It's not like I've found that Pat cut a part of his song with a saw. But given the exceptionality of Metheny's style and absolute scarcity of links between him and his older fellow guitar players from USA, I started to think that maybe this guy was an actual inspiration... Well, Metheny played with Burton and recorded with him "Ring" in Germany in 1974. Maybe all of this doesn't sound so crazy. I wonder what are yours thoughts about Metheny's inspirations, folks. And I mean those "audible".

At one point Santana team asked fans through social media about some bootlegs, like they were having a lot and completing missing shows. I thought it's all for a splendid, King Crimson box style release that will appear some day. Well, I guess about 8 years passed and still nothing.