That was a single LP! Due to Connie Kay's abundant use of a crotale for a ride cymbal, this record makes a great tweeter test. Beyond that, it's the funkiest the MJQ ever got - listen to Percy Heath's bass grooves and John Lewis' bluesy comping, which is like a James Brown horn section undernath his elegant touch.
There's a copy of that one on LP in my local Oxfam shop. Haven't worked up the nerve though to take it to the nice ladies at the counter..