Disc 4. Overall, I found this set to be better than I anticipated. There were a couple of duds (in my opinion), mostly in the bonus tracks on The Birth of a Band date.
History written in a very unusual way, broken down into each month of the year and further broken by occurrences in cities.
Here’s a review for those who may be interested.
https://mobile.nytimes.com/2018/04/06/books/review/1947-elisabeth-asbrink-modern-totalitarianism.html
I finished this today. Well worth the time for a good look at pre-WW II British society and very funny also.
*****
This may be of interest. Last week the New Yorker published a previously unpublished short story by Isaac Bashevis Singer. It’s very short.
The Boarder
I came across this old thread on the Hoffmann Forum about CDRs.
http://forums.stevehoffman.tv/threads/amazon-now-selling-legitimate-cdrs-of-oop-cds.175981/
Paying money for a CDR is not for me.
I had a conversation on eBay with a seller of a Herman Chittison Classics cd, listed as a cdr. He said this was a cdr authorized by the owner of Classics. He indicated the CD and artwork are copies of the original.
That you can sell a cdr strikes me as odd.
I was listening too and was fascinated by what I heard, especially as I never heard of him before. I’ve looked online and there seems to be little available or it’s expensive. I, too, would appreciate suggestions.
Is selling cdrs on eBay legal. I saw a couple of Classics CDs I might be interested in and the seller described it as a CDR. Does it make a difference if the recording is now in the public domain?