Up, for two reasons:
1) to naively inquire if Mr. Ayers suggestion of a "Shepp-Tchicai/NY Contemporary 5 Mosaic Select" is still as unlikely as it was almost 5 months ago, and
2) to ask why, according to the liner notes of Storyville 8385 (Archie Shepp & The NYC5), "... no club in New York would, in 1963, be interested in sustaining a group like this during its formative period".
The NYC5 seems (to me anyway) a logical extension of the music that Ornette (and Don Cherry) were doing a few years earlier. I realize that Ornette generated a good deal of controversy at that time (and/or a few years earlier), but he was still playing in NYC at that time, correct? Was the NYC5 still too "far out" or radical for New York in 1963?