Brad

Disc 2.

I believe it had to do with a vesting option for 2019 based on combined plate appearances for 2017 and 2018, which he was on his way to meeting.

I now understand what you mean but the physical and other considerations (financial) always affect the music. Nothing operates in a vacuum.

I really have no idea what that means. Could you please elaborate.

In the internet age, where you have a lot of information (too much, in my opinion, because how can you consume it all), I'll bet that number has gone down.

In the pre streaming world, how was an album (LP, and then CD) be an artificial construct? There was only so much music you could put on the medium then being used. In the streaming era, you may have a point, although the amount of music may be dependent on how much music the artist wants to release (how much will the buying public want to hear) or the label (unless self released) thinks should be released.

For me, box sets are a different animal. In each cd, you're obviously going to get 60 minutes plus and different albums. In box sets I have no problem with lengthy cds.

I like them when they’re 40-45 minutes. I think that’s a good length.

Thanks a lot. I was looking at the Legends disc as well as a Buddy Tate one.

Thanks. Worth buying, in your opinion? I saw a couple of CDs on eBay that looked a little interesting.

Anyone? I believe it’s a French label.

Happy Birthday Jim

Cd.

This may have discussed at some point but what is the verdict on this label. Are they similar to the Classics label.

There are several on eBay.

My mistake. I just realized the numbers are on the back cover Helps to be observant.

I received the Johnson box from Jazz Messengers. My first purchase from them and superbly packed. It’s a wonder I received it at all as they got my state of residence wrong (Chester Pennsylvania instead of Chester NJ). One question — and it’s a minor one; the book is unnumbered. Is that the norm.

Grant Green’s Feelin’ the Spirit.

Couple of articles in today’s New Yorker. https://www.newyorker.com/books/double-take/philip-roth-in-the-new-yorker?mbid=nl_Daily%20052318&CNDID=48103853&spMailingID=13569010&spUserID=MTczODY1MTk5MjI5S0&spJobID=1402136256&spReportId=MTQwMjEzNjI1NgS2 https://www.newyorker.com/magazine/2000/05/08/into-the-clear?mbid=nl_Daily%20052318&CNDID=48103853&spMailingID=13569010&spUserID=MTczODY1MTk5MjI5S0&spJobID=1402136256&spReportId=MTQwMjEzNjI1NgS2

It looks to be both.

Not a fan I guess?

Something he and Mozart may have had in common.