Here's a computer translation:
A meditation on the blues by a saxophonist and composer and a musicologist. With Blues and the Empirical Truth (tribute to the album of Oliver Nelson recorded a half century ago), Allen Lowe book a nine views and stripper on this fundamental musical genre through 52 pieces which scatter blues with the 4 corners of American popular music (and beyond) - from the cotton fields to free jazzpassing by the Church, the marching bands, brothels, ragtime, the minstrels, swing, bop, rock, pop, while making reference to musicians as diverse as Johann Strauss, Maybelle Carter, Armstrong, Ellington, Billie Holiday, Bud Powel, Max Roach, Mingus, Brubeck, David Schilkraut, Doris Day, Miles, Ayler, James Brown, Coltrane or Lou Reed! Surrounded, according to titles by pianists Lewis Porter and Matthew Shipp, trombonist Roswell Rudd, guitarists Marc Ribot and Ray Suhy, saxophonist spike Sikes, bassist Jessie Hautala, électro-batteur Jake Millett and singer Todd Hutchinsen (3 titles), Allen Lowe, which evokes Ornette to the alto (instrument to which it overrides, here or there, the tenor, C melody sax and even the guitar)shown to an overflowing imagination, unlimited culture and (Jewish) humour detonating in a triple album, with the exception perhaps of the large precursor mentioned above (The Blues and the Abstract Truth), is unique in its kind.