IIRC the first cd release of Handy is all alternate takes and none of the originals. (Well, maybe that's an exaggeration.) This Mosaic should decrease the value of that cd which, I believe, had become a bit of a collector's item.
Is that the source of the second cd that came with the "45th Anniversary edition of 'The Velvet Underground'"? Those 12 cuts burn.
I couldn't find the cds or downloads for a reasonable price but I just discovered it's (I think) complete on Spotify.
So does that mean that a record released 49 years after it was recorded would not go PD for a total of 119 years? That's worse than the US Mickey Mouse copyright insanity.
The cd combines the single Lp of the same title plus adds the "bonus" material. IIRC there was once a reissue double Lp combing the American and European songs Lps but not this extra material so no Pops there.
Just so no one gets the wrong impression, what he said was "Yeah, I regurgitated. It was so phenomenal, so emphatic … It was more music than I ever heard anyone play at one time. I just couldn't believe how great it was."
Wow! Thank you Ricky: https://virtualexhibits.louisarmstronghouse.org/2020/08/28/bop-bop-bop-the-charlie-parker-centennial/?fbclid=IwAR3MGi30YodBfRBOmAWoqas6jLqceEtvFpq2t8wddZEsiea7tKun86EFiz0
Here is all 45 Minutes!
In the notes to "The Complete CBS Recordings of Eddie Condon and his All Stars" Dick Cary is listed as being on alto horn for the session of 6/24/54 but neither the notes nor the discography mention him on piano. However on "Blues My Naughty Sweetie Gave to Me" Condon can clearly be heard (at about 1:12 and 5:10) announcing "Dick Cary", at which point I presume Gene Schroeder turns over the keyboard to him. (Actually it sounds like they might have had two pianos).
Jus checked both Discogs and Lord's and he's not listed on piano for that date in either. Hey have I just made an incredibly minor discographical find?
Ditto. (I once searched half a dozen up-scale super-markets in order to find Concert in the Garden which was originally only available packaged with a couple of bottles of wine. )
She was an artist in residence and gave a concert with students at the local community college here in Santa Barbara. I somehow didn't find out about it until after she'd left. No sure I missed much since when she was back in town for a beautiful concert I did see, she announced from the stage that this was the first time she'd been in Santa Barbara.
Also saw her in Ojai at the music festival there when Dawn Upshaw was the guest director. Schneider and her band gave a morning concert and then in the pm backed Upshaw in a piece Upshaw had commissioned from her. Not sure the latter was jazz but both were pretty great.
I gotta admit I listened to the first disc once so far but keep playing the 2nd disc. I'll. start giving the first one a shot again. And as much as I love Maria Schneider I think her liner notes are batty-- but maybe I'm batty and she's the sane one.