jazzbo

I have the original album and I enjoyed it years and years ago and haven't visited it much since. I do enjoy McGlaughlin of this vintage: he was exploring and growing and really playing great things. I sort of lost touch with McGlaughlin later in the seventies and just haven't been interested in his work since. . . . Surman is a great player whose work I've really enjoyed as a sideman but I think this is all I have of him as a leader. . . May have to look this lp up in my archive and spin it soon! Thanks for the reminder!

Okay, I went there yesterday and ordered the two new Water releases (they have a killer price!) and two Brazilian cds (again, well priced!)

Don't know about the Golson cd, do know that the Charles cd was slated for release before his death; there was mention of it here on a Norah Jones thread. . . .

Yes, that's how I interpret it as well, the soundtrack to that show.

Here's the track listing from an online site: 1. Hikky-Burr (Kincaid Kinfolk) 2. Groovy Gravy 3. Oh Happy Day 4. Jimmy Cookin' On Top (interlude) 5. Toe Jam 6. Jive Den 7. Eubie Walkin' 8. Monty, Is That You? 9. The Drawing Room 10. Hikky-Burr featuring Bill Cosby 12. Hikky-Burr (remix) The Hikky-Burr theme has been featured on a Quincy Jones lp from this time (Smackwater Jack, 1971) period and is a corker! (Whole lp is pretty good!)

I've been collecting Tony Scott for a while now. . . as Jim says a very personal journey through a musical life and the music is stunning along the way. I have four Philology releases by Scott as a leader that I truly love. The Billie Holdiay ones are just some of the best music ever. Also have a Brunswick 10" that is a BURNER!

Colorized. . . nicely balances the upper left colors. I Dig the colorization of the bass!

Saw this cover online and never saw it before. Interesting photos!

"Brilliant Corners" "Such Suite Thunder" "Tonight at Noon"

I've stayed away lately, which is good. . . but if they would get those CBBB cds in. . . .!

Wow I was actually surprised I got them all correct, though I was not certain of two of my answers and sort of went with my gut!

I love all the Babs Gonzales I have ever heard. . . My favorite is "St. Louis Blues" but he never fails to entertain me. I've compared the Definitive Basie Columbias to the French lp set of the masters on cdr. I prefer the sound from the French lps, occasional vinyl glitches and all. They are more immediate and lively.

I've emptied the jar, but it took some time. . . .

Fantastic Scott! Glad you got such great gifts and had a great day!

David, congratulations. I know how hard you have been working towards this and I'm very proud of your accomplishment!

Sad news. I just know him from his Debut and Impulse appearances. . . that is enough to know he was a unique talent!

George Buck has a Circle cd of Lunceford transcriptions out. . . possibly the World Transcriptions?

Jim it definitely feels like Teefski was allowed to do his thing! I find it interesting how on the original Savoy lp mixes (not necessarily in all the reissues, especially the US ones) RVG (and other engineers in other studios that Cadena and others used) seem to have the horns even more upfront and loud than on say Blue Note and Prestige sessions. This can be quite effective; I really like the way that the Harden-Coltrane dates sound for example.

I sure missed out on dodgeball by being in a British-run boarding school in M'Babane. . .playing cricket and hockey and soccer and rugby instead!

If you want to sample his writing and arranging skills for BIG BOLD BAND, pick up almost any Maynard Ferguson Roulette. Man. . . !

Two very good recommendations there! Sister Salvation was (along with Charles Bell's and Leo Wright's first Atlantic lps) among my first three jazz lps I ever owned and I still get chills when I hear the Hampton lp!

I honestly believe this was intended to make you sit up and take notice, the arrangement was engineered this way, and the engineering was arranged to heighten the effect. Not knowing the original intent, not being at the session, I'm just guessing but that's how it seems to me. It's a great tune and the contrast helps to make it a memorable one, lifts it up a notch.

Gosh, I can't tell you how much I dig that! I discovered that so many years ago that it isn't funny and just LOVE it! Jazz ain't pretty and predictable and neoconservative!

What was it Frank Zappa used to say. . .? "No commercial potential." I think Spielberg thinks he put in just the right amount of jazz in this, not too little not too less. Can't let his appreciation (if genuine) of Golson's work get in the way of business sense!

Yes, jazz was not important to this movie. . . it merely served as a vehicle for Hanks' character to fulfill a promise to his Dad. Can't have too much jazz in a movie if you want it to slam at the box office! Conicidentally I missed the thread on this movie so I didn't know the jazz thing was coming up. When they started alluding to it I thought of the photo in Harlem and sure 'nuff yep there it was. The interesting thing was my wife was very happy that because of ME she knew about that photograph and some of the people in it (okay, she knew MONK! when they showed his promo picture, a nice one), and she was so tickled that she KNEW. She felt HIP. Wild!