I think anyone who knew or played with Woody would probably agree that:
1) He was a great bandleader first and foremost. He managed to keep a top notch band together with few interruptions for 50+ years. He had an ear for talent, both players and arrangers. He trusted people to a fault.
2) There's no argument that Woody was a great musician. No, he didn't have the technique on clarinet of Artie Shaw or Bennie Goodman or Buddy DeFranco, and he didn't posess the vocal skills of many other singers of the era (and he would be the first to admit these things) but he always had a deep love of the music, and played and sang with a soulful fervor that brought energy to the band and audience both. He had an alto sax sound that was gorgeous (he loved Hodges). And when he played Mood Indigo in the low end of the clarinet it was an amazingly beautiful sound. He busted his ASS to learn his part on Ebony Concerto!
Many leaders would be afraid to surround themsleves with the talent that Woody sought out. He knew his sidemen were often outplaying him, and he loved that. His best advice to me was to "be yourself"- find your own voice in the music. He was totally comfortable with who he was, that's for sure.
Woody needs no one to defend or apologize for him, and I know no one here (Jim especially) intended any disrespect.
Before I joined the band I used to think "what a great band, too bad the leader's the weakest player" but after spending time with the group I became very aware of his strength, leadership and musicianship. He set an example for all, and pretty much everyone who ever played with him agrees. And towards the end (when he started missing some gigs) there was a huge difference in the energy level of the band when he wasn't on stage. It was hard to play without him, and even though he'd been playing the same thing on Woodchopper's Ball for years and years, when it wasn't there it left a gaping hole in the music.